Paul Gorman is…

Blokes Of Britain: Chris Salewicz

Jun 16th, 2011

//Author image for US edition of Bob Marley: The Untold Story, 2009. Photo: Grzegorz Lepiarz.//

NAME: Chris Salewicz

RESIDES: London

OCCUPATION: Writer

Chris Salewicz is a neighbour and friend. My admiration for his work harks back more than three decades, when his words shone from the pages of the NME.

As detailed by In Their Own Write, this was no mean feat since Salewicz was part of the formidable team whose members included (deep breath): Max Bell, Angie Errigo, Pete Erskine, Mick Farren, Chrissie Hynde, Nick Kent, Nick Logan, Ian MacDonald, Kate Phillips, Charles Shaar Murray, Neil Spencer, Tony Tyler…

Now Salewicz deals in big subjects as an author, broadcaster and film-maker: his Strummer and Marley books capture the definitive portraits of these imposing figures, while involvement in such ventures as the documentary Beats Of Freedom denotes a mature reflection on his Polish roots.

In addition, Salewicz’s role as an aide-de-camp in Mick Jones’ ongoing Rock & Roll Public Library project betrays the highly attuned visual sensibilities conveyed in these, his answers to the Blokes Of Britain Questionnaire:

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Just as the independent labels and self-published fanzines Paul Gorman chronicles built their own alternative economies outside the mainstream music industry, today's digital subcultures are experimenting with decentralised currencies that move value without banks or borders. Part of that wave has reached the world of sports and casino entertainment, where crypto-friendly wagering has found a particularly enthusiastic audience in Turkey under the name bitcoin bahis —a form of play that lets users stake and cash out with digital coins rather than conventional payment rails. Anyone tempted to try it should treat it strictly as entertainment, stake only money they can afford to lose, and first confirm the platform's licensing as well as the gambling rules in force in their own country.

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I like a bit of a cavort: Duck For the Oyster

Jun 10th, 2011

Malcolm McLaren’s musical brilliance was first showcased on the seamless + timeless Duck Rock; it’s a really jumping record and this is one of the many highlights.

Sure Malcolm would have appreciated this Youtube collagist’s approach; the footage is from David Hoffman’s 1965 film  “Bluegrass Roots”, shot in Madison County, North Carolina. There’ll be contributors to online Ivy League forums creaming their chinos to the gear worn in this (I like the Elvis-style bell sleeve shirt worn by one chap).

Now dos-e-do + promena-a-a-de!

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Going to Glastonbury

Jun 4th, 2011

I’m going to Glastonbury. The festival, that is.

These aren’t words I anticipated ever typing. It’s good to confound expectations, particularly your own, and now I’m looking forward to it; there will be lots of pals there, and I have a purpose.

I’m going as a “performer”, booked as result of the Barney Bubbles connection (he created an elaborate sleeve to house the triple album Revelations, released to pay the debts accrued from the 1971 Glastonbury Fayre).

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I like a bit of a cavort: Ssion – Clown

Jun 3rd, 2011

Friday nights round our way always take a turn for the cavort with Clown.

Love Ssion. Love Cody Critcheloe’s style. Love Peggy Noland‘s work.

Together, they’re…you guessed it: unstoppable.

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On The Shelf with Värttinä

May 30th, 2011

Värttinä ON THE SHELF from ON THE SHELF on Vimeo.

My friend Yuki mentioned this to me; as Rogerio introduces Finnish vocal trio Värttinä on his online TV show On The Shelf, spot the copy of The Look on conspicuous display behind him.

But Värttinä are the reason I’m posting this bewitching acapella performance.

On The Shelf TV – broadcast from Bar Trench in Shibuya – has been up and running for a couple of months. See more here.

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Andy Dunkley: Wizard chap

May 28th, 2011

//Photo: Doug Smith.//

My obituary for the DJ Andy Dunkley is in the Telegraph today – see here.

This photograph was taken on Hawkwind’s 1972 Space Ritual tour, on which he was the DJ and MC.

Here he is kicking off proceedings (with help from Stacia Blake) for the band which Lemmy described as “like Star Trek with long hair and drugs”:

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I Like A Bit Of A Cavort: Sukia – The Dream Machine

May 27th, 2011

My favourite group of the mid 90s were the antithesis of Britpop, which was alright with me.

Sukia came out of Silverlake with a vaguely sinister vibe, a clutch-bag of odd samples and a whole other set of references, many from Mexican-American trash culture. Their 1997 single The Dream Machine is a jump-up staple.

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I Like A Bit Of A Cavort: Being Boiled

May 20th, 2011

This is a favourite of mine + Mrs G’s for a bit of a mid-to-late evening shape-throwing.

First because it’s a great song.

And then mine because every listen to my copy in the paper sleeve on Fast Product brings back the awe I felt on hearing the delivery of yet more true new music in that strange and wonderful period post-punk – and the befuddlement over the general lyrical drift and the particular reference to sericulture (look it up).

And then Caz’s because a) she likes it and b) her friends threw a party and Martyn Ware DJed and danced with us to it.

He’s a great bloke, and a great DJ.

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Tommy Roberts: Peace ‘n’ love in Paris

May 16th, 2011

//Kleptomania in Rave magazine, October 1967.//

Tommy Roberts reminisces about the look of 1967:

By 1967 Haight Ashbury hippie culture had taken off in London.

At Kleptomania – my boutique around the corner from Carnaby Street at 10 Kingly Street – it was embraced with gusto.

Out went red guardsman’s tunics, Union Jack kipper ties, Victorian-style lacy mini dresses, soul music and anything to do with “Swinging London”.

In came trumpet-sleeved kaftans, Gypsy fringed shawls, psychedelic posters, joss sticks, peace ‘n’ love badges, Frank Zappa and Jefferson Airplane.

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Books: Penguin’s Gormenghast trilogy

May 14th, 2011

A recent conversation with artist John Frankland about the work of Mervyn Peake has brought me back to one of my most treasured possessions: the 1970 Penguin edition of Peake’s masterpiece Gormenghast.

Designed by Robert Hollingsworth, the three illustrated paperbacks Titus Groan (first published in 1946) Gormenghast (1950) and Titus Alone (1959) were housed in a case decorated with Peake drawings.

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