//George Hardie’s design for card announcing the opening of Universal Witness at 167 Fulham Road on November 17 1970//
Here’s another treasure from the trove of Design magazines given to me by the designer Paul Walters; the invitation for the opening of Paul Reeves’ west London boutique Universal Witness in November 1970.
//Top: Entrance to Ealing Club stairwell with jeweller’s to its right, early 1960s. Photo: ealingclub.com. Above: The entrance as it is today//
“Suburbia is the breeding ground for the richest and most innovative cultural production of the 20th and 21st centuries” Rupa Huq, writer and MP for Ealing Central & Acton, 2013
An advert in the New Musical Express for a “Rhythm & Blues Night” staged 55 years ago today – on St Patrick’s Night, March 17, 1962 – sparked the British musical revolution which soundtracked youth culture in the West for decades.
The ad proved a lure for suburban London teenage r&b fans including Keith Richards and Mick Jagger, while Eric Burdon, soon to be vocalist with The Animals, hitchhiked the 300 miles from Newcastle to join them in witnessing the main performance by Blues Incorporated (in fact he and Jagger traded verses on stage during a rendition of Billy Boy Arnold’s I Ain’t Got You).
//The four pairs of boots are classic examples of early 70s rock n roll style//
These rare and unusual boots are thought to have once belonged to Elton John; the current owner was told this when he acquired them.
//Sam Spade, Derek Boshier, 1966, on the back wall of this recreation of the office at Robert Fraser Gallery, Duke Street, London W1//
Derek Boshier’s 1966 work Sam Spade is given prominence in A Strong Sweet Smell Of Incense, the exhibition dedicated to the connoisseurship of the late art dealer Robert Fraser.
Boshier was a client until he foreswore painting for a decade or more in 1968. This was a particularly difficult period for Fraser, who was jailed over the infamous Redlands drug bust at Rolling Stone Keith Richards’ house the previous year.
//From Pace’s exhibition guide. The work in the background looks to be another of Boshier’s from the Sam Spade period//
Boshier has recounted how he became so frustrated over Fraser’s unwillingness to pass on payments in the 60s that he and his friend, the poet Christopher Logue, once broke into the Duke Street gallery and retrieved works Fraser had refused to release in lieu.
//Richard Wernham, Nick Garvey, Robert Gotobed, Rob Smith on the front cover of Teenage Head/Lights Out by The Snakes, Dynamo Records, 1976//
I went to a good school (it was approved, as my first editor would have it in the late 70s. You had to be there).
I was taken on as a scholarship boy, one who showed enough promise for the fees to be paid by the council.
But I was lazy, not as bright as I made out, unhappy, an under-achiever. Aside from winning the cross-country race when I was 14, my life there was almost entirely undistinguished, so preoccupied was I with music, clothes and girls. I had pretensions to vast knowledge in all three areas undercut by lack of experience in the latter regard.
//Booklet with Quadrophenia, an album about "a cat with four personalities" according to me, 1973//
//School report 1975: "If Paul is as familiar with DG Mackean's Introduction To Biology as he is with the NME, he will pass his O-Level. As it is, he isn't, so I fear he won't." And I didn't//
//Anita Pallenberg + film-maker Harmony Korine, 2008. Photo: Eva Vermandel.//
A couple of years back I interviewed Anita Pallenberg – who celebrated her birthday yesterday – for Mojo magazine.
The subject was the scene in and around the King’s Road in 1967. Crisp and funny, Pallenberg was just as buzzed about the present; visiting Karl Lagerfeld in Paris the next day, her interests in gardening and photography, the bargains to be found in charity shops and the notion of a collection based on the MA show from her studies at Saint Martins in the 90s.
A few months later, with her friend Anna Sui, Pallenberg participated in a rock & roll event I organised at the Port Eliot LitFest; after the show it was an honour to give her a vintage Vive Le Rock tee, which, of course, she wore with her trademark élan.
Here’s a refreshed and re-edited chance to appreciate this bewitching figure whose combination of innate style, fashion-savviness and earthy sexuality brought Continental sophistication to Swinging London and turned it on its head:
Gawky gamins and dolly-birds melted into insignificance in the presence of the impressive 21-year-old who arrived in London in 1965 having already studied graphic design in her native Rome, assisted Vogue photographer Gianni Penati and modelled in Paris.
| Paul Gorman is a writer. This is his blog: art, books, conversation, cults, dancing, design, encounters, environments, events, film, galleries, groups, individuals, invitations, magazines, music, opinions, performance, photography, places, press, privacy, spaces, style, thoughts + views. |
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