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Fashion Beast: Arena Homme + pays tribute to Malcolm McLaren’s collaboration with Alan Moore

Apr 22nd, 2020

//Introductory spread from the Fashion Beast feature in Arena Homme + 53, Summer/Autumn 2020//

//Above: Fashion Beast story, AH+ 53. Photography Drew Vickers; fashion Tom Guinness//

The new issue of Arena Homme + – which is available to read through Exact Editions here for those who can’t obtain physical copies – includes a 28-page extravaganza on Malcolm McLaren’s activities across cinema, fashion and music during the mid-80s.

With an extract from my new biography of McLaren, the feature homes in on Fashion Beast, the unrealised film collaboration with Britain’s dark magus of comic book writing Alan Moore. It also includes my interview with Moore as well as an ingenious fashion story photographed by Drew Vickers and styled by Tom Guinness.

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‘Extraordinary… transgressive’: Malcolm McLaren’s great lost fashion collection

Feb 12th, 2017

//Detail: Etching in steel toe-cap for the 80s collection. This image © Paul Gorman Archive. No reproduction without permission//

On the collapse of their design partnership in October 1983 after showcasing of the collection Worlds End 1984 in Paris and London, Malcolm McLaren and Vivienne Westwood went their separate ways.

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Richard Hambleton + Malcolm McLaren = Witches x The Shadow Man

May 27th, 2015
Malcolm McLaren posing on the streets of NYC. April 1983. © Bob Gruen / www.bobgruen.com Please contact Bob Gruen's studio to purchase a print or license this photo. email: websitemail01@aol.com phone: 212-691-0391

//Malcolm McLaren and Andrea Linz with a Hambleton Shadow Man in the West Village, NYC, April 1983. © Bob Gruen/www.bobgruen.com. Please contact Bob Gruen’s studio to purchase a print or license this photo. Email: websitemail01@aol.com Phone: + 212-691-0391//

P1160042 copy

//Witches Shadow Man skirt, 1983. Malcolm McLaren, Vivienne Westwood and Richard Hambleton. This image (c) www.paulgormanis.com//

An under-acknowledged art world connection forged by Malcolm McLaren during his fashion design partnership with Vivienne Westwood was to the godfather of street art, conceptual artist Richard Hambleton.

During his forays in New York in the early 80s, McLaren was struck by Hambleton’s eerie representations of The Shadow Man figure; there was one on a wall in Bethune Street in the West Village, near the studio of McLaren’s photographer friend and ally Bob Gruen.

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