//Members of the audience from Edinburgh who preferred Australian support act Icehouse to Bowie//

Fittingly Britain’s most surprising rock star has found his way to Britain’s newest and most surprising city, where high tech meets ecologic, where concrete meets conservation, where the silicon chip meets the fibreglass rod…

Steve Taylor, South Of Watford, Summer 1983, London Weekend Television

While putting the finishing touches to my forthcoming book about The Face magazine, I followed a line of research which lead me to an excellent documentary about the late David Bowie which I hadn’t seen since it was screened in 1983.

Shown as part of London’s regional broadcaster LWT’s South Of Watford strand, the film focused on Bowie’s immersion in the mainstream with the Let’s Dance LP and companion Serious Moonlight tour (sponsored by Levi’s in a groundbreaking marketing deal, this inaugurated the era of corporate and branded live music events).

The doc’s point of entry was Bowie’s weekend of sold-out gigs that summer at Milton Keynes Bowl, the open-air arena in Britain’s newest city north of London in the Buckinghamshire countryside.

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Tags: Alex Graham, David Bowie, Icehouse, Let's Dance, London Weekend Television, Melody Maker, Michael Watts, Milton Keynes Bowl, Nick Logan, Paul Tickell, Serious Moonlight, Sheryl Garratt, Steve Taylor

//Sketches for the Lodger sleeve, 1979//

I just had to write and tell you how much I love the book that has just been published. Your work really cascades over the decades and is utterly real and convincing.

Extract of email from David Bowie to Derek Boshier, November 2015

I guess it can be told now. David Bowie was at one stage going to contribute to Rethink/Re-entry, the monograph of the artist Derek Boshier, with whom the late rock star had worked in the late 70s and early 80s.

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Tags: David Bowie, Goldie, GQ, Nine Lives, Serious Moonlight, The Clash

//Sketches for Lodger gatefold cover, 1979.//

//Front, Clash 2nd Songbook, Music Sales Ltd, 1978. 12" x 9", 60pp (inc covers).//

Artist Derek Boshier’s practice is marked by his engagement with contemporary culture; this has been a consistent aspect of his work since the earliest days of the British Pop movement.

When popular music has invigorated the wider world, Boshier has been present, incorporating Buddy Holly into his painting I Wonder What My Heroes Think Of The Space Race? in Ken Russell’s defining 1962 Monitor piece Pop Goes The Easel, and providing one of the most vivid visual documents of the punk and post-punk era, Clash 2nd Songbook.
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Tags: Arts Council, Bill Haley, Brian Duffy, Caroline Coon, Central St Martin's, David Bowie, Derek Boshier, Hayward Gallery, Ian Dury, Joe Strummer, Let's Dance, Lives, Lodger, Mick Haggerty, Monitor, Pallant House, Pop Goes The Easel, Pretty Things, Serious Moonlight, Texas, The Clash