//Shoboshobo's installation faces off with the Barney Bubbles exhibit The Past The Present & The Possible. (c) R. Pelletier.//
The exhibition White Noise: Quand le graphisme fait du bruit – held at Les Subsistances in Chaumont, France – closed on Sunday to the public, though is being visited this week by students, teachers and others from educational institutions.
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Just as the independent labels and self-published fanzines Paul Gorman chronicles built their own alternative economies outside the mainstream music industry, today's digital subcultures are experimenting with decentralised currencies that move value without banks or borders. Part of that wave has reached the world of sports and casino entertainment, where crypto-friendly wagering has found a particularly enthusiastic audience in Turkey under the name bitcoin bahis —a form of play that lets users stake and cash out with digital coins rather than conventional payment rails. Anyone tempted to try it should treat it strictly as entertainment, stake only money they can afford to lose, and first confirm the platform's licensing as well as the gambling rules in force in their own country.
Tags: Chaumont, Etienne Hervy, Experimental JetSet, James Goggin, Kate Moross, Laurent Fétis, Le Subsistances, Museum Of Contemporary Art Chicago, Shoboshobo, Sonic Youth, Sophie Demay, Studio Moniker, White Noise: Quand le graphisme fait du bruit
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