//Cover, Man About Town SS16. Otto in Buffalo hat and Rigby & Peller bra (prototype for Nostalgia Of Mud, 1982). Photography: Alasdair McLellan. Styling: Olivier Rizzo//

//Above left: Frankie in Buffalo hat, white Nike socks and my George Cox Diano creepers. Right: Natalie in Malcolm McLaren’s Chico hat (Witches, 1983), Buffalo jacket (Nostalgia Of Mud, 1982) and Bondage Trousers (Seditionaries, 1976). Photography: Alasdair McLellan. Styling: Olivier Rizzo. Hair: Duffy: Make Up: Lynsey Alexander. Man About Town SS16//

On a warm London afternoon last July I enjoyed a meeting with Ben Reardon, editor-in-chief of the biannual Man About Town, the magazine’s senior fashion editor Danny Reed and Young Kim of the Malcolm McLaren Estate.

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Tags: Alasdair McLellan, Alexander Trocchi, Ben Reardon, Bravo, Buffalo Gals, Danny Reed, Diano, Gallery International, George Cox, Helen And Desire, Honey, Idea Books, Man About Town, Natalie Westley, Olivier Rizzo, Olympia Press, Sado sex For The Seventies, Smash Hits, Wally Wood, Young Kim

//Fashion designer Vivienne Westwood at Paul Yule’s studio in Berwick Street, Soho, central London, 1980//

//Filmmaker Alex Cox directing an Oxford University Dramatic Society production of Bertholt Brecht’s The Resistable Rise Of Arturo Ui, 1975//

Here are just a few examples of the riches presented by photojournalist/filmmaker Paul Yule’s highly recommended Instagram feed @paul_yule.

//Bow Wow Wow singer Anabella L’win and manager Malcolm McLaren at L’Escargot restaurant in Greek Street, Soho, immediately prior to the group signing with RCA Records, 1981//

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Tags: Alex Cox, Anabella L'Win, Bertholt Brecht, Bow Wow Wow, Covent Garden, L'Escargot, Nancy Spungen, Paul Smith, Paul Yule, RCA Records, The Resistable Rise Of Arturo Ui, Vivienne Westwood

//Le Macabre, 23 Meard Street, London W1. Photo: Unknown//

“When I started working as the Saturday boy at Let It Rock (in 1973), Malcolm McLaren used to take me around these strange places which played a part in early rock & roll. One time we went to Le Macabre. I don’t know how he knew about it, but it was the real thing. The tables were coffin lids and the jukebox only had songs to do with death.”

Glen Matlock, interview transcript for The Look, 2000.

A chance encounter on eBay spurred artist Robert Rubbish into creating one of the key elements of his current exhibition Spiritus Soho Volume Zero.

Rubbish – who is one of many mourning the recent death of his friend and documentary subject, the poet Jock Scot – is known for deep associations with central London’s Soho, and has celebrated its sleazy past and uneasy present in his own work and with the other members of the art collective Le Gun.

//Dilly Boys, Robert Rubbish, 2016//

//The Sailor And The Mermaid, Robert Rubbish, 2016//

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Tags: Ancien, Dead In England, Glen Matlock, Jock Scot, Le Gun, Le Macabre, Look At Life, Robert Rubbish, Society Club

//Siouxsie Sioux, 42 Arlington Square, N1, 1982. © David Gwinnutt//

//”This was taken in hospital when she had the brain tumour but oddly seems to reflect the end of that heroin chic period.” The late photographer Corinne Day, Whitechapel Hospital, east London, 1996. © David Gwinnutt//

//Timberlina, east London 2009. © David Gwinnutt//

Photographer David Gwinnutt’s new show Portraits Trouvés at north London estate agency Currell provides documentation of the drastic transformation of our city through portraiture of some of the leading lights in arts and culture from the 80s to the 10s.

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Tags: Andrew Logan, B2, Corinne Day, Currell, Gilbert & George, Grayson Perry, Jonnny Woo, Leigh Bowery, Michael Clark, Neil Bartlett, Norman Rosenthal, Rhyannon, Robert Mapplethorpe, Ryan Styles, Ted Walker, Timberlina, Trojan

//Malcolm McLaren, Las Vegas, January 1978. Photo © Fayette Hauser//

To mark the arrival in London of the legendary founder of The Cockettes Fayette Hauser for screenings of rare films featuring the transgressive troupe, here are some extracts from an interview she gave me for the forthcoming Malcolm McLaren biography.

I’m also featuring photographs Hauser took when she hooked up with the late McLaren on the West Coast after the Sex Pistols had splintered in San Francisco at the end of their January 1978 US tour.

With meetings arranged with record company and movie studio producers and financiers, McLaren stayed at West Hollywood’s infamous Tropicana Motel on Santa Monica Boulevard, home to the likes of Tom Waits and visiting musicians from Bob Marley & The Wailers to the Ramones and the Velvet Underground (Andy Warhol’s Heat and Trash were both filmed there).

//60s postcard for The Tropicana Motel and Motor Lodge, 8585 Santa Monica Blvd, West Hollywood, CA//

//The Ramones at The Tropicana in 1978. With Joey Ramone (right) is Linda Ramone (in Emmanuelle Khanh sunglasses) and next to Johnny Ramone is Cynthia Whitney (aka Roxy Ramone), who is wearing the Sex t-shirt I Groaned With Pain, designed by McLaren and Vivienne Westwood. Photo: © Brad Elterman/Getty//

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Tags: Bette Midler, Fayette Hauser, Granny Takes A trip, John Lydon, Johnny Rotten, Las Vegas, Linda Ramone, Little Anthony & The Imperials, Paul Cook, Ray Stevenson, Ronnie Biggs, Rory Johnston, Slash, Smokey Robinson & The Miracles, Steve Jones, The Cockettes, The Great Rock N Roll Swindle, The Ramones, The Tropicana Motel

//Anna Piaggi – The Eccentric, Hormazd Narielwalla, 2016//

God Save The Queen is the title of collage artist Hormazd Narielwalla’s new exhibition opening at east London furniture and lighting specialists Salt & Pegram’s showroom on Thursday (April 21).

//God Save The Queen, Hormazd Narielwalla, 2016//

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Tags: Anna Piaggi, Diane Pernet, Frida Kahlo, Hormazd Narielwalla, HRH The Queen, Salt & Pegram

//Warhol poses for photographer Jon Naar on the famous red couch in his studio on E. 47th Street in midtown Manhattan, 1965//

Designer Ben Kelly, chair of interior and spatial design at University of the Arts London, has chosen this photograph of Andy Warhol’s Silver Factory for his exhibition 111 Inspirational Interiors.

Kelly has curated the show – which opens tomorrow at Windows Gallery 1 at Central Saint Martins  in Kings Cross, North London – after inviting 111 creatives to each select an image of an interior which is important to them.

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Tags: 111 Inspirational Interiors, Andy Warhol, Ben Kelly, Billy Name, Central Saint Martins, Jon Naar, Silver Factory

//Interior, 430 King’s Road, west London, designed by Patrick Casey and Malcolm McLaren for the retail outlet Let It Rock and photographed by David Parkinson in January 1972. No reproduction without permission//

I have elected the above image for inclusion in the exhibition 111 Inspirational Interiors, which opens tomorrow in the Windows Gallery 1 at Central Saint Martins in Kings Cross, north London.

The show is curated by designer Ben Kelly in his role as chair of interior and spatial design at University of the Arts London as part of his project Popular Culture And The Interior; the 1972 David Parkinson photograph stems from my participation in Kelly’s ICA symposium last year, Dead Or Alive – Interior Design.

For the exhibition, Kelly invited 111 people to contribute “an image of an interior that has been important and influential in their creative and intellectual development”. The image I chose was taken on the completion of the refurbishment of the ground floor of 430 King’s Road  from the premises of boutique Paradise Garage into Teddy Boy culture emporium Let It Rock in late 1971 by the late Malcolm McLaren and his fellow former Harrow Art School student Patrick Casey.

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Tags: 111 Inspirational Interiors, Alice Rawsthorn, Ben Kelly, Catherine Ince, Central Saint Martins, Chelsea College Of Art, David Toop, Dinah Casson, Gavin Turk, Harrow Art School, Jeremy Till, John Cooper Clarke, John hegarty, Lucy McKenzie, Million Dollar Quartet, Patrick Casey, Peter Saville, Peter York, Screaming Lord Sutch, Sun Records, University Of The ARts London

//Four of the five 60in x 40in posters designed by Bubbles for the 1977 UK tour by Stiff Records’ artists//

//Jacket sported by Jake Riviera in the late 70s decorated with badges, adorned with a ‘Jesus Of Cool’ promotional tie produced for Nick Lowe and accompanied by a Roberta Bayley photograph of Riviera in the jacket in 1977//

Music fan and pop ephemera collector Mike Hobday is realising a long-held ambition this weekend with a show of designs by the late graphic artist Barney Bubbles at The White Room Gallery in Leamington Spa, Warwickshire.

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Tags: 1977, Clive Langer & The Boxes, Jake Riviera, Leamington Spa, Live Stiffs, MIke Hobday, Roberta Bayley, Stiff Records, The White Room Gallery

//Details of Judy Blame jewellery with Helen Bullock bag//

//Bullock’s window for The Conformist at Belmacz, 45 Davies Street, London W1//

//Curator Paul Kindersely with wall of David Parkinson photographs 1970-75//

“So great to see an eclectic range of images and objects that challenge norms and play with moral codes”
The Courtauld’s Documenting Fashion blog

The Conformist – artist Paul Kindersley’s celebration of great British non-conformity of expression – is now entering its final few days.

If you have the opportunity, I recommend a visit to this fascinating exhibition (at Mayfair’s art/jewellery space Belmacz) which joins the dots between Emma, Lady Hamilton and Punk Rock, via Judy Blame, Leigh Bowery, Helen Bullock, Jennifer Campbell, Marvin Gaye Chetwynd, Paul Housley, Malcolm McLaren & Vivienne Westwood, Julie Verhoeven, Rose Wylie and many other glittering and creative creatures.

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Tags: Belmacz, Hellen Bullock, Jean Condé, Jennifer Campbell, Judy Blame, Julie Verhoeven, Marvin Gaye Chetwynd, Paul Housley, Paul Kindersley, Rose Wylie, Stephen Jones