//All photos (c) Jonathan Ross//

Here are more previously unpublished images from London’s punk demi-monde.

Coincident to receiving Joe Stevens’ photograph of the pre-Pretenders Chrissie Hynde and photographer Kate Simon in Malcolm McLaren’s Sex Pistols Nude Boy shirts, collector/gallerist/Londoner Jonathan Ross supplied me with this fabulous selection of Polaroids taken at his west London house in the same period.

These include Hynde and Simon as well as their fellow Americans-about-town, the performers Judy Nylon and Patti Palladin and artist/tattooist Ruth Marten, writers Tamasin Day-Lewis and Jon Savage, Ross himself, his girlfriend Gina Louthan and Sir John Betjeman.

Read the rest of this entry »

Tags: Chrissie Hynde, Gina Louthan, John Betjeman, Jon Savage, Jonathan Ross, Judy Nylon, Kate Simon, Patti Palladin, Ruth Marten, Tamasin Day-Lewis

//Photographer Kate Simon and performer Chrissie Hynde (lifting the front of her mohair jumper from Sex), London, 1976. (c) Joe Stevens//

This photograph – taken by Joe Stevens in early 1976 in Fulham, west London – is featured in the exhibition Just Chaos!, which opens tomorrow (May 7) at Marc Jacobs’ Bleecker Street NYC bookstore BookMarc.

The T-shirts worn by Simon and Hynde were among the first variants of a limited edition designed by Malcolm McLaren to promote the newly formed Sex Pistols. A few were also sold in Sex, the environmental installation/shop operated by McLaren with Vivienne Westwood at 430 King’s Road in World’s End, Chelsea.

“Malcolm dropped the shirts off at my Finborough Road studio; they were freshly silk-screened from a limited edition,” says Stevens, then working for the NME and living with Simon (who was employed by rival music paper Sounds). “Chrissie was living in a squat and cleaning offices for a living. She’d drop by the pad to take showers. I’d hear her singing in there and realised she had a wonderful voice.”

McLaren produced the designs with the express aim of promoting the new group. “This was my first attempt at making a Sex Pistols T-shirt,” he told me in 2006. “I wanted to create something of a stir.”

Read the rest of this entry »

Tags: bernie Rhodes, Bleecker Street, Bob Gruen, BookMarc, Boys Express, Chrissie Hynde, Fulham, Glen Matlock, Godlis, Hans Herbert Hubermahl, Joe Stevens, Kate Simon, Lee Black Childers, Marc Jacobs, SEX, Sex Pistols, The Clash, Vivienne Westwood

Dave Robinson, one of the British music business’s towering figures, has sent me this lovely pop-reggae tune from Madness man Lee Thompson’s project.

It’s great for this sunny Bank Holiday; Bitty McLean is on top vocal form.

Fair takes me back to seeing Madness in their North London Invaders incarnation support a jazz-rock trio (!) at Camden Town’s Dublin Castle, and before that the graffito ‘Kix’ emblazoned around 70s teenage nexus Golders Green tube station (courtesy of Thompson).

Tags: Bitty McLean, Camden Town, Dave Robinson, Dublin Castle, Fu Manchu, Golders Green, Lee Thompson, Madness

//1968 print of Vor dem Vorhang//

//Hipgnosis fashion shoot for Club International, 1972//

An antiques restorer friend has pointed out that the early 70s fashion shoot by design studio Hipgnosis I recently featured here calls to mind the preoccupations with the female form of the late German artist Paul Wunderlich.

My friend – who wishes to remain anonymous – has offered as evidence a print of Wunderlich’s work Vor dem Vorhang (“Before the curtain”). The story of how he came by the artwork one squally day in central London seven years ago is remarkable:

Read the rest of this entry »

Tags: Cork Street, Evelyn Waugh, Filipacchi, Hipgnosis, Julian Sherrier, Manchester Square, May 1968, Paul Wunderlich, Redfern Gallery

Dazed Digital is featuring a précis of my investigation into the roots of the Anarchy Shirt as sold in Sex and Seditionaries at 430 King’s Road in 1976 and 1977.

Read the rest of this entry »

Tags: Anarchy shirt, Dazed Digital, Seditionaries, SEX

//An early 80s window display by Simon Haynes: Geometrically arranged brightly coloured platforms and ladders//

//This giant "toy" portcullis was produced by Haynes for Practical Styling in the mid-80s//

//Haynes' neo-classical backdrop for another mid-80s display//

These photographs from the archive of artist/set designer Simon Haynes convey the scope and ambition of the great 80s British independent retail outlet Practical Styling, operated by Paul Jones and Tommy Roberts on the ground floor and basement of London’s brutalist CentrePoint building.

Read the rest of this entry »

Tags: Catherine McDermott, CentrePoint, Chris Breward, Paul Jones, Peter Denmark, Practical Styling, Simon Haynes, St Giles-in-the-Fields

I’m making a presentation on Bowie’s visual style and in particular his relationship with clothing designers as part of the V&A’s Sound & Vision event today.

Among those I’m referencing will be the theatrical costume designer Peter J. Hall, who was commissioned to create the stagewear for the 1983 Serious Moonlight tour. I wrote about their fruitful working relationship here.

Read the rest of this entry »

Tags: David Bowie, Ola Hudson, Peter J. Hall, V&A

//My father holding me, north London, 1960//

Incredible to contemplate that today would have been my Dad’s 110th birthday.

Read the rest of this entry »

Tags: Desert Rat, Middlesex Regiment, Philip Denis Gorman, Spike Milligan, Swahili

//Photo: Tom Sheehan Collection//

As an addendum to my recent post about the staging of the very special late night London concert given by Ian Dury’s art-rock ensemble Kilburn & The High Roads in 1974, here’s the badge commissioned by manager the late Tommy Roberts to flag up the concurrent release of the group’s single Rough Kids.

Then a neglected pop promotional medium – badges were considered kids’ stuff; the sole prominent champion was Barney Bubbles, who produced a range to go with his branding of space rockers Hawkwind and pub-rock outfit Chilli Willi And The Red Hot Peppers – the pre-punk barbed wire logo button was conceived and executed by Simon Haynes, designer of the ambitious stage set for the Kilburns’ gig at the King’s Road Theatre.

Read the rest of this entry »

Tags: Dawn, Handsome, Humphrey Ocean, Ian Dury, Kilburn & The High Roads, Let It Rock, Pye, Roberta Bayley, Rough KIds, SEX, Sex Pistols, Simon Haynes, Will Birch

“It isn’t so much what’s on the table that matters, as what’s on the chairs”

Jonathan Swift, from a letter to his friend Esther Johnson, 1711

//Simon Haynes in his ICA sitting room, 1970. Source publication: Unknown//

Ten Sitting Rooms was the title of a group exhibition curated by Jasia Reichardt at London’s Institute of Contemporary Arts in 1970. She organised a budget of £100 for each artist and gave them the brief of making a sitting room in spaces of either 15 x 18 feet or 12 x 24 feet.

I was alerted to the show’s existence by participant Simon Haynes, whose work I have been featuring here. Haynes’ Pop environment, which was produced in collaboration with his wife Sue, developed the themes and materials they used in the boardroom interior and furniture created earlier that year for Trevor Myles’ and Tommy Roberts’ boutique Mr Freedom at 430 King’s Road.

Read the rest of this entry »

Tags: Andrew Logan, Bruce Lacey, Carol Joseph, Charles Hayter, Diane Livey, Diane Logan, Dom Sylvester Houédard, Elizabeth Harrison, Gerard Wilson, ICA, Ivor Cutler, Jasia Reichardt, John Furnival, Jonathan Meades, Jonathan Swift, Marlene Raybould, Oxford School of Architecture, Patrick Hughes, Simon Haynes, Sue Haynes, Trevor myles, Vaughan Grylls