The new issue of international interiors magazine apartamento includes my feature about British artist Duggie Fields and his extraordinary mansion flat in inner west London neighbourhood Earl’s Court.
The new issue of international interiors magazine apartamento includes my feature about British artist Duggie Fields and his extraordinary mansion flat in inner west London neighbourhood Earl’s Court.
As befits a sorely-missed man of singular style and taste, the catalogue for the forthcoming sale Furniture Pimp: The Collection Of Jim Walrod is an absolute treat.
“For this solo exhibition to happen in the same year that we celebrate 100 years since some women were legally considered human and therefore entitled to vote is deeply significant for me. The formation of my feminist project always meant that I needed to be a figurative painter – this made me, right from the start as an art student in the late 1960s, a ‘girl’ outlaw in the then Greenbergian-ruled art establishment. I am what Linda Nochlin called, in her 1973 essay, a Realist Criminal.” Caroline Coon, 2018
Liverpool’s The Gallery is staging yet another must-see exhibition: the first solo show by painter, writer, thinker and countercultural figurehead Caroline Coon.
Entitled Caroline Coon: The Great Offender, it is curated by Martin Green and James Lawler, who have selected 29 of Coon’s works and are mounting the show as part of their ‘Perpetual Provocateurs’ 2018 season.
“Harrison embraces age-old symbols and fanciful myth, irrational beliefs and exuberant sexuality to name just a few in order to speak vividly about our own time and provide a different perspective on the disciplines of painting and sculpture”
Fuck Me is the title of the new show by great British artist David Harrison at Lungley at east London’s The Haggerston.
I am the subject of the My Design London page in today’s edition of the capital’s Evening Standard newspaper.
In Liz Hoggard’s piece, I talk about some of the places which help make this the greatest city in the world, from our local patisserie WA Cafe and picture framers For Art’s Sake to Mayfair jewellers/art space Belmacz, Hackney Road’s Two Columbia Road and M. Goldstein and the galleries Richard Saltoun and Chelsea Space.
Copies of the Standard are available free to commuters on Greater London’s transport system. The piece will be posted on the Standard’s site soon.
In the exhibition Run To Me – opening tomorrow at Old Street’s Charlie Smith London – curator Faye Dowling presents a quizzical visual exchange between painter Sam Jackson and photographer Derek Ridgers.
Out today, the November 2017 issue of British GQ includes a 10-page feature on my forthcoming book The Story Of The Face: The Magazine That Changed Culture.
** This post is dedicated to the New York design thinker and doer Jim Walrod, who has passed away. Just a couple of weeks ago I mentioned my intention to post about On 1st to Jim over dinner. Of course, he knew about the store but was excited to see what fresh info I might have turned up. I’ll write about Jim when I have collected my thoughts; wherever he is, I am sure Jim will join us all in the necessary proclamation: Fuck Trump**
In conversation this summer, British artist Duggie Fields revealed to me that, during a sojourn in the US in 1968, he had been in line to work at photographer Bert Stern’s “architecturally mind-blowing” art store/publishing house On 1st in Manhattan’s east side.
“I, too, had to maintain a certain degree of detachment, and indeed to want and expect nothing of him; the paradox will always remain that, if David Bowie had not been David Bowie, then David Bowie and I could have been friends.”
Edward Bell, 2017
Edward Bell first encountered David Bowie when the rock chameleon turned up unexpectedly at a private view for the British visual artist’s first exhibition in 1980.
They last spoke in 2013, a few years before the musician/performer’s untimely demise. In the intervening period Bell and Bowie hung out in London, Venice and Los Angeles, collaborated on record sleeve projects and maintained sometimes sporadic contact, via a Swiss letter drop address and out-of-the-blue phone calls.
Among my current projects is an article for Apartamento about the great British artist Duggie Fields and his flat in London’s Earl’s Court.
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