When innovatory British men’s magazine Club International was launched in 1972, editor Tony Power and art director Steve Ridgeway assembled a diverse pool of contributors, including jazzer, art critic and cultural commentator George Melly, the Stately Homo Quentin Crisp, Rocky Horror Show founder Richard O’Brien, former White Panther Mick Farren, photographers David Parkinson, Mick Rock and Karl Stoecker, illustrators Bush Hollyhead and Brian Grimwood and the design studio Hipgnosis.

//Casual trousers £9.50 from Mr Freedom; satin waistcoat £12 from Chris at Hidegrade; Bobbysoxer Boots £12.75 by Daisy Roots from Way In. From Club International Vol 1 No 3, 1972//

//Prince of Wales Oxford bags £4.95 from Take 6; Hollywood Funsters £12.25 by Daisy Roots from Way In. From Club International Vol 1 No 3, 1972//

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Tags: A Nice Pair, Antiquarius, Aubrey "Po" POwell, Club International, Daisy Roots, Daniel hechter, George Melly, Hipgnosis, Karl Stoecker, Mick Rock, Mr Freedom, Peter Frampton, Pink Floyd, Quentin Crisp, Quincy, Somethin's Happening, Steve Ridgeway, Stian Brekke, Storm Thorgesen, Take 6, The Birdcage, The Village Gate, Tony Power, Way In

Tucked away at the back of an issue of British soft-porn magazine Club International was a fashion shoot featuring clothing elements which denoted the crystallisation of the new art-directed glam aesthetic inaugurated by the release of Roxy Music’s first album a couple of months previously.

The photographer was Karl Stoecker, the New Yorker who had been resident in the UK since the mid-60s and was coming into his own with important contributions to Roxy’s visual identity across that LP and its successors For Your Pleasure and Stranded.

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Tags: Antony Price, Che Guevara, Club International, For Your Pleasure, Gwenda Saar, Karl Stoecker, Manolo Bahnik, Mick Jagger, Norman B, Quincy, Roxy Music, STanley Adams, Stranded, The Squire Shop, Them, Village Gate, Zapata