//Malcolm McLaren, 1973. Photo: David Parkinson. Bryan Ferry, 1976. Photo Richard Wallis//

A couple of years back I showed examples of photography by the late David Parkinson to car-nut graphic design maestro Jules Balme; I knew he would be interested in the incorporation of a 1959 Cadillac Eldorado in a 1973 Let It Rock fashion shoot.

What drew Balme’s eagle eye was not the car fin detail, but the fact that Malcolm McLaren in the shot below sported a tie of the same distinctive Atomic-style 50s pattern as worn by Bryan Ferry in the video clip for his 1976 solo hit Let’s Stick Together (and subsequently on the sleeve of the compilation of the same name rushed out to capitalise on the single’s success that year).

//McLaren and models in Let It Rock attire – right are examples of the so-called “Alan Ladd” and “Jazz” suits – photographed in Acre Lane, Brixton for Club International by David Parkinson, summer 1973//

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Tags: Acme Attractions, Bryan Ferry, Chris Spedding, Club International, EG, Jules Balme, Let It Rock, Paul Thompson, Petticoat Lane, Polydor, Richard Wallis, Steph Raynor, The Golden Age

//Dany Bubbles, 1963-66. Pencil and acrylic, 29" x 20" (framed)//

I sourced one of the paintings which is in More Than Fair, the exhibition of Ian Dury’s artworks which opens at his alma mater, London’s Royal College of Art, next month.

Dury gave the ultra-Pop Dany Bubbles to his friend and designer Barney Bubbles in the late 70s during their spell of collaboration which resulted in a series of triumphs: single sleeves such as Sex & Drugs & Rock & Roll, What A Waste and Hit Me With Your Rhythm Stick, the 28 wallpaper covers of the album Do It Yourself, the Blockhead logo…

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Tags: Blockhead logo, Do It Yourself, Hit Me With Your Rhythm Stick, Ian Dury, Jemima Dury, Jules Balme, Kosmo Vinyl, London Life, Royal College Of Art, Sex & Drugs & Rock & Roll, Tony Bennett, What A Waste, Will Birch