//Exhibition cards and private view invitations, 1973 to date//
I’m assembling materials for Rethink/Re-Entry, the long-overdue monograph of the great British artist Derek Boshier I am currently editing.
The book takes its title from the early Boshier painting which inspired rock’s ultimate art-directed star Bryan Ferry to choose the name Remake/Remodel for the first track on Roxy Music’s game-changing debut LP.
//Rethink/Re-entry, oil on canvas, 1962//
//Harold Harris with 10ft tall display item designed by Rod Stokes, Mr Freedom, 1971. Photo courtesy Andrew Greaves.//
Something of a legend in 70s British boutique circles, here is Harold The Ted in all his glory accompanying one of the extravagant display items at Mr Freedom in Kensington Church Street: a 10 foot tall cut-out representation of a glowering boy scout made by Electric Colour Company’s Rod Stokes.
//Boshier (right) with Hockney at the Royal College of Art, early 60s.//
Here are some iPhone images from last night’s talk by Derek Boshier at Chelsea College Of Art & Design.
Pauline's Gone Digital (for Pauline Boty), Derek Boshier, 2011. Diptych, 5' x 10'. Acrylic on canvas from the series Paris Texas, Paris France, Paris Hilton.
This month’s arts calendar in London is marked by a rare treat: From Doris To Chemical Cowboys, a talk by the great British artist Derek Boshier at Chelsea College Of Art’s lecture theatre on January 18.
Los Angeles-based Boshier will be discussing recent projects as well as providing insights into earlier achievements, including his part in the Pop Art explosion of the 60s and his Texas work of the 80s.
//Dennis Hopper in front of a Dr Pepper sign, 1965. Robert Walker Jr.//
A recent post triggered this memory from designer Diana Crawshaw of an encounter with Dennis Hopper. It occured at the Royal College Of Art summer ball in 1965, “when he was very young and so was I”:
At the ball everyone was wearing white or silver (it was that summer when The Knack came out).
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