Derek Boshier is the next subject of the BBC strand What Do Artists Do All Day? – Zara Hayes’ film, which was shot in Los Angeles and shadows Boshier on his daily routine, will be screened at 10.30pm UK time on BBC Four next Monday (August 24).
Eyes For Blowing Up Bridges* is the title of the forthcoming exhibition about the creative interplay between a group of remarkable radical artists, poets, writers and activists who initiated, perpetrated and influenced a range of post-war alternatives.
//The Identi-Kit Man, Derek Boshier, centre, Tate Britain. Photo: Chris Stephens.//
Chris Stephens, the Tate’s head of displays and head curator of modern British art, has organised for Derek Boshier’s 1962 painting to be hung at Tate Britain on London’s Millbank.
//Lobby card for High School Confidential!, 1958. This is from the opening scene, where Lewis sings the movie’s title track//
Let It Rock was digging in the ruins of past cultures that you cared about. It was giving them another brief moment in the sun. It wasn’t about doing anything new. It was anhomage. It was nostalgia. Malcolm McLaren to Momus, 2002
Forty three years after its creation I can reveal the source of the Jerry Lee Lewis image which appeared on the Let It Rock t-shirt design “The ‘Killer’ Rocks On!”.
It is from a lobby card for Alan Freed’s 1958 rocksploitation flick High Street Confidential!; an original was just one of the pieces of 50s ephemera adorning Let It Rock’s premises at 430 King’s Road in 1972.
//Boshier features in these panels from BBC Four’s Pop Art-style run-down of the season elements//
British artist Derek Boshier – subject of Rethink/Re-entry, the monograph I have edited which is published this autumn – is to be featured in next month’s BBC season of programmes about Pop Art.
Boshier has been commissioned by the broadcaster to create a new BBC Four ident which will run throughout August alongside new logos produced by his fellow Royal College graduates Peter Blake and Peter Phillips (who starred with Boshier and the late Pauline Boty in Ken Russell’s groundbreaking 1962 BBC documentary Pop Goes The Easel).
Two of Malcolm McLaren’s t-shirts from the very first production run of I Groaned With Pain – the notorious text design produced with Vivienne Westwood in 1974 – will be featured in Eyes For Blowing Up Bridges, the exhibition I am co-curating with David Thorp at Southampton’s John Hansard Gallery this autumn.
I Groaned With Pain is named after the first four words of the paragraph of text McLaren lifted from beat writer Alexander Trocchi’s erotic novel Helen And Desire (published in 1954 by Olympia Press under the pseudonym Francis Lengel).
//Dorothea Wight picking up groceries in Queens Crescent Market…////…before heading into Studio Prints//
The 1970 BBC documentary At A Printmaker’s Workshop focuses on Dorothea Wight’s fabled Studio Prints in Queens Crescent, Kentish Town.
It is also a marvellous snapshot of London on the cusp of change as inner city areas became invigorated by the arrival of interesting new businesses (with none of today’s dread “regeneration” and its companion property-speak of “creative quartiers” and such).
It includes many of the works featured in the forthcoming monograph Derek Boshier: Rethink/Re-entry, which is published by Thames & Hudson in October and features a foreword by David Hockney.
//Reigning Apps And Blogs, acrylic on canvas, 187 x 122 x 3cm, 2011//
Check out, if you have the chance, Derek Boshier’s giant 2011 work Reigning Apps And Blogs in the summer show curated by Michael Craig Martin at London’s Royal Academy of Arts.