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Curating: Art In Pop – including the Malcolm McLaren show – open for another month

Jan 13th, 2015

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“More than anyone, Malcolm McLaren bursts the definitions as to what exactly constitutes an artist.”
Yves Aupetitallot, curator at Magasin, the Centre National d’Art Contemporain, in the introduction to Art In Pop

Due to popular demand, the run of Art In Pop – the French exhibition about the intermingling of artistic practice with popular music where the main space is dedicated to the work of Malcolm McLaren – has been extended by a month.

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Curating: McLaren’s 1987 painting I Will Be So Bad one of the highlights of Art In Pop’s packed vernissage

Oct 11th, 2014

P1150850 10727782_552391041560176_1972300924_n 10691766_1483474925246002_1181559104_nThere was quite a crowd at last night’s vernissage to launch Art In Pop, the exhibition at Magasin – Grenoble’s Centre National d’Art Contemporain.

This features exhibits by  those working at the cross-hatches of popular music and artistic practice, including John Armleder, Alix Lambert, John Miller, Genesis Breyer P. Orridge, Mayo Thompson, Don Van Vliet, Alan Vega and of course Malcolm McLaren.

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One of the high points of curating the room dedicated to McLaren was publicly presenting for the first time his 1987 work I Will Be So Bad, one of a series he entitled the “Punishment Paintings”.

Visitors came from all over France for the preview, and told us they enjoyed the detailing of McLaren’s cross-disciplinary approach and collaborations across design, fashion, film, music and videos.

And I was tickled to receive this “souvenir” from the brilliant team who built the exhibition, lead by Eric Pourcel, featuring Richard acting punk:

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Art In Pop is curated by Magasin’s Yves Aupetitallot with John Armleder, Young Kim of the Malcolm McLaren Estate, John Miller and I,  and runs from Oct 11 to January 4, 2015 at Le Magasin, Site Bouchayer-Viallet, 8 esplanade Andry Farcy, 38028 Grenoble.

Details here.

 

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I Will Be So Bad: Malcolm McLaren in one of France’s leading contemporary art spaces

Sep 29th, 2014
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//With a couple of vitrines awaiting exhibits, the wall space on the left of this photo has been dedicated to one of McLaren’s so-called “Punishment Paintings” from the 1980s, titled I Will Be So Bad//

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//A wall vitrine constructed between two pillars displays original clothing from each of the six manifestations of the retail outlets McLaren operated with Vivienne Westwood at 430 King’s Road and 5 St Christopher’s Place in London//

As demonstrated by these photographs taken today by Eric Pourcel, head of production at Magasin, France’s Centre National d’Art Contemporain in Grenoble, the Malcolm McLaren room at group show Art In Pop is really coming together ahead of next week’s opening.

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//Next to a recreation of the Let It Rock sign at 430 King’s Road  from 1972 we have positioned this tall box vitrine with five examples of the Let It Rock ties loaned by Adam & The Ants guitarist and songwriter Marco Pirroni//

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//The projection area is being set up to show a selection of films relating to McLaren’s work in fashion and music through the 70s, 80s and 90s//

Art In Pop is curated by Magasin’s Yves Aupetitallot with John Armleder, Young Kim of the Malcolm McLaren Estate, John Miller and I,  and runs from Oct 11 to January 4, 2015 at Le Magasin, Site Bouchayer-Viallet, 8 esplanade Andry Farcy, 38028 Grenoble.

Details here.

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Art In Pop installation underway: Malcolm McLaren lines up with Captain Beefheart, Daniel Johnston et al

Sep 25th, 2014
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//Recreation of facades McLaren commissioned and created for the early 70s iterations of the boutique at 430 King’s Road: Let It Rock (1971-72) and Too Fast To Live Too Young To Die (1972-74)//

The installation of the ambitious new group exhibition Art In Pop is underway at France’s Centre National d’Art Contemporain, the Magasin gallery in Grenoble.

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//Paintings by the late Don Van Vliet being readied for hanging//

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//Giant recreation of Daniel Johnston’s artwork for his 1983 cassette-only release Hi, How Are You//

Malcolm McLaren’s visual works, from student paintings through his experiments in fashion design, boutique environments, music and film to the installations of his final years, will be shown alongside art by such musicians as Don Van Vliet and Daniel Johnston and musical investigations by such artists as John Armleder, Alix Lambert and John Miller.

Art In Pop opens on October 11 and runs until January 4 next year.

Details here.

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Let It Rock: Malcolm McLaren at Art In Pop – work begins on building the show

Sep 19th, 2014
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//Positioning the 430 shop logos in the Malcolm McLaren room at Art In Pop. Photo: Magasin head of production Eric Pourcel//

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‘Black is the most exciting colour’ (Goya). Black when used in different ways appears the most infinite and mysterious, the most spatial and loose.
Malcolm McLaren, essay for course at Croydon Art School, 1967

It’s exciting. Work is underway on building the Art In Pop group exhibition which opens next month at Le Magasin, France’s National Centre for Contemporary Art in Grenoble.

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//McLaren’s first logo at 430 King’s Road was featured on the side of a 12m installation at Let It Rock at CIFF this summer. Foreground image of McLaren in Central Park, spring 1975, by Bob Gruen. Photo: Jean Francois Carly/Malcolm McLaren Estate//

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//The Too Fast To Live shop frontage in this 60 x 40″ blow-up at CIFF//

Featuring artworks by musicians such as Don Van Vliet and Daniel Johnstone as well as musical ventures by artists including John Armleder and John Miller, Art In Pop incorporates the sizeable space dedicated to Let It Rock, the show exploring the work of the late Malcolm McLaren.

This will focus on McLaren’s investigations into the visual arts from the 60s to his death in 2010 along with the engagements with commercial media such as fashion, film and music for which he is best known.

In line with Let It Rock’s manifestation at the Copenhagen International Fashion Fair this summer, the pink-on-black Let It Rock sign will be recreated, this time at the entrance to the Malcolm McLaren room.

For Art In Pop the sign is being matched by a giant reproduction of the shop logo which followed Let It Rock at 430 King’s Road: Too Fast To Live Too Young To Die.

The dominant use of black behind these logos riffs on McLaren’s repeated use of the colour in his work and should make for an impactful introduction to the show, which will feature hundreds of exhibits from throughout the cultural iconoclast’s artistic life.

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//Founded in 1986, Le Magasin – Centre National d’Art Contemporain is housed in an industrial hall built for the 1900 Paris World’s Fair by the workshops of Gustave Eiffel//

Art In Pop – which is curated by Magasin’s Yves Aupetitallot with John Armleder, Young Kim of the Malcolm McLaren Estate, John Miller and I – runs from Oct 11 to January 4, 2015 at Le Magasin, 8 esplanade Andry Farcy, 38028 Grenoble.

More info here.

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