Paul Gorman is…

All my yesterdays: King’s Road pub The Roebuck and key Barney Bubbles designs recreated on our doorstep

May 21st, 2021

//Outside my local “The Roebuck” in London SE1 yesterday//

//Barney Bubbles’ 1966 designs for Woodpecker and Strongbow ciders feature on the bus being used in filming//

This is freaky. Our local has been transformed into the King’s Road pub The Roebuck for the filming of Danny Boyle’s forthcoming FX series Pistol, based on guitarist Steve Jones’s memoir Lonely Boy.

The thing is I knew the Roebuck very well; it is in fact the place where I first met Malcolm McLaren, at the age of 15 in 1975. By happenstance I was drinking in the pub with an older brother the night McLaren recruited John Lydon  to the Sex Pistols.

//The Roebuck in the late 70s. Photo by Barry Beattie/ANL/Shutterstock (5823647a)//

At The Roebuck I came across such individuals as the gangster John Bindon and his well-born paramour Vicki Hodge and the male model David “Piggy” Worth. One night we spotted the infamous art dealer Robert “Groovy Bob” Fraser with some ne’er-do-wells. It was that sort of place.

//The Roebuck was a couple of minutes’ walk east of 430 King’s Road where the Mini driven by Vivienne Westwood, Steve Jones and others could often be seen. This recreation even includes balls of mohair wall in the back//

I returned there over the following years, particularly after I moved to neighbouring Kensington in 1977 – it was a 15-minute walk away. By that time Punk was shifting overground and the upstairs snooker room was the scene of much nefarious activity.

A wild twist is that pioneering 60s designs by the late graphic genius Barney Bubbles have been recreated as period adverts on a bus which is being used for filming.

The conjunction of two of the subjects of my books with a fondly remembered venue 20 yards from where I live is kind of wild.

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Michael Joseph’s 1971 ‘orgy’ shoot: Journey from Fernet-Branca billboard ad – starring Judy Nylon, Gala Pinion, Brent Sherwood, David ‘Piggy’ Worth et al – to covers of 90s/00s funk compilations

Nov 13th, 2016
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//The Michael Joseph image which was to be central to the 1971 Fernet-Branca campaign was featured in Dave Saunders’ survey Sex In Advertising, published by Batsford Books in 1996//

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//Front, Funk Spectrum, BBE Records, 1999. Photo: Michael Joseph//

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//Back, Funk Spectrum, BBE, 1999. Photo: Michael Joseph//

In 1971 the great advertising director and photographer Michael Joseph was commissioned to shoot a billboard campaign for the Italian digestif Fernet-Branca.

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Jordan Mooney remembers David ‘Piggy’ Worth and Patrick Lichfield’s 50s photoshoot for The Beatles Rock ‘N’ Roll Music

Oct 28th, 2016
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//Jordan Mooney and David “Piggy” Worth. From photo by Patrick Lichfield, 1976//

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//As they appeared in the Parlophone full-page advert for The Beatles compilation Rock “n”Roll Muisc, New Musical Express, June 26, 1976//

“He was a man full of wit and charm who always had an eye for new and exciting things. His special characteristics were kindness and forethought”

Jordan Mooney, 2016 

Following my recent blogs on the life of the late fashion model David “Piggy” Worth, here is a gem: Sex and Seditionaries superstar Jordan Mooney recalls her friend and in particular the time Worth urged her to join him in a 50s photoshoot by royal photographer Patrick Lichfield.

This was used for an advert and poster promoting Rock ‘N’ Roll Music, a compilation of previously released cover versions recorded by The Beatles between 1962 and 1970.

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‘Dreamers only need time and friends’: Judy Nylon on David ‘Piggy’ Worth and life in early 70s World’s End

Oct 18th, 2016
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//Judy Nylon at David “Piggy” Worth’s basement flat, Edith Grove, World’s End, London, 1971. Photo:©Tony Hall. No reproduction without permission//

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//Nylon and  Worth amid the cut-outs, props and mannequins in his flat, 1971. Photo: © Tony Hall. No reproduction without permission//

It is a great honour to feature this guest post by the artist and thinker Judy Nylon about her friend David “Piggy” Worth and their life and milieu in London at the turn of the 70s (brought up in Boston, Nylon had arrived in the UK capital at the start of the decade). The photographs, like those posted here at the weekend, were taken by Tony Hall as he set out on his career in photography, and have not been previously published…

THERE was a time when I smoked and owned skirts.

I lived at 14 Edith Grove, just south of Fulham Road, in a house owned by Donald and David Cammell just after they’d done Performance.

Piggy lived further down Edith Grove below the King’s Road, in a basement flat that was like stepping into his imagination. He had collections of clothes, props and small objects.

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//”Like stepping into his imagination.” Nylon and Worth and part of his clothing/antiques collection. Photo: © Tony Hall. No reproduction without permission//

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In praise of David ‘Piggy’ Worth: Tony Hall’s unpublished photographs of the great British collector, male model and stylist

Oct 15th, 2016
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//David “Piggy” Worth and Judy Nylon at the back of the building which housed his basement flat, Edith Grove, World’s End, London, 1971. Photo: © Tony Hall. No reproduction without permission//

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//Worth in Ossie Clark snakeskin coat, Brompton Cemetry, west London, 1971. Photo: © Tony Hall. No reproduction without permission//

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//On West Pier, Brighton, 1971. Photo: © Tony Hall. No reproduction without permission//

“Piggy was a special dreamer” Judy Nylon

“Piggy got me my first job with Helmut Newton” Yvonne Gold

“He was an amazing character, funny, exuberant, outgoing, such fun to be with. Everybody wanted to be his friend” Tony Hall

Before David Gandy, before Nick Kamen, there was David “Piggy” Worth.

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//With Graeme Edge’s girlfriend at the Moody Blues’ drummer’s apartment, Bayswater, west London, 1971. Photo: © Tony Hall. No reproduction without permission//

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‘They had the t-shirt off his back’: The 40th anniversary of the creation of the notorious Cowboys t-shirt + the obscenity debate it sparked in the pages of The Guardian

Jul 11th, 2015
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//Nicholas de Jongh’s front-page report, The Guardian, August 2, 1975//

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//Sex Original-labelled Cowboys t-shirt courtesy Hiroshi Fujiwara Collection//

This month – specifically July 26 – marks the 40th anniversary of the introduction for sale of Malcolm McLaren’s notorious Cowboys t-shirt in Sex, the revolutionary boutique he operated at 430 King’s Road with Vivienne Westwood.

The shirt’s status as the most provocative of all punk designs is enhanced by the fact that it made waves immediately: the same day the shirt went on sale, the first customer to wear it in public was arrested. Within 24 hours, the store itself was raided for indecency.

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Herb Schmitz’s lost London demi-monde: City Lights Studio, Yvonne Gold, Katharine Hamnett, Ika Hindley, David “Piggy” Worth, Jay Johnson, Barbara Trentham, Marrion Womble et al

Nov 2nd, 2012

//Marrion Womble + Barbara Trentham in City Lights Studio clothes, London, 1973.//

Herb Schmitz proudly describes himself as a photojournalist.

From the start of his career in London in the late 60s, the Dusseldorf-born Schmitz has turned an unerring eye to all manner of subject matter: seascapes,Turkish gangsters, the WW2 head of the Polish government in exile, the social scene in latterday Shoreditch (where he has operated a studio for more than 25 years)…

//Ika Hindley models Hamnett bangles, 1973.//

In the wake of a recent exhibition at Amsterdam’s Unseen Photo Fair, Schmitz has opened his archive of early 70s fashion photography for me, revealing images of a lost London demi-monde clad by such hallowed enterprises as City Lights Studio (the Covent Garden boutique operated by the subject of my latest book, Tommy Roberts) and Katherine Hamnett’s label Tuttabankem.

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