//Opening spread of my interview with Peter York, Arena Homme + Winter/Spring 2020. Portrait: David Sims//

//From the Them fashion story. Photography: Julien Martinez Leclerc; fashion: Tom Guinness//

The jury is out on this autumn’s relaunch of the print edition of venerated British style magazine The Face; as I suggested here it’s going to take more than one splashy issue to assess whether the proposition has legs as we enter the 2020s (next May will mark the 40th anniversary of the founding of The Face by Nick Logan).

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Tags: Arena Homme +, Ashley Heath, Berluti, Bottega Veneta, Brockhampton, David Sims, Fantastic Man, George MacKay, Gert Jonkers, Harpers & Queen, Joe Cole, Jop van Bennekom, Julien Martinez Leclerc, Kris Van Assche, Lawrence, Mark Leckey, neville Brody, New Order, Nick Logan, Peter York, Prada, Rex Orange County, Stephen Morris, The Face, Tom Guinness

Grace Jones maternity dress 1979 © Jean-Paul Goude.

Here is a selection of images from the V&A’s forthcoming exhibition Postmodernism: Style and Subversion 1970-1990. In pursuit of this slippery-to-define movement, curators Glenn Adamson and Jane Pavitt have settled on the defining principles of quotation and bricolage (assemblage from diverse elements).

As a result they have mixed and matched disciplines, categories and scale in their line-up of 250 exhibits, ranging from a reconstruction of Hans Hollein’s 1980 Venice Biennale facade The Presence Of The Past to graphics for record sleeves by Barney Bubbles, Neville Brody and Peter Saville.

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Tags: Andy Warhol, Charles Jencks, Cindy Sherman, Derek Jarman, Glenn Adamson, Grace Jones, Hans Hollein, Helmut Newton, Jane Pavitt, Jeff Koons, Jenny Holzer, Laurie Anderson, neville Brody, New Order, Peter Saville, Philip Johnson, Ray Petri, Richard Prince, Robert Rauschenberg, Ron Arad, s David Byrne, Talking Heads, The Face, V&A