//Framed sketches for CLASH 2nd Songbook with copies of the published work//

//Specially designed by Boshier for the show, Art ‘Til You Drop tote bags and badges will be available along with copies of the monograph Rethink/Re-entry//

The installation of Rethink/Re-entry, the exhibition at central London gallery Flowers showcasing important works by Derek Boshier from the 1970s as well as collages and films made in the last year, is all-but complete.

These shots were taken yesterday as co-curator Guy Brett and I worked with the Flowers team on sequencing and final selection for the show, which opens tomorrow (October 7).

//Three sketches for sleeve of David Bowie’s 1979 LP Lodger//

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Tags: 16 Situations, Clash 2nd Songbook, Daily Mail - Poem Of Hate, David Bowie, Flowers Gallery, Guy Brett, Lodger, Thames & Hudson, The Clash, The Stun

DÉTOURNÉD PAINTING

Intended for the public. Easy reading

Collectors and museums,
be modern
If you have old paintings,
do not despair.
Keep your memories
But detourne them
So they correspond to your time
Why reject the old [paintings]
If one can modernize them?
With a few brushstrokes
Modernize your old culture
Be up to date
and distinguished at the same time
Painting is over
Better give it the final blow
Detourne
Long live painting

Asger Jorn, exhibition catalogue, Galerie Rive Gauche, Paris, May 1959. Translation: Young Kim.

Among the pertinent exhibits of our forthcoming show Eyes For Blowing Up Bridges is the statement disavowing traditional approaches to artistic creation made by the Danish artist and writer Asger Jorn in the late 50s.

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Tags: Alexander Trocchi, Asger Jorn, Fin de Copenhague, Gallery International, Guy Brett, Internationale Lettriste, John McCready Archive, Let It Rock, Mémoires, New Musical Express, Parade, Peel + Lift, Ten Gauge City, Vivienne Westwood, William Burroughs, Worlds End

//Cover artwork by Boshier, incorporating references to his 1973 installation Change and a portrait by his friend, Nigel Waymouth//

In January 2012, on a cold night in a print studio in, of all places, Wandsworth, south London, the eminent artist Derek Boshier asked me if I was interested in putting together a monograph of his life’s work with his friend and champion, the writer and curator Guy Brett.

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Tags: Blanche Craig, David Hockney, Guy Brett, Jamie Camplin, Karin Fremer, Maggie Hanbury, Nigel Waymouth, Thames & Hudson

//The Dance, from the series News From The Metropolis, Derek Boshier, 2014. Ink and collage on paper//

//From Best Foot Forward, Derek Boshier, 2014. Film//

To coincide with the publication of the Derek Boshier monograph Rethink/Re-entry, writer/curator Guy Brett and I are putting together an exhibition of the same name which will be held at Flowers Gallery in Cork Street, Central London this autumn.

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Tags: Arts Council Of Great Britain, Clash 2nd Songbook, David Hockney, Flowers Gallery, Guy Brett, Joe Strummer, Lives: An exhibition of artists whose work is based on other peoples' lives, Lodger, Mick Jones, News From The Metropolis, Pennie Smith., Posy Simmonds, RB Kitaj, Steve Johnston

//From Thames & Hudson’s July-December 2015 catalogue//

“As an artist Derek Boshier has never lost his sense of wonder at the world” – David Hockney

The publication date of Derek Boshier: Rethink/Re-entry – the monograph of the great British artist I have edited – is confirmed as October 5.

Published by Thames & Hudson with a preface by David Hockney, Rethink/Re-entry contains 300-plus illustrations, from student exercises in the mid-50s to current works including the cover, a new portrait of Hockney and chapter openers especially designed by Boshier for the project.

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Tags: BBC Four, Chris Stephens, Christopher Finch, Courtauld Institute, David Bowie, David E. Brauer, David Hockney, Guy Brett, Jim Edwards, John A. Walker, Ken Russell, LIsa Tickner, Los Angeles, Middlesex University, Pop Goes The Easel, Royal College Of Art, Tate Britain, Texas, Thames & Hudson, What Do Artists Do All Day?, Women's Institute Of Houston, Zara Hayes

//16 Situations in vitrine at Land Marks. Photo: Jasper Weinstein Sheffield//

I’m pretty late with this but there are still three or so weeks to go, so, if you have the opportunity, I recommend a visit to Hauser + Wirth Somerset, home until June 21 of the contemplative and poised exhibition Land Marks: Structures For A Poetic Universe.

Curated by historians Nicholas Olsberg and Markus Lähteenmäki, Land Marks presents 100 architectural studies and works constituting an investigation into the boundaries between sculpture and architecture and landscapes and cities.

The spell-binding space at Durslade Farm outside the village of Bruton provides the perfect setting; I am thrilled that the curators included Derek Boshier’s quizzical 1971 work 16 Situations.

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Tags: 16 Situations, Building Design, Durslade Farm, Guy Brett, Hauser + Wirth Somerset, Jasper Weinstein Sheffield, Land Marks: Structures For A Poetic Universe, Markus Lähteenmäki, Niall Hobhouse, Nicholas Olsberg, Richard Hollis, Thames & Hudson, Whitechapel Art

//Daily Mail – Poem Of Hate, 1977. Ink drawing and newsprint, 55 x 75cm. © Derek Boshier, courtesy Flowers//

//Drawing for CLASH 2nd Songbook, 1978. Ink on paper, 30.5 x 22cm. © Derek Boshier, courtesy Flowers//

//Hi Consumers! Don’t Forget Nothing Lasts Forever, 1978. Ink and collage on paper, 46 x 54.9cm. © Derek Boshier, courtesy Flowers//

//Drawing for CLASH 2nd Songbook, 1978. 33 x 22.5cm. © Derek Boshier, courtesy Flowers//

“Without hesitation, CLASH 2nd Song book is a masterpiece of graphic art”

Guy Brett, writer/curator

Interrogating materials for the Derek Boshier monograph has brought home the meshing of the artist’s sensibilities with punk in the 70s.

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Tags: bernie Rhodes, Caroline Coon, Chris Stephens, Christopher Finch, Clash 2nd Songbook, David Brauer, David Hockney, Give 'Em Enough Rope, Guy Brett, Jim Edwards, Joe Strummer, John A. Walker, LIsa Tickner, Rethink/Re-entry, Thames & Hudson, The Clash

//David Hockney 22 Times, Derek Boshier, 2014. 31 x 42 inches. Ink on Archer’s paper//

I’m delighted to announce that David Hockney has written the preface to Rethink/Re-Entry, the Derek Boshier monograph I am editing.

In the piece, Hockney points out that they have known each other since 1957, and that Boshier “like me, is an artist, and one who has never lost his wonder at the world”.

//Derek Boshier and I at the opening of his 2012 exhibition David Bowie + The Clash at Pallant House Gallery, Chichester, Sussex//

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Tags: Chris Finch, Chris Stephens, David Brauer, David Hockney, Guy Brett, Jim Edwards, Ken Russell, LIsa Tickner, Pop Goes The Easel, Tate Britain, Thames & Hudson

//Divided Self, 1974. Black and white silver gelatine print. 46.6 x 70cm//

//Sad And Lonely, 2006. Wood, paint, aluminium, fairground lights. 7.4 x 3.7 x 1.5m//

“I work in the belief – or dare – that I can continue to reinvent myself and remain a perennial beginner.”

Sad to note the death of the British artist Rose Finn-Kelcey.

Read Guy Brett’s obituary for this “wonderful artist and great person” here.

Ridinghouse’s recently published monograph Rose Finn-Kelcey – which contains essays by Brett, Sarah Kent and Michael Stanley – is available here.

Visit the artist’s website here.

Tags: Guy Brett, Michael Stanley, Ridinghouse, Rose Finn-Kelcey, Sarah Kent