There’s plenty of great new music around at the moment; concurrently I have two contrasting tracks going round in my head, which is dizzying but exhilarating.
The Life And Death Of Marina Abramović represents a melding of the visions of the subject and Robert Wilson into beyond bravura performance theatre.
Enhanced by Antony Hegarty‘s holy terror and held together by the carny physicality of Willem Dafoe‘s stage presence, the diamond-hard Manchester International Festival production at Salford’s Lowry Theatre offers a series of sublime tableaux, many preoccupied with Abramović’s monstrous mother.
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