//Sam Spade, Derek Boshier, 1966, on the back wall of this recreation of the office at Robert Fraser Gallery, Duke Street, London W1//

Derek Boshier’s 1966 work Sam Spade is given prominence in A Strong Sweet Smell Of Incense, the exhibition dedicated to the connoisseurship of the late art dealer Robert Fraser.

Boshier was a client until he foreswore painting for a decade or more in 1968. This was a particularly difficult period for Fraser, who was jailed over the infamous Redlands drug bust at Rolling Stone Keith Richards’ house the previous year.

//From Pace’s exhibition guide. The work in the background looks to be another of Boshier’s from the Sam Spade period//

Boshier has recounted how he became so frustrated over Fraser’s unwillingness to pass on payments in the 60s that he and his friend, the poet Christopher Logue, once broke into the Duke Street gallery and retrieved works Fraser had refused to release in lieu.

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Tags: A Strong Sweet Smell Of Incense, Andy Warhol, Brian Clarke, Christopher Logue, Francis Bacon, Harriet Vyner, Jann Haworth, Jean-Michel Basquiat, Keith Richards, Peter Blake, Redlands, Richard Hamilton, Robert Fraser, Sam Spade, Zeev Aram

//Rug c.1929 by Francis Bacon. 212 x 126 x 1.5cm. Private collection currently on loan to Tate Britain. © The Estate Of Francis Bacon//

//Stool, c. 1930. Painted and laminated wood 40.5 x 51.5 x 38cm. This appeared on Antiques Roadshow in 2013 – the owner explained that her  grandparents bought it from Bacon after he was featured in The Studio magazine//

//Invitation to 1929 selling exhibition, from Richard Shone’s article on Bacon the furniture designer in The Burlington magazine, 1996//

I’m fascinated by the modernist furniture and interiors produced by Francis Bacon before his emergence as “Bacon Agonistes”, in critic John Richardson’s memorable phrase.

This occurred in 1933 with the selection of Bacon’s painting Crucifixion by Herbert Read for his 1933 survey Art Now: An Introduction To The Theory Of Modern Painting And Sculpture; tellingly, the work by the 24-year-old was juxtaposed in the layout with Picasso’s 1929 Female Bather With Raised Arms. Picasso was the only 20th century artist who “fully captivated Bacon”, wrote his biographer Michael Peppiatt, while the artist said he decided to abandon furniture and interiors when he saw an exhibition of Picasso’s Dinard paintings at Paul Rosenberg’s Paris gallery in the late 20s.

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Tags: Art Now, Crucifixion 1933, Daniel Farson, David Sylvester, Douglas Cooper, Eileen Gray, Female Bather With Raised Arms, Fernand Léger, Francis Bacon, Gustave Miklos, Herbert Read, Ivan da Silva Bruhns, Jean Shepeard, John Richardson, Majid Boustany, Michael Peppiatt, Pablo Picasso, Patrick White