//Richard Boch, 4am, Mudd basement, 1980. Photo: Lynette Bean Kral//

//Fab 5 Freddy Brathwaite, The Times Square Show, 1980. Photo: Bobby Grossman//

Tonight’s DJ appearance at Manhattan’s’ Soho Grand by the city’s clubland legend Richard Boch – who will be joined on the decks by none less than Fab 5 Freddy and Club 57’s Dany Johnson – affords an opportunity to champion one of my favourite books of the year.

//Judy Nylon and transient tattoos, 1979. Photo: Lisa Genet//

//Cookie Mueller, 1979. Photo: Bobby Grossman//

Boch’s The Mudd Club is a visual and literary orgy of delight, packed full of striking images and tales of glory and excess from the late 70s/early 80s nightclub where he was the kingpin doorman and communed on many levels with the good, the bad, the deviant and the simply deranged of popular culture.

//Clockwise from top left: Vicki Pedersen’s membership card; staff member Debi Mazar by Rhonda Paster Corte; ID card flipside; Cookie Mueller, 1979 by Billy Sullivan; Lisa Rosen 1980 by Maripol; Richard Sohl + Richard Boch in Montauk by Ron Beck; Kate Simon’s ID card 1980//

//Clockwise from top left: Vicki Pedersen/Joan Crawford Mother’s Day Event 1979 by Marcia Resnick; Nan Goldin Night School at Mudd 1979 by Billy Sullivan; Pat Ivers and Emily Armstrong 1980 by Robin Schanzenbach; Hal Ludacer 1979 by Eileen Polk; Eric Mitchell and Amos Poe 1979 by Marcia Resnick; Anya Phillips and James Chance, Mudd dance floor 1979 by Chris Stein//

You want to know how David Bowie corralled Joey Arias and Klaus Nomi to back him on Saturday Night Live? Read it here, along with hundred of other yarns to make your hair stand on end.

//Poison Ivy Rorschach post performance. Photo: Alan Kleinberg//

//Damita with cowgirl tattoo, 1980. Photo: Ebet Roberts//

Gossipy and jaw-dropping with a tone which is by turns sardonic and dewy-eyed for times long gone, The Mudd Club is a must-have.

The Mudd Club is published by Feral House; copies available here.

Festivities at the Soho Grand’s Club Room, 310 W Broadway, New York, NY 10013, kick off at 9pm tonight. No cover. Details here.

Tags: Cookie Mueller, David Bowie, Debi Mazar, Ebet Roberts, Fab 5 Freddy Brathwaite, Feral House, Joey Arias, Judy Nylon, Kate Simon, Klaus Nomi, Maripol, Poison Ivy Rorschach, Rhonda Paster Corte, Richard Boch, Richard Sohl, Saturday Night Live, The Mudd Club, Vicki Pedersen

//A Prayer For Madonna, The Face, September 1983. Photography: Kate Simon, text: James Truman. This was the superstar’s first substantial UK press appearance, five months ahead of her British live debut//

Of the many talented photographers who provided The Face with its visual verve, Kate Simon was uniquely positioned to chronicle the cutting edge cultural developments in New York in the 1980s.

Simon had spent much of the previous decade in London, photographing musicians and performers from Bob Marley and David Bowie to the Sex Pistols and The Clash (whose debut album features her striking portrait of Strummer, Jones and Simonon). Crucially, Simon’s work also appeared in the New Musical Express during The Face founder Nick Logan’s editorship of the music paper.

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Tags: Bob Marley, Carl Apfelschnitt, Cookie Mueller, Debi Mazar, Halston, James Chance, James Truman, Jellybean Benitez, John Giorno, Kate Simon, Keith Haring, Madonna, Nick Logan, Pierre Clementi, Radio City Music Hall, Riochard Sohl, Robert Mapplethorpe, Sonos, Stephen Sprouse

//From left: Kent, James and Nylon. Please advise if you are the photographer or know their identity. No reproduction without permission//

Artist/thinker Judy Nylon has sent me this great shot taken at London punk haven The Roxy in the spring of 1977.

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Tags: Boys Express, Erica Echenberg, Granny Takes A trip, Joe Stevens, Judy Nylon, Kate Simon, New Musical Express, Nick Kent, NME, Sex Pistols, The Damned, The Roxy

Today is the 40th anniversary of the gig at central London venue The Marquee by the Sex Pistols which generated their first substantial media coverage, a prescient 200-word review by Neil Spencer on page 31 of the February 21, 1976 issue of the New Musical Express.

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Tags: Carole King, Caroline Coon, David Cassidy, ECM, Eddie And The Hot Rods, Genesis, Golden earring, Horse, I-Roy, Ian MacDonald, James Last, Jonh Ingham, Julie Burchill, Kate Phillips, Kate Simon, Kursaal Flyers, Linton Kwesi Johnson, Lisa Robinson, Manfred Eicher, Melody Maker, New Musical Express, NME, Patti Smith, Penny Reel, Sounds, Steve Jones, Tony Parsons, Tony Tyler, U-Roy

//David Bowie recording the Diamond Dogs LP at Olympic Studios, Barnes, south-west London, January 1974 during his residency in Chelsea’s Oakley Street. Photo © Kate Simon//

//Malcolm McLaren and Gerry Goldstein in front of the Too Fast To Live Too Young To Die facade, 430 King’s Road, London, summer 1973. © Malcolm McLaren Estate//

//Malcolm McLaren in Too Fast To Live Too Young To Die designs, Chelsea, London, from New Musical Express, April 6, 1974 . Photo: © Pennie Smith//

It is a little known fact that David Bowie was an occasional visitor to 430 King’s Road when it was operating as Too Fast To Live Too Young To Die.

This manifestation of Malcolm McLaren and Vivienne Westwood’s revolutionary boutique  – which paid design tribute to the fetishistic studded leather attire of Britain’s early 60s Ton Up Boys and rockers and sold the cult clothing associated with 40s mobsters and Latino zoot suit rioters – succeeded the 50s outlet Let It Rock in the early spring of 1973, as noted at the time by the fashion writer Catherine Tennant in British Vogue.

//From British Vogue, April 1, 1973//

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Tags: British Vogue, Catherine Tennant, David Bowie, David Parkinson, Diamond Dogs, Glen Matlock, Kate Simon, Let It Rock, Nick Kent, NME, Oakley Street, Pennie Smith., SEX, Sex Pistols, Too Fast To Live Too Young To Die

//All photos (c) Jonathan Ross//

Here are more previously unpublished images from London’s punk demi-monde.

Coincident to receiving Joe Stevens’ photograph of the pre-Pretenders Chrissie Hynde and photographer Kate Simon in Malcolm McLaren’s Sex Pistols Nude Boy shirts, collector/gallerist/Londoner Jonathan Ross supplied me with this fabulous selection of Polaroids taken at his west London house in the same period.

These include Hynde and Simon as well as their fellow Americans-about-town, the performers Judy Nylon and Patti Palladin and artist/tattooist Ruth Marten, writers Tamasin Day-Lewis and Jon Savage, Ross himself, his girlfriend Gina Louthan and Sir John Betjeman.

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Tags: Chrissie Hynde, Gina Louthan, John Betjeman, Jon Savage, Jonathan Ross, Judy Nylon, Kate Simon, Patti Palladin, Ruth Marten, Tamasin Day-Lewis

//Photographer Kate Simon and performer Chrissie Hynde (lifting the front of her mohair jumper from Sex), London, 1976. (c) Joe Stevens//

This photograph – taken by Joe Stevens in early 1976 in Fulham, west London – is featured in the exhibition Just Chaos!, which opens tomorrow (May 7) at Marc Jacobs’ Bleecker Street NYC bookstore BookMarc.

The T-shirts worn by Simon and Hynde were among the first variants of a limited edition designed by Malcolm McLaren to promote the newly formed Sex Pistols. A few were also sold in Sex, the environmental installation/shop operated by McLaren with Vivienne Westwood at 430 King’s Road in World’s End, Chelsea.

“Malcolm dropped the shirts off at my Finborough Road studio; they were freshly silk-screened from a limited edition,” says Stevens, then working for the NME and living with Simon (who was employed by rival music paper Sounds). “Chrissie was living in a squat and cleaning offices for a living. She’d drop by the pad to take showers. I’d hear her singing in there and realised she had a wonderful voice.”

McLaren produced the designs with the express aim of promoting the new group. “This was my first attempt at making a Sex Pistols T-shirt,” he told me in 2006. “I wanted to create something of a stir.”

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Tags: bernie Rhodes, Bleecker Street, Bob Gruen, BookMarc, Boys Express, Chrissie Hynde, Fulham, Glen Matlock, Godlis, Hans Herbert Hubermahl, Joe Stevens, Kate Simon, Lee Black Childers, Marc Jacobs, SEX, Sex Pistols, The Clash, Vivienne Westwood

Tonight I am hosting an event at London’s Victoria & Albert Museum: an ‘in conversation’ with Boy George about the importance and influence of popular culture’s greatest manipulator of visual identity, David Bowie.

//George O'Dowd overlooked by Big Brother in his room at a squatted house in Carburton Street, central London, 1978.//

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Tags: Boy George, City Lights Studio, David Bowie, Jimmy King, Kate Simon, Mick Rock, Philip Sallon, Pin Ups, Sue Clowes, Terry O'Neill, The Foundry, V&A, William Burroughs

Over on GQ Eye, Glenn O’Brien writes about this Bill Burroughs scarf produced by Kate Simon from a sequence of her photographs of the master.

Read O’Brien’s post here.

Tags: Glenn O'Brien, GQ Eye, Kate Simon, William Burroughs

This portrait of David Bowie was taken by Kate Simon at Olympic recording studios in Barnes, west London, on January 14, 1974.

Simon’s photograph captures a man on the cusp; furiously occupied in the studio, Bowie was tying up loose ends ahead of his departure for America 10 weeks later. He hasn’t lived in Britain since.

Three days before this was taken, Bowie’s production job on Lulu’s version of The Man Who Sold The World was released as a single. Applying himself to finishing Diamond Dogs, Bowie also recorded such eventually unreleased tracks as Take It Right (to become Right, a “plastic soul”  anthem on Young Americans) and a try-out of Bruce Springsteen’s Growin’ Up.

Sessions with vocal trio The Astronettes – including paramour Ava Cherry – had proved inconclusive, though an olive branch recently extended to erstwhile producer Tony Visconti soon bore fruit in the form of renewed collaboration.

A month after the shot was taken, Rebel Rebel was released ahead of the marathon US touring schedule over 1974/5 which marked the severing of business relations with Tony Defries and the faltering of his marriage to Angie.

I wanted to talk to Simon about the stories behind this image and others which deliver an emotional charge yet retain the reportage stance of the cool documentarist.

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Tags: Any Day Now, Bill Brandt, Caroline Coon, Dave Fudger, David Bowie, David Hearn, Diamond Dogs, Disc & Music Echo, Elton John, Gary Glitter, Joe Strummer, Jonh Ingham, Josef Kourdelka, Kate Simon, Kevin Cann, leonard Freed, Mick Jones, Olympic, Paul Simonon, Rod Stewart, Sex Pistols, Sounds, Stomu Yamashta, The Astronettes, The Clash, Tony Defries