Paul Gorman is…

Sunny Suits – recent work: Joujouka, Pigalle + portraiture

May 6th, 2014
SERO, SEX SHOP SIGN, PARIS 2014

//SERO, Pigalle, Paris, 2014. Sunny Suits//

I’m intrigued by the photography of Sunny Suits, the American who, like so many illustrious others, flourishes in Paris, so am delighted to present this selection of recent work complete with her descriptions and background text.

Joujouka

VILLAGE BOYS DRESSED AS AISHA KANDISHA, JOUJOUKA 2013

//Village boys dressed as Aisha Kandisha, Joujouka, 2013. Sunny Suits//

MASTER MUSICIANS PIPERS PLAYING UNDER THE TENT, JOUJOUKA 2013

//Master Musician pipers playing under the tent, Joujouka, 2013. Sunny Suits//

MASTER MUSICIANS IN THE MADRAS BEFORE PLAYING, JOUJOUKA 2013

//Master Musicians in the Madras before playing, Joujouka, 2013. Sunny Suits//

MOHAMED HAMRI'S GRAVE, JOUJOUKA 2013

//Mohamed Hamri’s grave, Joujouka, 2013. Sunny Suits//

CAFE BOUJELOUD, JOUJOUKA 2013

//Cafe Boujeloud, Joujouka, 2013. Sunny Suits//

The Joujouka festival happens once a year in Morocco, a few hours from Tangier. It’s an incredible experience, to live on the farm with the villagers, to share their lives for a few days. Each night around midnight the musicians play and are excellent!

The folklore of the village is something special and I feel really lucky to have experienced it. Brian Jones and the Beats are to be thanked for sharing the discovery with us I’d say but it’s the music and also the painter Mohamed Hamri that I connect with most.

Champagne Bars and Sex Shops

SERO, SEX SHOP SIGN, PARIS 2014

//SERO, sex shop sign, Paris 2014. Sunny Suits//

My first memories of Paris include Pigalle. I used to live in the area and I have wanted to document the champagne bars and the women who work in them for years but before, my French wasn’t good enough and now the bars have almost disappeared. It’s also not exactly my world so I don’t think I have the right to intrude even though it’s only with respect that I see them.

Some of them have become sheesha bars, which I don’t mind because it’s part of the quartier, but red light districts are dying worlds. I see it as them as endangered species, something exotic and necessary. It’s a shame to see them disappear. There should be a smut preservation society.

The photograph ‘Sero’ is of the largest sex shop in Pigalle called Sexodrome. The lights had burned out leaving the sign to read Sero. Ironic for a sex shop sign.

Vince Aletti

VINCE ALETTI AT HOME #2, NYC 2013

VINCE ALETTI AT HOME, NYC 2013

Vince is a journalist and photo critic who was close to Peter Hujar. He knew David Wojnarowicz and many, if not all of the great artists from the Lower East Side that I admire so much. His voice is one of experience as that was his peer group. My friend the artist Paul P and Vince are friends and Paul took me to meet him one day at his place, which is like a shrine! He’s smart and generous and it was a lovely afternoon.

Ariel Kenig
ARIEL KENIG AT HOME, PARIS 2014
My friend Ariel is a writer here in France, novels and plays. He’s young and accomplished. He’s singing now and I think he’ll be just as successful. His groupies are already in line. He’s got something no doubt. His style is sort of what I call ‘Nu-Française’. He respects the lineage, of literature and now singing, and is a contemporary of it.

Lamine Badian Kouyaté

LAMINE BADIAN KOUYATE (XULY BET), LE COMPTOIR GENERAL, PARIS 2014

//Lamine Badian Kouyaté (Xuly Bët), Le Comptoir General, Paris, 2014. Sunny Suits//

Lamine is the designer of the French brand Xuly Bët. He’s half Malian half Senegalese and for me totally Parisien. Xuly Bët has its well earned place in fashion history. I don’t think of fashion without thinking of Xuly Bët. His proposition is a mix of street, couture and Africa and I love it. It’s the 25th anniversary of Xuly Bët this year and I’m really honoured to have been able to take his picture. You can see a great Xuly Bët show in the Robert Altman film Prêt-à-Porter.

Read more about the Master Musicians Of Joujouka here and the story of Aïsha Kandisha here.

For French-speakers there is an interview with Ariel Kenig about his book Le Miracle here.

DJHistory has a great interview with Vince Aletti here.

Here is the Xuly Bët site.

Visit Sunny Suits’ site here.

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Pictures from an exhibition: Glam! The Performance Of Style

Feb 19th, 2013

//Kenny putting on make up, Nan Goldin, Boston, 1973 //

Perhaps it is a matter of displacement – that slippery moment when art becomes commerce, shifting back again into the cultural arena as another kind of commodity. The fact is, even today, few among us are willing to acknowledge that certain mass culture forms and practices may comprise the most significant ‘culture’ of our time, precisely because of their ‘popular’ characteristics.

Marcia Tucker and William Olander, New Museum Of Contemporary Art, 1988.

In the 25 years since Tucker and Olander made this statement, the displacement they sought to define has become, if anything, more slippery.

For this reason alone, Liverpool Tate curator Darren Pih must be applauded for negotiating such tricky waters with Glam! The Performance Of Style, the exhibition he has curated in an attempt to locate the early 70s glam-rock phenomenon in the context not just of a certain area of artistic practice of the period but also more broadly the interplay between “high” and mass culture.

//Fashion spread featuring Mr Freedom and Ossie Clark designs, Nova, May 1970 //

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