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In the 21st century, when digital downloads displaced compact discs as the format of consumer choice, music went naked into the world, unadorned by design or packaging. Yet this in turn gave rise to vigorous rear-guard action in the growing appreciation of what was fast disappearing. As if from the dead, vinyl made a comeback and the fan in Wilkins places him in a key position to cogitate this phenomenon.
From my text for the Lost In Music catalogue




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