Over on GQ Eye, Glenn O’Brien writes about this Bill Burroughs scarf produced by Kate Simon from a sequence of her photographs of the master.
Read O’Brien’s post here.
Over on GQ Eye, Glenn O’Brien writes about this Bill Burroughs scarf produced by Kate Simon from a sequence of her photographs of the master.
Read O’Brien’s post here.
NAME: Nicholas Abrahams
RESIDES: London
OCCUPATION: Film-maker
Nick Abrahams’ work includes promos for Stereolab, Add (N) To X and sigur rós. More recently he collaborated with Jeremy Deller on the fascinating exposition of fan’s desires, The Posters Came From The Walls.
Among Abrahams’ current projects is Jayne County biopic Man Enough To Be A Woman. Judging from the rushes shown last year, this will be a doozy.
Last autumn Abrahams created the 30-minute Stooges film Doghouse. The installation at Tatty Devine included a portrait of our hound Rita.
Abrahams cuts quite a dash in any company; as I say below, I admire his ability to combine the edgy with the traditional without pretension.
Here he answers the Blokes Of Britain questionnaire, covering ground from Tiny Tim to gold teeth by way of Cordings, Trickers, Viv Stanshall and William Burroughs. Oh, and not to forget Edward Gorey’s fur coats, Joseph Beuys’ felt suits and Nick’s own creation: The Denton Welch safety bib.
How would you describe your sartorial style?
My girlfriend says I look like a straight bear (IE: a chubby gay man with beard).
A brown envelope I’m always glad to receive is that containing the latest BeatBooks catalogue.
Each quarter the arrival of the 8″ x 6″ booklet soon results in the tapping out of the url of the online order form for Andrew Sclanders’ site.
And the catalogues are treasurable in their own right.
Over the last decade or so Sclanders has carved out a niche for BeatBooks as collector central for all publications – literary, musical, graphic – springing from “beat” and moving through the counterculture and punk to the outer reaches of the avant-garde.
Maggs has issued a scratch catalogue of William Burroughs’ photographs of London 1972 – 1974.
These are hand-made prints produced a few years ago from the original negatives and are conservation-framed and glazed.
Here are some more pages from the catalogue:
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