//Painting To Be Stepped On, Yoko Ono, 1961. Photograph: George Maciunas//

“People said Yoko Ono ruined the Beatles, but I think the Beatles ruined her in many ways”

Anne Bean, artist, to The Guardian, 2021.

Saturated as mass culture has recently been by Get Backery, I note the lack of celebration for another significant anniversary: 70 years since Yoko Ono became the first female student to be accepted onto the philosophy course at Tokyo’s Gakushuin University in 1952.

As noted in Inventing Downtown, Melissa Rachleff’s incisive history of New York’s artist-run galleries from the early 50s to the mid-60s, Ono left Gakushuin after two terms to join her parents in Manhattan, where she promptly enrolled at Sarah Lawrence College to study poetry and composition.

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Tags: 112 Chambers Street, Fluxus, Gakushuin University, George Maciunas, Get Back, Inventing Downtown, John Cage, John Lennon, La Monte Young, Marcel DUchamp, Melissa Rachleff, Painting To Be Stepped On, Sarah Lawrence College, Simone Forti, the Beatles, Toshi Ichiyanagi, Yoko Ono

//Robert Watts in front of Products by Implosions Inc. Photographer: unknown//

Malcolm McLaren’s adaptation of the infamous Tits t-shirt is one of punk’s most familiar designs, as applied by he and Vivienne Westwood to shirts sold in SEX and Seditionaries, worn by members of the Sex Pistols and replicated hundreds of thousands of times since.

Such is its distorting androgynous power that a version was chosen along with another McLaren/Westwood design – the Cowboys shirt – to represent the core aesthetic of the movement when the forthcoming Costume Institute exhibition Punk: Chaos To Couture was announced earlier this month.

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Tags: Alice Cooper, Andy Warhol, Charlie Watts, Costume Institute, Fluxus, Jizz Inc, Mrs Gorman, Punk: Chaos To Couture, Robert Watts, Shopping, The American Supermarket, Thomas Kellein, Zandra Rhodes