//Janette Beckman’s 1980 image of Jerry Dammers of The Specials is included with documentary and portrait photography by the likes of Jane Bown, Bill Brandt,  Ian Macdonald, Colin O’Brien, Martin Parr and Jo Spence//

Curated by Christopher Bailey, creative director of sponsoring fashion brand Burberry, with Lucy Kumara Moore of bookshop Claire de Rouen and fashion/documentary photographer Alasdair McLellan, the exhibition Here We Are considers Britishness at this crucial juncture in our economic, political and social history.

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Tags: Bill Brandt, Brian Griffin, Chris Steele-Perkins, Christopher Bailey, Claire de Rouen, Colin O'Brien, Copyright 1978, Daffyd Jones, Daniel Meadows, Danny Reed, Gosha Rubchinskiy, Homer Sykes, Ian MacDonald, Jane Bown, Janette Beckman, Jerry Dammers, Jo Spence, Lucy Kumara Moore, Mark Stewart, Martin Parr, Paint Your Windows White, Power, Roger Mayne, Tessa Traeger, The Old Session House, The Pop Group

//Vivienne Westwood in felt Inside Out Jacket with assistants Debbie Wilson and Michael Collins in Seditionaries, 1977//

While updating his rich and varied archive, photographer Homer Sykes came across these superb photographs taken inside Malcolm McLaren and Vivienne Westwood’s boutique Seditionaries at 430 King’s Road in the spring of 1977.

The images capture the air of raw uncertainty surrounding the shop and the McLaren/Westwood coterie in this period. McLaren’s charges the Sex Pistols had recently been signed to their third record company in six months – Virgin Records – after being publicly excoriated for their behaviour and bounced out of EMI and A&M. The national media had seized upon punk as a source of sensationalism and the release of the Pistols’ explosive God Save The Queen was a matter of weeks away.

//Debbie Wilson (aka Debbie Juvenile) sports Hangman Jumper, Seditionaries, 1977. Note the studded Venus Top and leather jacket on the wall behind the counter//

//Westwood expounding against the photographic mural of Dresden after WW2 air-raids, Seditionaries, 1977. Note Collins’ Cambridge Rapist design produced by Westwood’s partner Malcolm McLaren a couple of years earlier//

//Behind the customer in black bondage jacket is the wall-size inverted photographic mural of Piccadilly Circus, Seditionaries, 1977//

On Saturday August 20 1977 Sykes again took to the King’s Road to document the atmosphere of unrest embodied by the outbreaks of violence caused by marauding Teddy Boys targeting punks and such boutiques as Seditionaries and Boy.

//Young Ted bops while another’s jacket mourns Elvis Presley’s recent death, King’s Road, 1977//

//Musician/actor Gary Holton and girlfriend Tracy Boyle lead a demonstration against violence between Teds and Punks along the King’s Road. Far left is punk Mick Bladder//

Some of his photographs feature the punk Mick Bladder, whose arrest on that day in August 1977 was featured in Wolfgang Büld’s Punk In London. This documentary  shows how the movement’s initial creative burst swiftly dissipated, while Sykes’ images capture the ways in which a cult movement had entered the mainstream, infiltrating the media, music, fashion and the wider culture.

Sykes’ archive covers the waterfront, from social unrest including the Notting Hill Carnival riot of 1976 and the riots in Toxteth and Brixton in the early 80s, to the on-the-road antics of Paul McCartney & Wings and Sigue Sigue Sputnik, the New Romantic haven the Blitz club, Andrew Logan’s Alternative Miss World and Quentin Crisp . Visit www.homersykes.com.

Tags: A&M, Andrew Logan's Alternative Miss World, Boy, Cambridge Rapist, Debbie Juvenile, Debbie Wilson, Elvis Presley, EMI, God Save The Queen, Hangman Jumper, Homer Sykes, Michael Collins, Paul McCartney, Quentin Crisp, Seditionaries, Sex Pistols, Sigue Sigue Sputnik, Virgin Records, Vivienne Westwood, Wings