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Steven Meisel’s campaign clip for Miu Miu’s autumn/winter 2015 collection tips a knowing wink to Malcolm McLaren and Vivienne Westwood’s 70s label Seditionaries, and in particular the design collage Vive Le Rock/Punk Rock Disco.
//Left: The Ian Dury Cocktail Cabinet. Right: The AC/DC Desk// //Left: The Rebel, signed ‘Sal ’81’. Right: The Tree Of Drawers// Four extraordinary works by the late Barney Bubbles are to feature in Christie’s Out Of The Ordinary sale, the annual event which is fast becoming one of the highlights of the auction calendar.
The launch of SHOWStudio’s new series PRINT features an interview with me by editor Lou Stoppard about my magazine archive. There is also a section dedicated to images from the archive, including front covers, spreads and ads.
Two of Malcolm McLaren’s t-shirts from the very first production run of I Groaned With Pain – the notorious text design produced with Vivienne Westwood in 1974 – will be featured in Eyes For Blowing Up Bridges, the exhibition I am co-curating with David Thorp at Southampton’s John Hansard Gallery this autumn. I Groaned With […]
//Left: Detail of photo of model posing in leather Sex hood, autumn 1974. Photo: © David Parkinson. Right: David Bowie in leather hood, summer 1974, Sherry Netherland Hotel, New York. Photo: Dana Gillespie// My recent post about David Bowie’s visits in 1974 to 430 King’s Road when it was in its Too Fast To Live […]
This month – specifically July 26 – marks the 40th anniversary of the introduction for sale of Malcolm McLaren’s notorious Cowboys t-shirt in Sex, the revolutionary boutique he operated at 430 King’s Road with Vivienne Westwood. The shirt’s status as the most provocative of all punk designs is enhanced by the fact that it made […]
It is a little known fact that David Bowie was an occasional visitor to 430 King’s Road when it was operating as Too Fast To Live Too Young To Die. This manifestation of Malcolm McLaren and Vivienne Westwood’s revolutionary boutique – which paid design tribute to the fetishistic studded leather attire of Britain’s early 60s […]
//Magazines from my archive (clockwise from top left): Creem, August 1974; Grand Royal #3, 1995; Club International, August 1973; Harpers & Queen, October 1976// //After Dark, September 1974; Ben Is Dead #26, 1996// I’m one of the contributors to Print, writer Lou Stoppard’s forthcoming celebration of the great fashion and music magazines of the past […]
For its 75th anniversary issue, US visual culture publication Print has selected Barney Bubbles as one of six “unsung heroes of design”.
The regions are where it’s at these days, so we are told, and naturally Barney Bubbles designs can be found in the thick of it.