Paul Gorman is…

Revenge of the suburbs: David Bowie fans shine in doc about the 1983 Milton Keynes Bowl gigs

Nov 1st, 2016
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//Members of the audience from Edinburgh who preferred Australian support act Icehouse to Bowie//

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Fittingly Britain’s most surprising rock star has found his way to Britain’s newest and most surprising city, where high tech meets ecologic, where concrete meets conservation, where the silicon chip meets the fibreglass rod…

Steve Taylor, South Of Watford, Summer 1983, London Weekend Television

While putting the finishing touches to my forthcoming book about The Face magazine, I followed a line of research which lead me to an excellent documentary about the late David Bowie which I hadn’t seen since it was screened in 1983.

Shown as part of London’s regional broadcaster LWT’s South Of Watford strand, the film focused on Bowie’s immersion in the mainstream with the Let’s Dance LP and companion Serious Moonlight tour (sponsored by Levi’s in a groundbreaking marketing deal, this inaugurated the era of corporate and branded live music events).

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The doc’s point of entry was Bowie’s weekend of sold-out gigs that summer at Milton Keynes Bowl, the open-air arena in Britain’s newest city north of London in the Buckinghamshire countryside.

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Derek Boshier: Rethink/Re-Entry – assembling the materials for long overdue monograph

Feb 5th, 2014
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//Exhibition cards and private view invitations, 1973 to date//

I’m assembling materials for Rethink/Re-Entry, the long-overdue monograph of the great British artist Derek Boshier I am currently editing.

The book takes its title from the early Boshier painting which inspired rock’s ultimate art-directed star Bryan Ferry to choose the name Remake/Remodel for the first track on Roxy Music’s game-changing debut LP.

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//Rethink/Re-entry, oil on canvas, 1962//

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Derek Boshier: David Bowie + The Clash at Pallant House this summer

May 2nd, 2012

//Sketches for Lodger gatefold cover, 1979.//

//Front, Clash 2nd Songbook, Music Sales Ltd, 1978. 12" x 9", 60pp (inc covers).//

Artist Derek Boshier’s practice is marked by his engagement with contemporary culture; this has been a consistent aspect of his work since the earliest days of the British Pop movement.

When popular music has invigorated the wider world, Boshier has been present, incorporating Buddy Holly into his painting I Wonder What My Heroes Think Of The Space Race? in Ken Russell’s defining 1962 Monitor piece Pop Goes The Easel, and providing one of the most vivid visual documents of the punk and post-punk era, Clash 2nd Songbook.
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