//David “Piggy” Worth and Judy Nylon at the back of the building which housed his basement flat, Edith Grove, World’s End, London, 1971. Photo: © Tony Hall. No reproduction without permission//

//Worth in Ossie Clark snakeskin coat, Brompton Cemetry, west London, 1971. Photo: © Tony Hall. No reproduction without permission//

//On West Pier, Brighton, 1971. Photo: © Tony Hall. No reproduction without permission//

“Piggy was a special dreamer” Judy Nylon

“Piggy got me my first job with Helmut Newton” Yvonne Gold

“He was an amazing character, funny, exuberant, outgoing, such fun to be with. Everybody wanted to be his friend” Tony Hall

Before David Gandy, before Nick Kamen, there was David “Piggy” Worth.

//With Graeme Edge’s girlfriend at the Moody Blues’ drummer’s apartment, Bayswater, west London, 1971. Photo: © Tony Hall. No reproduction without permission//

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Tags: Adel Rootstein, Biba, David "Piggy" Worth, Duggie Fields, Gaby Longhi, Graeme Edge, Helmut Newton, Herb Schmitz, Jean Machine, John Stephen, Jordan Mooney, Judy Nylon, Ken Russell, Missionaries of Charity Sisters, Moody Blues, Ossie Clark, Shirley Russell, The Boyfriend, Tony Hall, Tony Lonsdale, Yvonne Gold

Tomorrow I’m a guest of historian Amber Butchart at London’s National Film Theatre for a conversation and q&a about Punk fashion with her special invitee Jordan Mooney, SEX and Seditionaries superstar and inner member of the Sex Pistols circle.

I’ve put together a presentation from my archive to run during our chat, including images of Jordan’s striking series of visual personae and slides showing how the designs by Malcolm McLaren and Vivienne Westwood at 430 King’s Road were regularly featured in the fashion and national press from the early 70s to the time of Punk later in the decade.

//Selection of Let It Rock designs showcased in a May 1972 issue of The Sunday Times Magazine. Photos: Hans Feurer. Paul Gorman Archive//

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Tags: 19, Alasdair McLellan, Amber Butchart, Caroline Baker, Hans Feurer, Honey & Vanity Fair, Jordan Mooney, Julien Temple, Karl Stoecker, Man About Town, Michael Roberts, National Film Theatre, Nova, Olivier Rizzo, Sex Pistols, Sunday Times Magazine, The Filth & The Fury

//Jordan Mooney, Gallery International, Vol 1, no 4, 1976//

On August 6 I am taking part in a discussion about Punk visual style and culture with fashion historian Amber Butchart and Jordan Mooney, the sales assistant superstar at Malcolm McLaren and Vivienne Westwood’s shops at 430 King’s Road in the 70s who became a fashion inspiration and role model in her own right.

//Jordan Mooney in Derek Jarman’s Jubilee, 1978. Photo: BFI//

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Tags: Amber Butchart, BFI, Derek Jarman, Don Letts, Frederique Cifuentes, John Lydon, Jordan Mooney, Jubilee, Julien Temple, Kevin Mooney, National Film Theatre, Sex Pistols, The Filth & The Fury, Wide Boy Awake

//Cover, Man About Town SS16. Otto in Buffalo hat and Rigby & Peller bra (prototype for Nostalgia Of Mud, 1982). Photography: Alasdair McLellan. Styling: Olivier Rizzo//

//Above left: Frankie in Buffalo hat, white Nike socks and my George Cox Diano creepers. Right: Natalie in Malcolm McLaren’s Chico hat (Witches, 1983), Buffalo jacket (Nostalgia Of Mud, 1982) and Bondage Trousers (Seditionaries, 1976). Photography: Alasdair McLellan. Styling: Olivier Rizzo. Hair: Duffy: Make Up: Lynsey Alexander. Man About Town SS16//

On a warm London afternoon last July I enjoyed a meeting with Ben Reardon, editor-in-chief of the biannual Man About Town, the magazine’s senior fashion editor Danny Reed and Young Kim of the Malcolm McLaren Estate.

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Tags: Alasdair McLellan, Alexander Trocchi, Ben Reardon, Bravo, Buffalo Gals, Danny Reed, Diano, Gallery International, George Cox, Helen And Desire, Honey, Idea Books, Man About Town, Natalie Westley, Olivier Rizzo, Olympia Press, Sado sex For The Seventies, Smash Hits, Wally Wood, Young Kim