“No fool can be silent at a feast” Solon, Greek lawmaker and philosopher 630-560 BC
West London antiques dealer James Jackson is inaugurating his newly refurbished premises with Fête des Imbéciles, an exhibition of works by the British artist Robert Rubbish.
//David “Piggy” Worth and Judy Nylon at the back of the building which housed his basement flat, Edith Grove, World’s End, London, 1971. Photo: © Tony Hall. No reproduction without permission//
//Worth in Ossie Clark snakeskin coat, Brompton Cemetry, west London, 1971. Photo: © Tony Hall. No reproduction without permission//
//On West Pier, Brighton, 1971. Photo: © Tony Hall. No reproduction without permission//
“Piggy was a special dreamer” Judy Nylon
“Piggy got me my first job with Helmut Newton” Yvonne Gold
“He was an amazing character, funny, exuberant, outgoing, such fun to be with. Everybody wanted to be his friend” Tony Hall
Before David Gandy, before Nick Kamen, there was David “Piggy” Worth.
//With Graeme Edge’s girlfriend at the Moody Blues’ drummer’s apartment, Bayswater, west London, 1971. Photo: © Tony Hall. No reproduction without permission//
Film-maker Zara Hayes has captured the British artist Derek Boshier’s wit, intelligence and apparently boundless creative energy in her documentary for the BBC strand What Do Artists Do All Day?.
//From Thames & Hudson’s July-December 2015 catalogue//
“As an artist Derek Boshier has never lost his sense of wonder at the world” – David Hockney
The publication date of Derek Boshier: Rethink/Re-entry – the monograph of the great British artist I have edited – is confirmed as October 5.
Published by Thames & Hudson with a preface by David Hockney, Rethink/Re-entry contains 300-plus illustrations, from student exercises in the mid-50s to current works including the cover, a new portrait of Hockney and chapter openers especially designed by Boshier for the project.
//David Hockney 22 Times, Derek Boshier, 2014. 31 x 42 inches. Ink on Archer’s paper//
I’m delighted to announce that David Hockney has written the preface to Rethink/Re-Entry, the Derek Boshier monograph I am editing.
In the piece, Hockney points out that they have known each other since 1957, and that Boshier “like me, is an artist, and one who has never lost his wonder at the world”.
//Derek Boshier and I at the opening of his 2012 exhibition David Bowie + The Clash at Pallant House Gallery, Chichester, Sussex//
//”She was an instigator and an enabler.” Boshier discusses Pauline Boty in Pop Go The Women//
Catch if you can Alistair Sooke’s excellent BBC documentary Pop Go The Women: The Other Story Of Pop Art. Derek Boshier – subject of my next book – is among the interviewees, talking about his contemporary Pauline Boty.
Her work, like the other subjects of the programme, has been neglected in the circumscribed narrative of Pop. In Boshier’s words, Boty is important, not least because she was “an instigator and an enabler” to the male artists who hog the story on both sides of the Atlantic.
//Boshier and Boty captured twisting in Ken Russell’s 1962 BBC documentary Pop Goes The Easel//
//Rosalyn Drexler. In the background her 1967 painting Marilyn Pursued by Death//
The film’s revelation for me is the American Rosalyn Drexler, whose art is identified convincingly by Sooke as “scathing, critical, strong and stern”. Pop Go The Women is available to view on BBC iPlayer for the next five days here.
Derek Boshier: Rethink/Re-Entry is published by Thames & Hudson next spring.
Pauline's Gone Digital (for Pauline Boty), Derek Boshier, 2011. Diptych, 5' x 10'. Acrylic on canvas from the series Paris Texas, Paris France, Paris Hilton.
This month’s arts calendar in London is marked by a rare treat: From Doris To Chemical Cowboys, a talk by the great British artist Derek Boshier at Chelsea College Of Art’s lecture theatre on January 18.
Los Angeles-based Boshier will be discussing recent projects as well as providing insights into earlier achievements, including his part in the Pop Art explosion of the 60s and his Texas work of the 80s.
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