This album is titled Fans. It’s about wearing your emotion on your sleeve, just as fans scream out from the audience or want to get on stage so they can kiss him or are terrified they’re going to have a nervous breakdown if he don’t come round the corner and sit beside them. They all bear the frustration… we’re all fans waiting to jump out.

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Tags: Countdown, Fans, Molly Meldrum

//Drumhead painted by Barney Bubbles in 1972. Photo: (c)//

//From left: Nik Turner, Stacia Blake, Simon King and Lemmy during Hawkwind’s set at the Windsor Free Festival on August 25, 1973. Note the drumhead on the left. Photographer: Unknown//

A rare design by the late graphics master Barney Bubbles has come to light after four decades; the psychedelic sci-fi drumhead was painted for Hawkwind when the space rocking Sonic Assassins undertook tours around the world following their success with the Silver Machine single in 1972.

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Tags: Barrie Wentzell, Chilli Willi And The Red Hot Peppers, Dave Walkling, Doremi Fasol Latido, Glen Colson, Hawkwind, Kursaal Flyers, Lemmy, Michael Moorcock, Nik Turner, Robert Calvert, Silver Machine, Simon KIng, Stacia Blake, The Attractions, The Records, Will Birch, Windsor Free Festival

//Photo: Alun Anderson//

//Stacia Blake relaxes amind Hawkwind’s equipment. Photo: Alun Anderson//

“When these photographs were taken, everything about them was everyday and unexceptional. These were the clothes we wore, the Hawkwind festivals that filled our summers, the drugs we took, the love we had, the way we moved. Only looked at from a distance does something extraordinary seem to emerge. Whether it is possible to live in the present with this view of what is around you, I don’t know.”
Alun Anderson, 2015

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Tags: Alun Anderson, Carinthia West, Dik Mik, Hawkwind, Stacia Blake, Windsor Free Festival, Windsor Free Festival 1973, Windsor Great Park

//Westside Sharpies Mick Emery and Steve M sporting Connies outside Flinders Street Station, Melbourne, 1978. Photo: Jacques Kosky,  courtesy Stef Egan//

The ‘Connie’ cardigan was an essential element of dress for Sharpies, the tough and stylish Australian music/fashion youth subculture active in Melbourne’s blue collar suburbs from the 60s to the early 80s.

Designed by a Mr Conti, a Greek clothier in the Thornbury neighbourhood to the north of the city, Connies were picked up on by Sharpies for their tight fit.

//Sharpies sport Connie variants outside Young & Jackson Hotel, Melbourne, 1972. Photo from Tadhg Taylor’s Top Fellas//

Tags: Connies, Conny, Damir Grizinic, Flinders Street, Forever Sharp, Greg Macainsh, Julie Mac, Melbourne, Mr Conti, Stef Egan, Tadhg Taylor, Thornbury

//Billy Murphy by Sean Moorman//

“There were many kings of the King’s Road at different periods of time but there was only one Emperor”

Lloyd Johnson

Very sad to note the passing of Billy Murphy, a thoroughly lovely bloke whose contribution to street fashion – particularly in Britain and specifically in and around the King’s Road – is sorely underrated.

I knew all about Billy’s significance in his field decades before I met him; as I wrote here, his shop The Emperor Of Wyoming was “an extremely important staging post not just in the story of British rock and roll fashion but also the development of the vintage scene in this country”.

//Stetson, embroidered shirt and hand-tooled leather belt from The Emperor Of Wyoming. Photo: David Parkinson for Club International, February 1974//

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Tags: Billy Murphy, Club International, Flip, Janet Street-Porter, Karl Stoecker, King's Road, Paradise Garage, Pru Walters, Sean Moorman, The Emperor Of Wyoming, Trevor myles, West One

I’m really proud of my niece Esme Bradbury, whose exuberant handmade designs via her label EsDes have received a boost with inclusion at the Craft Council’s Established East London pop up shop at Westfield Stratford.

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Tags: Charlie Watts, Crafts Council, David Allen, EsDes, Esme Bradbury, Established East London, Harrow Art School, Malcolm McLaren, Pamla Motown, Westfield Stratford

I first met artist/curator Robert Gordon McHarg III two decades ago, when he was developing a sadly unrealised television project based around the annual Christmas extravaganza conducted by our mutual friend, Robert Lopez, aka El Vez The Mexican Elvis.

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Tags: Alessandra Travagliati, Asgar Jorn, El Vez, Guy Debord, Joe Strummer, Maria McKee, Mémoires, Mescaleros, Robert Gordon McHarg III, Robert Lopez, Sandpaper Blues, Subway Gallery, The Return Of The Durutti Column, Vini Reilly, Wayne Kramer, Wilko Johnson

//Viva Hamnell at Glastonbury Festival, from Amanda Bluglass’s short Viva Punk Rebel//

//Viva Hamnell at Port Eliot Lit Fest 2006 with her daughter Jane and son-in-law Rik Gadsby modelling McLaren, Westwood and Reid punk designs for The Look//

//The crowd went wild and jogged the photographer’s elbow: onstage in this blurry shot with Viva in Jamie Reid’s Sex Pistols Fuck Forever t-shirt, Port Eliot Lit Fest, 2006//

Punk had great freedom with no rules. I couldn’t sing, but I got up there and sung. It didn’t matter. You had to have the spirit and the energy.

Viva Hamnell, 2014

My first meeting with Viva Hamnell eight years ago was not untypical, I subsequently learnt.

74 at the time, she was viewing the various Malcolm McLaren, Vivienne Westwood and Jamie Reid designs I was co-opting friends and attendees at Port Eliot Lit Fest to model that year to illustrate an event for the newly published second edition of my book The Look.

//Hamnell goes about her Lollipop Lady duties in a 70s TV news item//

//Left in the 70s//

//Lining up with fellow members of The Bricks//

Having surveyed the Naked Cowboys, Mickie & Minnie and Snow White & Her Sir Punks, Viva plumped for Reid’s 1986 BOY t-shirt issue of his poster design for The Great Rock & Roll Swindle: Sex Pistols Fuck Forever set in flouro-pink.

And when she closed the show by strolling on stage wearing the shirt, the crowd naturally went wild.

Amanda Bluglass’s documentary portrait Viva Punk Rebel captures this indomitable rule-breaker, whose embracing of punk rock as a 43-year-old freshly divorced lollipop lady in 1976 set her on a life of adventure – taking in membership of Cornish punk band The Bricks and involvement in the Elephant Fayre and Lit Fest at St Germans and the Glastonbury Festival – which lasts unto this day.

Viva Viva!

Thanks to womenyoushouldknow.net for the link to Bluglass’s film.

Tags: Amanda Bluglass, Boy, Cornwall, Elephant Fayre, Glastonbury Festival, Jamie Reid, Jane Gadsby, Nake Cowboys, Port Eliot Lit Fest, Rik Gadsby, Sex Pistols Fuck Forever, Snow White & The Sir Punks, St Germans, The Bricks, The Great Rock & Roll Swindle, Viva Hamnell, Vivienne Westwood, womenyoushouldknow.net

This is nice; pal and fellow Chelsea Arts Club member John Wardle talks about the importance of the immediate neighbourhood, its artistic tradition going back to the likes of Whistler, the licentiousness of the Cremorne Pleasure Gardens in Victorian times, the Bohemian atmosphere engendered by the 70s slums around the Lots Road Power Station and how all of this combined to create the breeding ground for punk.

John also talks about his love for Hawkwind, Sid Vicious, how he sold the bass he played on Metal Box to the Jesus & Mary Chain for a drink and why he should really have done the interview topless…

Tags: Aswad, Chelsea, Chelsea Arts Club, Cremorne Pleasure Gardens, Hawkwind, Jah Wobble, Jesus & Mary Chain, Jill Furmanovsky, John Wardle, Metal Box, Public Image Ltd, Sid Vicious, Under The Bridge

//Ian McLagan, right with guitar, in Twickenham Art School band The Cherokees, sketched by Barney Bubbles – then Colin Fulcher – in 1963//

//”Come Cossack”: Ticket designed by Bubbles for The Muleskinners’ Christmas 1964 gig on Eel Pie Island//

Rolling Stone’s obituary description of Ian McLagan as “jovial and charismatic” has nailed the character of this charming man.

It seems to me that Mac chose to accentuate the positive and keep playing his vital music, an admirable trait in one who had often been dealt an unfair hand by the fates (not least when his beloved wife Kim was killed in a car accident in 2006).

As an alum of the early 60s Twickenham beat scene, Mac was a valued contributor to Reasons To Be Cheerful, my book about his art school friend, the graphic designer Barney Bubbles.

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Tags: Austin, Eel Pie Island, Ian McLagan, Lorry Sartorio, Mac, Nick Lowe, Playmates, The Cherokees, The Muleskinners, Twickenham Art School