A few years back over dinner in New York when I was working on The Story of The Face, the British artist and filmmaker Steve McQueen mentioned that he (“well, it was mainly my back and my arse”) had appeared in an i-D fashion shoot when he was a student.
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//Relation of Aesthetic Choice to Life Activity (Function) of the Subject, Billy Apple, 1961-2. From Tate Britain//
I’m indebted to Tate Liverpool curator Darren Pih for the connection between a photograph which appeared in ARK 33 – the edition of the Royal College Of Art magazine which was the subject of my last post – and a contemporaneous work by the artist Billy Apple.
/A selection of the 60 appended cards Harris placed in London art gallery and museum shops. No reproduction without permission//
//The Death Of Marat, Jacques-Louis David, 1793. No reproduction without permission//
//Charles I, Daniel Mytens, 1631. Card from National Portrait Gallery. No reproduction without permission//
Ian Harris is a man of many parts, having been at various stages in his life a successful graphic artist, fashion designer, homewares retailer and musician/performer, notably with late 60s blues-rock group The Earth and as his mod revival alter ego Terry Tonik.
Just this week Harris let me in on a curious, humorous and anonymous public intervention series he staged in London galleries and museums a few years back.
//The Identi-Kit Man, Derek Boshier, centre, Tate Britain. Photo: Chris Stephens.//
Chris Stephens, the Tate’s head of displays and head curator of modern British art, has organised for Derek Boshier’s 1962 painting to be hung at Tate Britain on London’s Millbank.
//From Thames & Hudson’s July-December 2015 catalogue//
“As an artist Derek Boshier has never lost his sense of wonder at the world” – David Hockney
The publication date of Derek Boshier: Rethink/Re-entry – the monograph of the great British artist I have edited – is confirmed as October 5.
Published by Thames & Hudson with a preface by David Hockney, Rethink/Re-entry contains 300-plus illustrations, from student exercises in the mid-50s to current works including the cover, a new portrait of Hockney and chapter openers especially designed by Boshier for the project.
//David Hockney 22 Times, Derek Boshier, 2014. 31 x 42 inches. Ink on Archer’s paper//
I’m delighted to announce that David Hockney has written the preface to Rethink/Re-Entry, the Derek Boshier monograph I am editing.
In the piece, Hockney points out that they have known each other since 1957, and that Boshier “like me, is an artist, and one who has never lost his wonder at the world”.
//Derek Boshier and I at the opening of his 2012 exhibition David Bowie + The Clash at Pallant House Gallery, Chichester, Sussex//
//Robyn Denny, early 60s. Photo: Bernard Jacobson Gallery//
Artist/illustrator Peter Knock pays tribute to the British ‘Situation’ painter Robyn Denny, who has died:
Sad to learn of the death of abstract painter Robyn Denny last Tuesday (May 20). It surprised me that he was, in fact, 83; my image of him is locked into the 60s when he was one of the hip and talented artists to have emerged from the Royal College of Art (where he studied in the 50s).
Great Big Biggest Wide London, Denny’s mural for Austin Reed’s Regent Street store, conveyed classic 1960s new age optimism, and received the ultimate seal of approval as a piece defining of its era when The Beatles asked to be photographed standing in front of it in 1963.
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