I just had to write and tell you how much I love the book that has just been published. Your work really cascades over the decades and is utterly real and convincing.
Extract of email from David Bowie to Derek Boshier, November 2015
I guess it can be told now. David Bowie was at one stage going to contribute to Rethink/Re-entry, the monograph of the artist Derek Boshier, with whom the late rock star had worked in the late 70s and early 80s.
Ian Harris is one of those London characters who turns up at various stages in the capital’s post-war pop culture narrative.
It’s always a delight to encounter fresh artworks by a favourite artist, and Derek Boshier’s print One from 1967 is no exception.
Continue reading Derek Boshier: One (1967) + !Manifesto! (1969)
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I am among the participants in The Conformist, a group exhibition being organised for the New Year by artist Paul Kindersley at the gallery of Julia Muggenburg’s extraordinary London art/jewellery establishment Belmacz.
This company letterhead was designed by the late graphics master Barney Bubbles for music entrepreneur Jake Riviera during the latter’s tenure at 60 Parker Street in London’s Covent Garden in the late 70s.
Continue reading Barney Bubbles’ cube letterhead design for Riviera Global Record Productions
Continue reading The Third Earl Of Harrow: Screaming Lord Sutch at Let It Rock
“It didn’t matter what side of the bed you were lying on, as long as you were lying on it. Everybody from (author/actress) Anne Lambton to (Sex Pistols guitarist) Kutie Jones to (socialite and writer) Anthony Haden-Guest – they were all flattered. Just goes to show how everyone loves to have their moment – good, bad or indifferent.”
Malcolm McLaren, The Look, 2006
It’s coming up to five years since I posted my marathon dissection – including extensively researched links to sources and references – of the divisive 1970s punk manifesto t-shirt design You’re Gonna Wake Up One Morning And Know What Side Of The Bed You’ve Been Lying On!
Here is a new version of that post, revised and updated with fresh links.
Enjoy!
Sixty years after Blast, the You’re Gonna Wake Up list t-shirt adopted a similarly truculent tone in an attempt to ring the alarms amid a culture rendered flaccid by the failure of the 60s dream.
You’re Gonna Wake Up – which went on sale in Malcolm McLaren and Vivienne Westwood’s boutique Sex at 430 King’s Road in the autumn of 1974 – was conceived by fellow traveller and soon-to-be manager of The Clash Bernie Rhodes and realised with contributions from McLaren and their friend Gerry Goldstein.
Of course, it is best known for carrying the band name McLaren had recently granted to a bunch of teenagers hanging around the shop: “Kutie Jones and his SEX PISTOLS”.
Considered as an artwork, a two-and-a-half year project, and in its own terms, McLaren’s Sex Pistols’ was as seminal and resonant as Picasso’s Guernica.
Only this was a masterpiece made not of paint and canvas but of headlines and scandal, scams and factoids, rumour and fashion, slogans, fantasies and images and (I almost forgot) songs, all in a headlong scramble to auto-destruction.
For it was equally a Situationist treatise-by-example, the unremitting and obdurate core being McLaren’s grasp of the theory of situations as proposed by the SI.
Indeed, the story of the Pistols is a Situationist textbook of how to create situations from which there is no return. You refuse to negotiate, to compromise, to be co-opted, you exacerbate every crisis and recklessly play loser wins and then you blow up all the bridges so then there is no way back.
We are then forced to invent another future. Or maybe simply relish the mess, “the ecstasy of making things worse”.
From Fred Vermorel’s memoir which appears exclusively in the new exhibition catalogue.
The catalogue for the exhibition Eyes For Blowing Up Bridges is now available.
The lavishly illustrated 100-page book includes a foreword by John Hansard Gallery’s Ros Carter and Stephen Foster, my introduction, an essay by co-curator David Thorp and a specially commissioned memoir of Malcolm McLaren and his connections to post-war radicals by his art-school friend and collaborator Fred Vermorel.
Matthew Cornford, co-designer of the Malcolm McLaren art school tour t-shirt with John Beck, has sent another shot of the shirts being sold at last Friday’s event Be Reasonable Demand The Impossible.
Continue reading Going going gone: The No Future Malcolm McLaren art school tour t-shirt sell-out
The catalogue for exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren is published on Friday (November 13).
Continue reading Eyes For Blowing Up Bridges catalogue published this Friday