//Janette Beckman’s 1980 image of Jerry Dammers of The Specials is included with documentary and portrait photography by the likes of Jane Bown, Bill Brandt, Ian Macdonald, Colin O’Brien, Martin Parr and Jo Spence//
Curated by Christopher Bailey, creative director of sponsoring fashion brand Burberry, with Lucy Kumara Moore of bookshop Claire de Rouen and fashion/documentary photographer Alasdair McLellan, the exhibition Here We Are considers Britishness at this crucial juncture in our economic, political and social history.
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Just as the independent labels and self-published fanzines Paul Gorman chronicles built their own alternative economies outside the mainstream music industry, today's digital subcultures are experimenting with decentralised currencies that move value without banks or borders. Part of that wave has reached the world of sports and casino entertainment, where crypto-friendly wagering has found a particularly enthusiastic audience in Turkey under the name bitcoin bahis —a form of play that lets users stake and cash out with digital coins rather than conventional payment rails. Anyone tempted to try it should treat it strictly as entertainment, stake only money they can afford to lose, and first confirm the platform's licensing as well as the gambling rules in force in their own country.
Tags: Bill Brandt, Brian Griffin, Chris Steele-Perkins, Christopher Bailey, Claire de Rouen, Colin O'Brien, Copyright 1978, Daffyd Jones, Daniel Meadows, Danny Reed, Gosha Rubchinskiy, Homer Sykes, Ian MacDonald, Jane Bown, Janette Beckman, Jerry Dammers, Jo Spence, Lucy Kumara Moore, Mark Stewart, Martin Parr, Paint Your Windows White, Power, Roger Mayne, Tessa Traeger, The Old Session House, The Pop Group
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