I’m really jazzed about getting my hands on the first finished copy of Totally Wired, my history of the music press which is published by Thames & Hudson this autumn.

Designer Daniel Streat has done wonders with the day-the-world-turned-dayglo jacket concept and my choice of cover star Poly Styrene.

There are 60 or so illustrations, all magazines from my archive. The diversity reflects the content of the book, which covers the usual suspects – NME, Melody Maker, Rolling Stone – but will hopefully turn readers onto the unexpected and surprising, from Black Music and Collusion to WET, Ben Is Dead and Girlfrenzy.

Totally Wired is published in the UK and elsewhere on September 22 and in North America on November 29. It is available to order now from all good booksellers as well as my Bookshop page at uk.bookshop.org/shop/paulgorman or by clicking on this panel:

Tags: Ben Is Dead, Black Music, Collusion, Daniel Streat, Girlfrenzy, Melody Maker, NME, Rolling Stone, Thames & Hudson, WET

Working on my forthcoming book The Rise & Fall Of The Music Press has brought home to me the brilliance of publications and journalists who have been marginalised in the story of the media sector inaugurated by the launch of The Melody Maker (as it was then known) in 1926.

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Tags: Alan Lewis, Black Music, Burnin', Catch a Fire, Dave Godin, In Their Own Write, Innervisions, IPC, Jahugliman, James Brown, Kerrang!, Loaded, Matumbi, Melody Maker, NME, Shout, Thames & Hudson, The Rise & Fall Of The Music Press, Tony Cummings

//John Lydon. From The Face issue 8, December 1980. Photo: Sheila Rock//

//Grace Jones. From The Face issue 6, October 1980. Main photo: Jill Furmanovsky//

//Divine. From The Face issue 9, January 1981. Photo: Sheila Rock//

Here’s a selection of articles for early issues of The Face by veteran music journalist/author (and my old mucker) Chris Salewicz to mark the fact that he and I will be in conversation about my new book The Story Of The Face at leading south London independent bookshop Bookseller Crow on Tuesday evening (November 28).

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Tags: Anton Corbijn, Bookseller Crow, Carlo Manzi, Chris Salewicz, Debbie Harry, Divine, Grace Jones, Jah Wobble, Jill Furmanovsky, Joe Strummer, John Lydon, Kensington Market, Mike Laye, NME, Sheila Rock

//From left: Kent, James and Nylon. Please advise if you are the photographer or know their identity. No reproduction without permission//

Artist/thinker Judy Nylon has sent me this great shot taken at London punk haven The Roxy in the spring of 1977.

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Tags: Boys Express, Erica Echenberg, Granny Takes A trip, Joe Stevens, Judy Nylon, Kate Simon, New Musical Express, Nick Kent, NME, Sex Pistols, The Damned, The Roxy

Apologies for not posting for a while; I am currently focusing energies on my book Legacy: The story of The Face, which is published by Thames & Hudson in autumn 2017.

Launched in 1980 by print publishing pioneer Nick Logan – the editor of the NME during its ’70s glory years, the man who also founded Smash Hits, Arena, Arena Homme Plus, Frank and Deluxe – The Face magazine brought the news on the dizzying developments of popular culture for two decades.

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Tags: Another, Arena, Arena Homme Plus, Central Saint Martins, Corinne Day, Deluxe, Emap, Frank, Gavin Hills, GQ, Julie Logan, Kimberley Leston, Love, Nick Logan, NME, Pop, Ray Petri, Smash Hits, The Gentlewoman, Wallpaper

//In Let It Rock Rock ‘N Roll Lives Chuck Berry T-shirt, 1975. Photo: Ian Dickson/Getty Images//

//Also 1975 – pink pegs from Sex. Photo: Michael Putland/Getty Images//

//At home in London, 1978. Photo: Fin Costello/Getty Images//

//At a Nico show at CBGB, February 1979. Photo: Ebet Roberts/Getty Images//

Guitarist Chris Spedding is one of the unsung heroes of Seventies style.

I’ve been a fan of his music and look since 1974, when I acquired Jab It In Yore Eye. This was the second album by Sharks, formed by Spedding with other survivors of the early 70s music scene after leaving jazz-rock outfit Nucleus and gigging with Jack Bruce.

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Tags: Alkasura, Bryan Ferry, CBGB, Chris Spedding, Fin Costello, Getty Images, Granny Takes A trip, Island Records, Let It Rock, Nico, NME, Seditionaries, SEX, Sharks, Top Of The Pops, Wombles

Today is the 40th anniversary of the gig at central London venue The Marquee by the Sex Pistols which generated their first substantial media coverage, a prescient 200-word review by Neil Spencer on page 31 of the February 21, 1976 issue of the New Musical Express.

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Tags: Carole King, Caroline Coon, David Cassidy, ECM, Eddie And The Hot Rods, Genesis, Golden earring, Horse, I-Roy, Ian MacDonald, James Last, Jonh Ingham, Julie Burchill, Kate Phillips, Kate Simon, Kursaal Flyers, Linton Kwesi Johnson, Lisa Robinson, Manfred Eicher, Melody Maker, New Musical Express, NME, Patti Smith, Penny Reel, Sounds, Steve Jones, Tony Parsons, Tony Tyler, U-Roy

//David Bowie with Derek Boshier and his daughters Lily and Rosa, 1993. Courtesy Derek Boshier. No reproduction without permission//

To mark the publication of my piece about Derek Boshier’s creative collaborations with David Bowie in this month’s British GQ, here is a photograph taken when the rock star visited the artist and his family at his home outside London in the early 90s.

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Tags: David Bowie, Jeremy Corbyn, Lou Stoppard, NME, Tony Parsons

It’s flattering to receive praise from a tastemaker of the standing of Gary Warnett, who has posted on his Gwarizm blog about my recent cult magazine chat with SHOWStudio editor Lou Stoppard for her Print project.

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Tags: 19, Blitz, Club International, Gary Warnett, Gwarizm, i-D, Interview, Lou Stoppard, NME, Print, Rags, Ritz, Showstudio, Street Life, The Face, West One

//David Bowie recording the Diamond Dogs LP at Olympic Studios, Barnes, south-west London, January 1974 during his residency in Chelsea’s Oakley Street. Photo © Kate Simon//

//Malcolm McLaren and Gerry Goldstein in front of the Too Fast To Live Too Young To Die facade, 430 King’s Road, London, summer 1973. © Malcolm McLaren Estate//

//Malcolm McLaren in Too Fast To Live Too Young To Die designs, Chelsea, London, from New Musical Express, April 6, 1974 . Photo: © Pennie Smith//

It is a little known fact that David Bowie was an occasional visitor to 430 King’s Road when it was operating as Too Fast To Live Too Young To Die.

This manifestation of Malcolm McLaren and Vivienne Westwood’s revolutionary boutique  – which paid design tribute to the fetishistic studded leather attire of Britain’s early 60s Ton Up Boys and rockers and sold the cult clothing associated with 40s mobsters and Latino zoot suit rioters – succeeded the 50s outlet Let It Rock in the early spring of 1973, as noted at the time by the fashion writer Catherine Tennant in British Vogue.

//From British Vogue, April 1, 1973//

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Tags: British Vogue, Catherine Tennant, David Bowie, David Parkinson, Diamond Dogs, Glen Matlock, Kate Simon, Let It Rock, Nick Kent, NME, Oakley Street, Pennie Smith., SEX, Sex Pistols, Too Fast To Live Too Young To Die