//The post featured a grab of Pennie Smith’s portrait for Nick Kent’s The Politics Of Flash article in an April 1974 issue of the NME//
Ten years ago I posted this on The Look blog upon returning home from a gathering at London gallery Chelsea Space.
The venue was fitting; Chelsea Space is within the grounds of Chelsea College of Arts which was in Manresa Street off the King’s Road until a few years back. This was among the arts institutions attended by the student painter Malcolm Edwards in and around London in the 1960s.
Our friend the writer Chris Salewicz broke the news; among the company was guitarist Mick Jones, whose life, like many of us, had been improved by connection with McLaren.
Naturally, Jones expressed sorrow, and his immediate response to the news of McLaren’s passing struck me hard. ‘We’ll never hear Malcolm’s latest thoughts again,’ said Jones. ‘All those brilliant, wild ideas which seemed to pour out of him on a daily basis, that’s over. And that’s really sad.’
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