It’s flattering to receive praise from a tastemaker of the standing of Gary Warnett, who has posted on his Gwarizm blog about my recent cult magazine chat with SHOWStudio editor Lou Stoppard for her Print project.
//The Identi-Kit Man, Derek Boshier, centre, Tate Britain. Photo: Chris Stephens.//
Chris Stephens, the Tate’s head of displays and head curator of modern British art, has organised for Derek Boshier’s 1962 painting to be hung at Tate Britain on London’s Millbank.
Read my piece on the stylistic changes rung by David Bowie during the early 70s on The Guardian’s men’s fashion pages here.
I discuss his fashion collaborations with Freddie Burretti, Daniella Parmar and Kansai Yamamoto and talk about the Pin-Ups suit from City Lights Studio designed by Derek Morton. Hope you enjoy.
//Front cover, Lipstick, 1979//
The next instalment of SHOWStudio’s cult magazine series PRINT is an interview with photographer Perry Ogden about the extraordinary circumstances which led him to launch the style magazine Lipstick while he was an 18-year-old attendee at Eton College.
//Lobby card for High School Confidential!, 1958. This is from the opening scene, where Lewis sings the movie’s title track//
Let It Rock was digging in the ruins of past cultures that you cared about. It was giving them another brief moment in the sun. It wasn’t about doing anything new. It was an homage. It was nostalgia.
Malcolm McLaren to Momus, 2002
Forty three years after its creation I can reveal the source of the Jerry Lee Lewis image which appeared on the Let It Rock t-shirt design “The ‘Killer’ Rocks On!”.
It is from a lobby card for Alan Freed’s 1958 rocksploitation flick High Street Confidential!; an original was just one of the pieces of 50s ephemera adorning Let It Rock’s premises at 430 King’s Road in 1972.
Steven Meisel’s campaign clip for Miu Miu’s autumn/winter 2015 collection tips a knowing wink to Malcolm McLaren and Vivienne Westwood’s 70s label Seditionaries, and in particular the design collage Vive Le Rock/Punk Rock Disco.
//Left: The Ian Dury Cocktail Cabinet. Right: The AC/DC Desk//
//Left: The Rebel, signed ‘Sal ’81’. Right: The Tree Of Drawers//
//Practical Styling bookcase. Lithographically printed and faux marble. The top section enclosing two adjustable shelves, above three doors enclosing a further three shelves. 87in (223 cm) high; 74 in (188 cm) wide; 20 in (51 cm) deep//
Four extraordinary works by the late Barney Bubbles are to feature in Christie’s Out Of The Ordinary sale, the annual event which is fast becoming one of the highlights of the auction calendar.
//Boshier features in these panels from BBC Four’s Pop Art-style run-down of the season elements//
British artist Derek Boshier – subject of Rethink/Re-entry, the monograph I have edited which is published this autumn – is to be featured in next month’s BBC season of programmes about Pop Art.
Boshier has been commissioned by the broadcaster to create a new BBC Four ident which will run throughout August alongside new logos produced by his fellow Royal College graduates Peter Blake and Peter Phillips (who starred with Boshier and the late Pauline Boty in Ken Russell’s groundbreaking 1962 BBC documentary Pop Goes The Easel).
//News about the nomination has been flagged today by It’s Nice That + Design Week//
Blimey!
Designer Barney Bubbles is among the list of visual artists nominated by the British public to appear on the new £20 banknote.
Bubbles – born Colin Fulcher and the subject of my 2008 monograph Reasons To Be Cheerful – features on the 529-strong list alongside fellow graphic designer Alan Fletcher and a wide variety of popular figures from Francis Bacon and Pauline Boty to Leigh Bowery, Aubrey Beardsley, Alfred Hitchcock and Derek Jarman.
/Barney Bubbles with his poster/programme for Elvis Costello & The Attractions’ 1979 Armed Forces tour, west London, 1979. Photo: Chalkie Davies//
The launch of SHOWStudio’s new series PRINT features an interview with me by editor Lou Stoppard about my magazine archive.
There is also a section dedicated to images from the archive, including front covers, spreads and ads.
| Paul Gorman is a writer. This is his blog: art, books, conversation, cults, dancing, design, encounters, environments, events, film, galleries, groups, individuals, invitations, magazines, music, opinions, performance, photography, places, press, privacy, spaces, style, thoughts + views. |
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