Paul Gorman is…

Heritage Boot: On Austin’s SoCo, ‘the best handmade cowboy boots you can buy right now’ with a delightful flavour of the King’s Road heyday

Apr 6th, 2016

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Part artwork, part footwear, entirely authentic

Heritage Boot, Austin TX

A recent visit to Texas provided many joys and pleasures, among them a taste of the heyday of the King’s Road boutique boom courtesy of Jerry and Patti Ryan’s Heritage Boot on Austin’s hip South Congress.

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Truth And Soul: Sylvain Sylvain relaunches a cult rock’n’roll fashion label

Feb 11th, 2016
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//Sylvain in the streets of Austin last week//

On a recent trip to Austin, Texas, I enjoyed many encounters with members of the region’s creative community, not least expat British sci-fi Titan Michael Moorcock and his delightful wife Linda, transplanted Westernwear expert Jerry Ryan and his Heritage Boot emporium and, as previously noted here, the charming duo Jesse Sublett and Lois Richwine.

I also had fun with the visiting New York Doll Sylvain Sylvain Mizrahi, in town for a residency at the Hotel Vegas, on the the city’s hip eastside.

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Long-awaited monograph Derek Boshier: Rethink/Re-entry to be published by Thames & Hudson in October

Jun 19th, 2015
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//From Thames & Hudson’s July-December 2015 catalogue//

“As an artist Derek Boshier has never lost his sense of wonder at the world” – David Hockney

The publication date of Derek Boshier: Rethink/Re-entry – the monograph of the great British artist I have edited – is confirmed as October 5.

Published by Thames & Hudson with a preface by David Hockney, Rethink/Re-entry contains 300-plus illustrations, from student exercises in the mid-50s to current works including the cover, a new portrait of Hockney and chapter openers especially designed by Boshier for the project.

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Derek Boshier: David Bowie + The Clash at Pallant House this summer

May 2nd, 2012

//Sketches for Lodger gatefold cover, 1979.//

//Front, Clash 2nd Songbook, Music Sales Ltd, 1978. 12" x 9", 60pp (inc covers).//

Artist Derek Boshier’s practice is marked by his engagement with contemporary culture; this has been a consistent aspect of his work since the earliest days of the British Pop movement.

When popular music has invigorated the wider world, Boshier has been present, incorporating Buddy Holly into his painting I Wonder What My Heroes Think Of The Space Race? in Ken Russell’s defining 1962 Monitor piece Pop Goes The Easel, and providing one of the most vivid visual documents of the punk and post-punk era, Clash 2nd Songbook.
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