Paul Gorman is…

The return of The Face: Some thoughts

Mar 30th, 2019

In my twin capacities as “biographer” of The Face and curator of last year’s British independent magazine exhibition PRINT!, I’ve been asked publicly and privately for my thoughts on the imminent online relaunch of the title (the plan is that the quarterly physical edition will follow in August, carrying a September dateline).

So here they are:

It’s interesting that the greatest anticipation for the magazine’s return is being generated for and by the fashion community. The PRs, writers, stylists and students who kept the flame alive after the publication’s 2004 demise are now busily banging the drum in response to the relaunch’s oddly one-note Instagram branding exercise, filling their feeds with excited content.

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Lloyd Johnson exhibition: The wheels start turning

Jul 2nd, 2011

Donald Smith, Lloyd Johnson + Chelsea Space assistant Emily Rubner.

Yesterday I met Lloyd Johnson to discuss next spring’s exhibition celebrating his career as Pop’s Pontiff Of Cool (a title I shamefully bestowed upon him in a Mojo feature a decade or so ago).

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Books: I’ll Take You There

May 4th, 2011

//From top: Stunt rider, Hines Farm motorcycle rodeo + The Atomic Pirates motorcycle club.//

A chat with photographer/Men’s File publisher Nick Clements at the opening of his show Revival –  which looks at the re-enactment of the styles surrounding American bike culture of the 50s for his Royal College Of Art research project – put me in mind of original black motorcycle clubs the Atomic Angels and the Gypsy Pirates.

I first came across them a decade or so ago when covering another academic study, Matthew Donahue’s I’ll Take You There, for Mojo magazine. Donahue’s book focused on a true cultural phenomenon: Hines Farm in Swanton, Ohio, whose owners Frank and Sarah Hines were the first African-Americans in the region to be granted a liquor licence.

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