Paul Gorman is…

Photography: Kings Road summer 1976

Mar 17th, 2011

//The Roebuck, 354 Kings Road, 1976.//

Thanks to Neal Purvis for alerting me to these captivating photographs taken in London in the hot summer of 1976 by German holidaymaker Klaus Hiltscher.

As Neal points out, Hiltscher captures the mood of the city in that specific period; I don’t believe my recall is playing tricks on me when I write that every day – from May through to September – was glorious in terms of the weather, and more often than not eventful in a variety of ways.

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Blessed & Blasted: Roots of the Anarchy Shirt part 3

Mar 3rd, 2011

//Collage: Derek Harris.//

This composition of images by Derek Harris from Christopher Gray’s Situationist text Leaving The 20th Century makes plain the significance of the visual vocabulary of the 60s anarchist movement on punk in general and Malcolm McLaren & Vivienne Westwood’s Anarchy Shirt in particular.

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Photography: Kate Simon

Feb 18th, 2011

This portrait of David Bowie was taken by Kate Simon at Olympic recording studios in Barnes, west London, on January 14, 1974.

Simon’s photograph captures a man on the cusp; furiously occupied in the studio, Bowie was tying up loose ends ahead of his departure for America 10 weeks later. He hasn’t lived in Britain since.

Three days before this was taken, Bowie’s production job on Lulu’s version of The Man Who Sold The World was released as a single. Applying himself to finishing Diamond Dogs, Bowie also recorded such eventually unreleased tracks as Take It Right (to become Right, a “plastic soul”  anthem on Young Americans) and a try-out of Bruce Springsteen’s Growin’ Up.

Sessions with vocal trio The Astronettes – including paramour Ava Cherry – had proved inconclusive, though an olive branch recently extended to erstwhile producer Tony Visconti soon bore fruit in the form of renewed collaboration.

A month after the shot was taken, Rebel Rebel was released ahead of the marathon US touring schedule over 1974/5 which marked the severing of business relations with Tony Defries and the faltering of his marriage to Angie.

I wanted to talk to Simon about the stories behind this image and others which deliver an emotional charge yet retain the reportage stance of the cool documentarist.

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Memories of SEX in Forum magazine

Jan 31st, 2011

//Steve Jones, Unknown, Alan Jones, Chrissie Hynde, Jordan, Vivienne Westwood. Photo: David Dagley/Rex Features.//

SEX became a magical place.  People spent hours there; no one wanted to leave.  In it, I created a feeling that was both euphoric and hysterical. You felt an enormous range of possibilities – that whatever was happening couldn’t be predicted, but it was a movement toward a place unknown.

Malcolm McLaren, Musical Paintings [JRP Ringier 2008].

One of the most prescient pieces published about 430 King’s Road in its incarnation as SEX appeared, appropriately enough, in sex magazine Forum in the mid-70s.

And, after more than 35 years, I’ve tracked down the writer and the photographer who, for the first time anywhere, recall the revolutionary retail environment and the sexually-charged photo-shoot featuring future Sex Pistol Steve Jones, performer Chrissie Hynde, radical shop assistant Jordan, film-writer Alan Jones and, of course, Vivienne Westwood.

The feature appeared in the June 1976 issue of the magazine and was written by expat American Forum staffer Len Richmond, later to pen hit British sitcom Agony and Three’s Company (the US version of the UK’s Man About The House). The photographer was Chelsea-based freelance David Dagley.

“In 1973 I’d arrived in the UK from San Francisco with 300 bucks in my pocket and found that I could work as a journalist because nobody cared about whether I had a green card,” explains Richmond down the line from Los Angeles.

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When Charlie met Malcolm

Jan 25th, 2011

//Gillett + McLaren, 1983.//

Year-ends and beginnings naturally bring a sense of loss, of time passed and experiences weighed.

For me, 2010 will always mark the deaths of two individuals of personal import and also of lasting significance to our culture: Charlie Gillett and Malcolm McLaren.

These apparently disparate individuals – Gillett 68 and McLaren 64 at their time of passing on, respectively, March 17 and April 8 – shared several characteristics, not least idiosyncratic and uncompromising viewpoints and an abiding interest in bringing vanguard music into the mainstream.

Charlie was among folk and popular music’s most prominent enthusiasts – though he never liked the phrase, it is his achievement that “world music” entered western lives – and, as art consultant Bernd Wurlitzer wrote in 2008: “Malcolm McLaren is and has been an artist in the purest sense of the word for his entire adult life.”

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Blokes of Britain: Jah Wobble

Jan 24th, 2011

//Jah Wobble, 2009.//

NAME: Jah Wobble (real name: John Wardle)

RESIDES: Cheshire

OCCUPATION: Musician

It’s well documented that, in his teenage years, Jah Wobble was a member of the Four Johns, the gang of youths who gravitated to each other while at Kingsway College Of Further Education on the fringes of the City Of London in the mid-70s.

The other members included John Beverley, aka Sid Vicious, John Lydon – later Johnny Rotten of the Sex Pistols – and Lydon’s friend, John Gray.  Knocking around east and north London, the quartet followed football and voraciously consumed music from Bowie to Can to Hawkwind to Big Youth and beyond.

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