//TV crew sets up in the basement.//
Yesterday I was visited by a camera crew for an interview about the behind-the-scenes individuals who have made the difference to British popular music over the years.
The team, from Kobalt Productions in Berlin, are producing the documentary for Franco-German arts channel ARTE. The director is Simon Witter, who has a fine pedigree in journalism and broadcasting.
//Back of turquoise space suit.//
Following yesterday’s post about the exhibition of Michael Hochong’s incredible clothes, the Horse Hospital’s Roger Burton has given an account of how he came by the collection and his personal connection to this “very beautiful man”.
Can of Biba own-brand baked beans. Packaging design: Whitmore-Thomas Partnership, 1973.
Chelsea Space director Donald Smith has invited me to contribute items from my design collection to his forthcoming show Ideal Home, which features the work of more than 50 artists and designers spanning 1913 to 2011.
This segment of Laura Ashley wallpaper has a repeat print of David Bowie’s portrait of Lucian Freud.
It was included in Antennae #1, the limited edition box made available at the War Child fashion event Pagan Fun Wear, which was held at London’s Saatchi Gallery – then in St John’s Wood – on Midsummer’s Eve 1995.
Here is Brian Eno’s introduction to Antennae with instructions as to what to do with the wallpaper and the rest of the contents of the box:
Talking Barney Bubbles with Billy Bragg in the Spirit Of 71 Cafe. Photo: Dom Chambers.
//Detail, Lodger, David Bowie, 1979. Album sleeve design Boshier/Bowie/Duffy.//
Derek Boshier In The ’70s is the self-explanatory title of an exhibition of the great man’s work running from this Saturday (April 9) through to May 7 at San Francisco’s Steven Wolf Fine Art.
I am currently working with Tommy Roberts on a book about his life and career in fashion. Tommy has been assembling a selection of anecdotes and stories which will feature as occasional tasters here over the coming months.
This reminiscence stems from the period in the early 70s when Tommy operated City Lights Studio. Situated at 54 Shorts Gardens WC2 with a darkly glamorous interior design realised by Electric Colour Company’s Andrew Greaves + Jeffrey Pine, City Lights was the first fashion store in London’s Covent Garden, the neighbourhood then dominated by the capital’s fruit and veg market.
City Lights Studio, which came into being at the end of 1972, was a fashion emporium I created in tandem with Willy Daly, a colleague and friend since we had worked together at Mr Freedom.
City Lights was situated in an imposing high-ceilinged loft atop a building in Covent Garden. Our studio designed, wholesaled and retailed an extremely stylish and tasty array of men’s and women’s wear, shoes, hats, jewellery and other fashion accessories.
For this story I’m concentrating on the menswear.
NAME: Jeff Dexter
RESIDES: North London
OCCUPATION: Man about town
Trace the progress of popular culture over the last six decades and you’ll find Jeff Dexter at some of its crucial stages of development: demonstrating the twist to modernists at The Lyceum Ballroom and advising the Beatles on which boots to wear in the early 60s; DJing for the noonday underground at Tiles a few years later and then moving into London’s counter-cultural underground as a mainman at Middle Earth and The Roundhouse, where his Implosion nights set the scene for the rise of such friends as Marc Bolan and David Bowie.
There’s Jeff hanging out at Hung On You, booking bands for the first Glastonbury and Isle Of Wight festivals, managing chart-topping America, announcing The Clash at one of their early gigs and DJing for Paul Weller at the Shepherd’s Bush Empire a couple of years back as part of the Island 50 celebrations.
And now he’s answered the Blokes Of Britain questionnaire:
Hi Jeff. What’s with your look these days?
Eclectic and vintage. I mix anything from the past, from another culture, with the standard look which has been ingrained in me since childhood. I looked at some photos today and realised I’ve been doing this since 1968!
//Photo: Kyle Zeto.//
NAME: Nicholas Abrahams
RESIDES: London
OCCUPATION: Film-maker
Nick Abrahams’ work includes promos for Stereolab, Add (N) To X and sigur rós. More recently he collaborated with Jeremy Deller on the fascinating exposition of fan’s desires, The Posters Came From The Walls.
Among Abrahams’ current projects is Jayne County biopic Man Enough To Be A Woman. Judging from the rushes shown last year, this will be a doozy.
Last autumn Abrahams created the 30-minute Stooges film Doghouse. The installation at Tatty Devine included a portrait of our hound Rita.
Abrahams cuts quite a dash in any company; as I say below, I admire his ability to combine the edgy with the traditional without pretension.
Here he answers the Blokes Of Britain questionnaire, covering ground from Tiny Tim to gold teeth by way of Cordings, Trickers, Viv Stanshall and William Burroughs. Oh, and not to forget Edward Gorey’s fur coats, Joseph Beuys’ felt suits and Nick’s own creation: The Denton Welch safety bib.
How would you describe your sartorial style?
My girlfriend says I look like a straight bear (IE: a chubby gay man with beard).
This portrait of David Bowie was taken by Kate Simon at Olympic recording studios in Barnes, west London, on January 14, 1974.
Simon’s photograph captures a man on the cusp; furiously occupied in the studio, Bowie was tying up loose ends ahead of his departure for America 10 weeks later. He hasn’t lived in Britain since.
Three days before this was taken, Bowie’s production job on Lulu’s version of The Man Who Sold The World was released as a single. Applying himself to finishing Diamond Dogs, Bowie also recorded such eventually unreleased tracks as Take It Right (to become Right, a “plastic soul” anthem on Young Americans) and a try-out of Bruce Springsteen’s Growin’ Up.
Sessions with vocal trio The Astronettes – including paramour Ava Cherry – had proved inconclusive, though an olive branch recently extended to erstwhile producer Tony Visconti soon bore fruit in the form of renewed collaboration.
A month after the shot was taken, Rebel Rebel was released ahead of the marathon US touring schedule over 1974/5 which marked the severing of business relations with Tony Defries and the faltering of his marriage to Angie.
I wanted to talk to Simon about the stories behind this image and others which deliver an emotional charge yet retain the reportage stance of the cool documentarist.
| Paul Gorman is a writer. This is his blog: art, books, conversation, cults, dancing, design, encounters, environments, events, film, galleries, groups, individuals, invitations, magazines, music, opinions, performance, photography, places, press, privacy, spaces, style, thoughts + views. |
© 2009 Paul Gorman is…. All Rights Reserved.
This blog is powered by Wordpress and Magatheme by Bryan Helmig.
Recent Comments