//Box advert for the Beckenham Arts Lab run by David Bowie and Mary Finnigan in IT #59, July 1969//

//News story about the Goldsmiths Arts Festival organised by Malcolm Edwards and his fellow student Niall Martin in IT #59//

Researching my archive during lockdown for a project has given me the opportunity to thoroughly assess individual publications, none more so than the 59th issue of underground paper IT, which hit the streets in early July 1969.

This particular edition features a couple of small items which provide clues as to the countercultural activities at the time of two Londoners who would go on to define pop culture in the 1970s: David Bowie and Malcolm McLaren.

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Tags: Alexander Trocchi, Beckenham Arts Lab, Bonzo Dog Doo Dah Band, David Bowie, Give Peace A Chance, Goldsmiths College of Art, Harold Pinter, IT, King Crimson, L. Ron Hubbard, Mary Finnigan, Mick Jagger, Plastic Ono Band, Pretty Things, RD Laing, Rolling Stones, Sun Ra, William Burroughs

When he was growing up in Minneapolis in the 1950s, the painter Duncan Hannah’s father advised him: “You never know what kind of squirrel cage a man goes home to at the end of the day.”

Hannah’s book 20th Century Boy allows the reader full access to the squirrel cage inhabited by this charming man in 1970s New York.

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Tags: 20th Century Boy, Amos Poe, Andy Warhol, Ashenden, Bryan Ferry, Claudine, Colette, David Bowie, Debbie Harry, Duncan Hannah, Gato Barbieri, Harlem, John Cale, Justine, Last Tango In Paris, Lawrence Durrell, Roxy Music, Somerset Maugham, Unmade Bed, Vintage Violence

//Richard Boch, 4am, Mudd basement, 1980. Photo: Lynette Bean Kral//

//Fab 5 Freddy Brathwaite, The Times Square Show, 1980. Photo: Bobby Grossman//

Tonight’s DJ appearance at Manhattan’s’ Soho Grand by the city’s clubland legend Richard Boch – who will be joined on the decks by none less than Fab 5 Freddy and Club 57’s Dany Johnson – affords an opportunity to champion one of my favourite books of the year.

//Judy Nylon and transient tattoos, 1979. Photo: Lisa Genet//

//Cookie Mueller, 1979. Photo: Bobby Grossman//

Boch’s The Mudd Club is a visual and literary orgy of delight, packed full of striking images and tales of glory and excess from the late 70s/early 80s nightclub where he was the kingpin doorman and communed on many levels with the good, the bad, the deviant and the simply deranged of popular culture.

//Clockwise from top left: Vicki Pedersen’s membership card; staff member Debi Mazar by Rhonda Paster Corte; ID card flipside; Cookie Mueller, 1979 by Billy Sullivan; Lisa Rosen 1980 by Maripol; Richard Sohl + Richard Boch in Montauk by Ron Beck; Kate Simon’s ID card 1980//

//Clockwise from top left: Vicki Pedersen/Joan Crawford Mother’s Day Event 1979 by Marcia Resnick; Nan Goldin Night School at Mudd 1979 by Billy Sullivan; Pat Ivers and Emily Armstrong 1980 by Robin Schanzenbach; Hal Ludacer 1979 by Eileen Polk; Eric Mitchell and Amos Poe 1979 by Marcia Resnick; Anya Phillips and James Chance, Mudd dance floor 1979 by Chris Stein//

You want to know how David Bowie corralled Joey Arias and Klaus Nomi to back him on Saturday Night Live? Read it here, along with hundred of other yarns to make your hair stand on end.

//Poison Ivy Rorschach post performance. Photo: Alan Kleinberg//

//Damita with cowgirl tattoo, 1980. Photo: Ebet Roberts//

Gossipy and jaw-dropping with a tone which is by turns sardonic and dewy-eyed for times long gone, The Mudd Club is a must-have.

The Mudd Club is published by Feral House; copies available here.

Festivities at the Soho Grand’s Club Room, 310 W Broadway, New York, NY 10013, kick off at 9pm tonight. No cover. Details here.

Tags: Cookie Mueller, David Bowie, Debi Mazar, Ebet Roberts, Fab 5 Freddy Brathwaite, Feral House, Joey Arias, Judy Nylon, Kate Simon, Klaus Nomi, Maripol, Poison Ivy Rorschach, Rhonda Paster Corte, Richard Boch, Richard Sohl, Saturday Night Live, The Mudd Club, Vicki Pedersen

//Members of the audience from Edinburgh who preferred Australian support act Icehouse to Bowie//

Fittingly Britain’s most surprising rock star has found his way to Britain’s newest and most surprising city, where high tech meets ecologic, where concrete meets conservation, where the silicon chip meets the fibreglass rod…

Steve Taylor, South Of Watford, Summer 1983, London Weekend Television

While putting the finishing touches to my forthcoming book about The Face magazine, I followed a line of research which lead me to an excellent documentary about the late David Bowie which I hadn’t seen since it was screened in 1983.

Shown as part of London’s regional broadcaster LWT’s South Of Watford strand, the film focused on Bowie’s immersion in the mainstream with the Let’s Dance LP and companion Serious Moonlight tour (sponsored by Levi’s in a groundbreaking marketing deal, this inaugurated the era of corporate and branded live music events).

The doc’s point of entry was Bowie’s weekend of sold-out gigs that summer at Milton Keynes Bowl, the open-air arena in Britain’s newest city north of London in the Buckinghamshire countryside.

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Tags: Alex Graham, David Bowie, Icehouse, Let's Dance, London Weekend Television, Melody Maker, Michael Watts, Milton Keynes Bowl, Nick Logan, Paul Tickell, Serious Moonlight, Sheryl Garratt, Steve Taylor

//Sketches for the Lodger sleeve, 1979//

I just had to write and tell you how much I love the book that has just been published. Your work really cascades over the decades and is utterly real and convincing.

Extract of email from David Bowie to Derek Boshier, November 2015

I guess it can be told now. David Bowie was at one stage going to contribute to Rethink/Re-entry, the monograph of the artist Derek Boshier, with whom the late rock star had worked in the late 70s and early 80s.

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Tags: David Bowie, Goldie, GQ, Nine Lives, Serious Moonlight, The Clash

//David Bowie with Derek Boshier and his daughters Lily and Rosa, 1993. Courtesy Derek Boshier. No reproduction without permission//

To mark the publication of my piece about Derek Boshier’s creative collaborations with David Bowie in this month’s British GQ, here is a photograph taken when the rock star visited the artist and his family at his home outside London in the early 90s.

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Tags: David Bowie, Jeremy Corbyn, Lou Stoppard, NME, Tony Parsons

//Framed sketches for CLASH 2nd Songbook with copies of the published work//

//Specially designed by Boshier for the show, Art ‘Til You Drop tote bags and badges will be available along with copies of the monograph Rethink/Re-entry//

The installation of Rethink/Re-entry, the exhibition at central London gallery Flowers showcasing important works by Derek Boshier from the 1970s as well as collages and films made in the last year, is all-but complete.

These shots were taken yesterday as co-curator Guy Brett and I worked with the Flowers team on sequencing and final selection for the show, which opens tomorrow (October 7).

//Three sketches for sleeve of David Bowie’s 1979 LP Lodger//

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Tags: 16 Situations, Clash 2nd Songbook, Daily Mail - Poem Of Hate, David Bowie, Flowers Gallery, Guy Brett, Lodger, Thames & Hudson, The Clash, The Stun

//Derek Boshier with his work The Dinner Party. Photo: Marissa Roth//

Next Thursday (October 8) I will be in conversation with artist Derek Boshier at Flowers Gallery in Cork Street in London’s Mayfair.

This marks the publication of Rethink/Re-entry, the Boshier monograph I have edited, as well as the exhibition of the same name I am curating at Flowers with the writer/curator Guy Brett.

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Tags: Cork Street, David Bowie, Flowers Gallery, The Clash

Read my piece on the stylistic changes rung by David Bowie during the early 70s on The Guardian’s men’s fashion pages here.

I discuss his fashion collaborations with Freddie Burretti, Daniella Parmar and Kansai Yamamoto and talk about the Pin-Ups suit from City Lights Studio designed by Derek Morton. Hope you enjoy.

Tags: City Lights Studio, Daniella Parmar, David Bowie, Derek Morton, FReddie Burretti, Kansai Yamamoto, The Guardian, Ziggy Stardust

//Left: Detail of photo of model posing in leather Sex hood, autumn 1974. Photo: © David Parkinson. Right: David Bowie in leather hood, summer 1974, Sherry Netherland Hotel, New York. Photo: Dana Gillespie//

My recent post about David Bowie’s visits in 1974 to 430 King’s Road when it was in its Too Fast To Live Too Young To Die incarnation prompted Facebook friend and DJ Graham “Sugarlump” Evans to alert me to Polaroid photographs of David Bowie trying out make-up, hair and styling options in preparation for his Diamond Dogs tour of the US that year.

// Polaroid taken by Dana Gillespie in New York in 1974//

In one, as Evans points out, Bowie posed in a leather hood of similar style to the model sold at 430 as it was transformed over a period of six months from TFTL to fetish emporium Sex.

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Tags: Anarchy In The UK, Brian Epstein, Cambridge Rapist, Dana Gillespie, David Bowie, David May, Henry Edwards, James Dean, Jamie Reid, Kevin Cann, Michael Collins, Peter Cook, Robert Fraser, Sex Pistols, Susan Shaw, The London Leatherman, Tony Zanetta, Vivienne Westwood