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Wyndham Lewis’ 1914 publication Blast 1 is the daddy of the modern aesthetic manifesto.
It’s also a Modernist objet d’art.
Iconoclastic and satiric, at times inchoate and irrational, Blast’s aim was to establish Vorticism‘s endorsement of the machine age and and simultaneous disavowal of the stultifying Romantic legacy of the Victorian era.


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