//Wild youth: Scenes of abandon from Twist Drunk/Drunk Twist in Ark 33. Photos: Keith Branscombe//
//Cover, Ark 33, Autumn 1962. Photography: Keith Branscombe//
The publication of issue 33 of the Royal College of Art’s magazine ARK in the autumn of 1962 hit the moment in terms of the turbo-charging of contemporary youth culture.
//Gone Ladies, with Ian Cameron, 1966. Off-set litho, 58 x 44.5cm,(edition size unknown). Published by Vandal Publications for Gear//
One of the exhibitions I’m most looking forward to visiting this autumn is London dealer Rob Tufnell’s presentation of the so-called “poster poems” produced by the late Christopher Logue.
As part of the BBC Four Goes Pop season, the British TV channel is running a 45-sec ident commissioned from Derek Boshier.
Film-maker Zara Hayes has captured the British artist Derek Boshier’s wit, intelligence and apparently boundless creative energy in her documentary for the BBC strand What Do Artists Do All Day?.
//Boshier features in these panels from BBC Four’s Pop Art-style run-down of the season elements//
British artist Derek Boshier – subject of Rethink/Re-entry, the monograph I have edited which is published this autumn – is to be featured in next month’s BBC season of programmes about Pop Art.
Boshier has been commissioned by the broadcaster to create a new BBC Four ident which will run throughout August alongside new logos produced by his fellow Royal College graduates Peter Blake and Peter Phillips (who starred with Boshier and the late Pauline Boty in Ken Russell’s groundbreaking 1962 BBC documentary Pop Goes The Easel).
//From Radical People, Vol 1, No 2//
Great to see heroine Caroline Coon among the subjects/contributors to the second issue of Radical People, Reba Maybury’s celebration of quinquagenarian-plus non-conformists.
//”She was an instigator and an enabler.” Boshier discusses Pauline Boty in Pop Go The Women//
Catch if you can Alistair Sooke’s excellent BBC documentary Pop Go The Women: The Other Story Of Pop Art. Derek Boshier – subject of my next book – is among the interviewees, talking about his contemporary Pauline Boty.
Her work, like the other subjects of the programme, has been neglected in the circumscribed narrative of Pop. In Boshier’s words, Boty is important, not least because she was “an instigator and an enabler” to the male artists who hog the story on both sides of the Atlantic.
//Boshier and Boty captured twisting in Ken Russell’s 1962 BBC documentary Pop Goes The Easel//
//Rosalyn Drexler. In the background her 1967 painting Marilyn Pursued by Death//
The film’s revelation for me is the American Rosalyn Drexler, whose art is identified convincingly by Sooke as “scathing, critical, strong and stern”. Pop Go The Women is available to view on BBC iPlayer for the next five days here.
Derek Boshier: Rethink/Re-Entry is published by Thames & Hudson next spring.
Pauline's Gone Digital (for Pauline Boty), Derek Boshier, 2011. Diptych, 5' x 10'. Acrylic on canvas from the series Paris Texas, Paris France, Paris Hilton.
This month’s arts calendar in London is marked by a rare treat: From Doris To Chemical Cowboys, a talk by the great British artist Derek Boshier at Chelsea College Of Art’s lecture theatre on January 18.
Los Angeles-based Boshier will be discussing recent projects as well as providing insights into earlier achievements, including his part in the Pop Art explosion of the 60s and his Texas work of the 80s.
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