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Reading Amanda Lear’s engaging out-of-print memoir My Life With Salvador Dalí brings back memories of a visit to the Dalí Theatre-Museum (“the largest surrealistic object in the world”) in Figueres in 1988.
In the tower of the museum, the “seedy old conjuror” (per the description by John Richardson in his waspish collection of art world pen portraits Sacred Monsters, Sacred Masters) was lying on his sickbed; Dalí died just a few months later, in January 1989.
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