//Clockwise from top left: Cover, Helen And Desire, 1970; George O'Dowd, photo: Richard Bevan, 2013; Carnaby Street book and Palisades swing tag, 1970 and 1966; front cover, Anarchy In The UK newsprint fanzine, 1976//
I’m involved in a couple of events which open in London this week: artist Lucy Harrison’s multi-layered project Carnaby Echoes in the West End and photographer Nick Knight’s exhibition Punk at his Showstudio space in SW1.
//George O'Dowd in Street Theatre, 12 Ganton Street, central London, 1978. Photo (c): Boy George Collection//
I’ve been acting as a consultant to artist Lucy Harrison on her latest site specific project Carnaby Echoes, which focuses on the culturally fertile area of central London adjacent to Soho.
With the starting point of the opening of Murray’s Club in Beak Street in 1913, Harrison is mounting her artistic response to 100 years of musical history with archival material and fresh interviews with some of the area’s leading lights.
Tonight I am hosting an event at London’s Victoria & Albert Museum: an ‘in conversation’ with Boy George about the importance and influence of popular culture’s greatest manipulator of visual identity, David Bowie.
//George O'Dowd overlooked by Big Brother in his room at a squatted house in Carburton Street, central London, 1978.//
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