Paul Gorman is…

A Strong Sweet Smell Of Incense: Derek Boshier at the Robert Fraser show

Feb 16th, 2015
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//Sam Spade, Derek Boshier, 1966, on the back wall of this recreation of the office at Robert Fraser Gallery, Duke Street, London W1//

Derek Boshier’s 1966 work Sam Spade is given prominence in A Strong Sweet Smell Of Incense, the exhibition dedicated to the connoisseurship of the late art dealer Robert Fraser.

Boshier was a client until he foreswore painting for a decade or more in 1968. This was a particularly difficult period for Fraser, who was jailed over the infamous Redlands drug bust at Rolling Stone Keith Richards’ house the previous year.

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//From Pace’s exhibition guide. The work in the background looks to be another of Boshier’s from the Sam Spade period//

Boshier has recounted how he became so frustrated over Fraser’s unwillingness to pass on payments in the 60s that he and his friend, the poet Christopher Logue, once broke into the Duke Street gallery and retrieved works Fraser had refused to release in lieu.

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Just as the independent labels and self-published fanzines Paul Gorman chronicles built their own alternative economies outside the mainstream music industry, today's digital subcultures are experimenting with decentralised currencies that move value without banks or borders. Part of that wave has reached the world of sports and casino entertainment, where crypto-friendly wagering has found a particularly enthusiastic audience in Turkey under the name bitcoin bahis —a form of play that lets users stake and cash out with digital coins rather than conventional payment rails. Anyone tempted to try it should treat it strictly as entertainment, stake only money they can afford to lose, and first confirm the platform's licensing as well as the gambling rules in force in their own country.

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Tender + tough: Jean-Francois Carly’s Surrender After portraits

Feb 12th, 2015
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//Rebecca. Photo: Jean-Francois Carly//

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//Ale. Photo: Jean-Francois Carly//

Surrender After is the title of photographer/director Jean-Francois Carly’s show of nudes opening at Forge & Co in east London next week.

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Roberta Bayley x Richard Hell x Jake Riviera + 1 Cadillac Eldorado = Road Trip USA in the new GQ

Feb 9th, 2015
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//Polaroids taken on the journey by Bayley courtesy of the NYU Richard Hell Archive//

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//Opening spread of my feature in GQ UK March 2015//

“I’m forever grateful for Jake for giving us the opportunity. It was magical that he wanted to encourage Roberta and me to use our abilities in a new way. Just another example of his beautiful style.”
Richard Hell

The new issue of GQ UK contains my piece about the quixotic 1980 US road trip undertaken by Roberta Bayley and Richard Hell in a Cadillac Eldorado belonging to Jake Riviera (who conceived and sponsored the journey).

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Started in 1986, recently completed portrait of Thea Porter celebrates show at London’s Fashion & Textile Museum

Feb 6th, 2015
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//Thea Porter by Penny Slinger//

There’s a nice story behind this portrait of the late fashion designer Thea Porter, whose talents are celebrated at the just-opened exhibition at London’s Fashion & Textiles Museum.

During preparations for the exhibition and the accompanying book, the curator and fashion historian Laura McLaws Helms visited British artist Penny Slinger, who had made feathered masks and modeled in a catwalk show for Porter in the early 70s.
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Talking Interiors with The Photo Kid tonight: International Orange – When Attitudes Become Form

Feb 4th, 2015

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Looking forward to this evening’s lecture by designer Ben Kelly at his alma mater, the Royal College Of Art.
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Jaunty: Barry Plummer’s striking photos of Malcolm McLaren + Vivienne Westwood in the Wild West End spring 1979

Feb 3rd, 2015
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//McLaren specifically requested Plummer photograph him outside 7 Denmark Street, London WC1; Tin Pan Alley Club was one of the centres of Britain’s music business dating back to the 30s: “Some lads came along and Malcolm was pulling up his kilt in good-natured fun.” Photo: © Barry Plummer//

These jaunty photographs were taken by Barry Plummer in the spring of 1979 for a Melody Maker interview with Malcolm McLaren about the just-released soundtrack for the Sex Pistols’ biopic The Great Rock N Roll Swindle (beset by financial and creative difficulties, the film wasn’t released for another year).

McLaren was accompanied by Vivienne Westwood; they made a striking pair in mixed and matched one-off and traditional pieces with a selection of clothing from their King’s Road shop Seditionaries. By now the transition away from punk – left behind when the Sex Pistols split a year earlier – was becoming evident.

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//Westwood and McLaren looking the bomb at the entrance to 98 Shaftesbury Avenue, W1, home to McLaren’s management company Glitterbest. Photo © Barry Plummer//


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Highly recommended: The unpindownable John Pidgeon’s blog

Feb 2nd, 2015
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//”This photograph was taken by Chris Morris in my bedroom at Commonwood Cottage in Downley village near High Wycombe in 1965 (when I swapped my mod life for university). I’m wearing an almost unwearably itchy John Stephen herringbone wool shirt. Apart from the Ricky Tick poster, I’d permanently pasted up two vintage London Transport posters I found in the attic. My old man wasn’t too pleased about that”. From http://johnpidgeon.com//

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//Front cover of Pidgeon’s 1974 book//

I highly recommend John Pidgeon’s blog; Pidgeon is another of those unpindownable figures in the cultural landscape. His considerable talents have been expressed from music journalism and magazine publishing through roadie-ing for The Faces and composing songs with their recently departed and already much missed keyboard maestro Ian McLagan to commissioning stunning design work from Barney Bubbles and producing BBC documentaries and radio comedy (and in the process promoting the talents behind hit series such as Dead Ringers, Little Britain and The Mighty Boosh).
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Ton-Up Boys + Girls, The Ace Cafe and the 59 Club: John “Hoppy” Hopkins’ favourite photographs

Jan 31st, 2015
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//Photo 1964: © John “Hoppy” Hopkins//

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//Photo 1964: © John “Hoppy” Hopkins//

John “Hoppy” Hopkins – who died yesterday aged 77 – was the photographer and activist best known for his associations with London’s counterculture of the 1960s and 70s, having been a founder of the radical London Free School which in turn led to the Notting Hill Carnival, a contributor to the pacifist paper Peace News, and a pivotal figure in the establishment of both the underground paper International Times and the psychedelic club UFO.

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//Photo 1964: © John “Hoppy” Hopkins//

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//Photo 1964: © John “Hoppy” Hopkins//

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//Photo 1964: © John “Hoppy” Hopkins//

Hopkins was also a leading light of the squatting movement and a brave proselytiser for cannabis usage; electing for trial by jury for possession he was labelled “a pest to society” by the judge and sentenced to nine months in jail.

According to his friend Jeff Dexter, Hopkins’ favourites among his own photographs were of London rockers, those Ton-Up habitues of the North Circular’s Ace Cafe and Paddington’s 59 Club whose outsider cool and tribal clanship he documented with acuity.

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//Photo 1964: © John “Hoppy” Hopkins//

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//Photo 1964: © John “Hoppy” Hopkins//

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//Photo 1964: © John “Hoppy” Hopkins//

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//Photo 1964: © John “Hoppy” Hopkins//

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//Photo 1964: © John “Hoppy” Hopkins//

In this excerpt from an interview for a 2009 exhibition, Hopkins talks about how he became a photographer and the rocker photo-shoots:

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Derek Boshier: Clash art guru + original punk rocker!

Jan 27th, 2015
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//Daily Mail – Poem Of Hate, 1977. Ink drawing and newsprint, 55 x 75cm. © Derek Boshier, courtesy Flowers//

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//Drawing for CLASH 2nd Songbook, 1978. Ink on paper, 30.5 x 22cm. © Derek Boshier, courtesy Flowers//

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//Hi Consumers! Don’t Forget Nothing Lasts Forever, 1978. Ink and collage on paper, 46 x 54.9cm. © Derek Boshier, courtesy Flowers//

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//Drawing for CLASH 2nd Songbook, 1978. 33 x 22.5cm. © Derek Boshier, courtesy Flowers//

“Without hesitation, CLASH 2nd Song book is a masterpiece of graphic art”

Guy Brett, writer/curator

Interrogating materials for the Derek Boshier monograph has brought home the meshing of the artist’s sensibilities with punk in the 70s.

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Seven works by Barney Bubbles feature in Making Music Modern: Design For The Eye & Ear at MoMA

Jan 26th, 2015

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//Left: Poster, 30 x 20″, one of a series of four, for Generation X residency at The Marque, Soho, London, September 1977. Right: Poster, 60 x 40″, one of a series of five for Stiff Records package tour of UK, October/November, 1977. Design (c) Barney Bubbles Estate//

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//Installation view of Making Music Modern dominated by Bubbles’ Costello poster. Also note his Do It Yourself sleeve and Generation X poster. Photo: John Wronn//

New York’s Museum Of Modern Art is featuring seven works by the late graphics maestro Barney Bubbles in the current exhibition Making Music Modern: Design For The Eye & Ear.

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