Paul Gorman

Art

Rare film: Malcolm McLaren on how to make subversive trousers

To celebrate today’s opening of the exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren, this rare footage of McLaren talking about the genesis of the bondage trousers design has been issued by the Malcolm McLaren Estate through Dazed Digital.

The film is entitled Subversive Trousers and is from Being Malcolm, which was written and performed by McLaren and produced with Première Heure for Canal Jimmy. The series won a prestigious French TV award.

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//From today’s Guardian Guide//

Among the many rare items in the exhibition are materials related to McLaren’s collaboration with graphic artist Jamie Reid, as demonstrated by the exhibits below.

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// Sex Pistols -Fuck Forever. Design by Jamie Reid for Great Rock N Swindle, 1979, produced as t-shirt by Reid 1987, with source of image, front cover of Picturegoer, January 1959, and original copy of Leaving The 20th Century, Christopher Gray’s collection of Situationist texts designed by Reid, 1974//

Read Dazed Digital on the show is here .

The Guardian Guide’s preview here.

Eyes For Blowing Up Bridges opens today (September 26) and runs until November 14.

Find out more here.

Modernize your old culture! Be up to date! Eyes For Blowing Up Bridges installation well underway

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DÉTOURNÉD PAINTING

Intended for the public. Easy reading

Collectors and museums,
be modern
If you have old paintings,
do not despair.
Keep your memories
But detourne them
So they correspond to your time
Why reject the old [paintings]
If one can modernize them?
With a few brushstrokes
Modernize your old culture
Be up to date
and distinguished at the same time
Painting is over
Better give it the final blow
Detourne
Long live painting

Asger Jorn, exhibition catalogue, Galerie Rive Gauche, Paris, May 1959. Translation: Young Kim.

Among the pertinent exhibits of our forthcoming show Eyes For Blowing Up Bridges is the statement disavowing traditional approaches to artistic creation made by the Danish artist and writer Asger Jorn in the late 50s.

Continue reading Modernize your old culture! Be up to date! Eyes For Blowing Up Bridges installation well underway

Installing our exhibition Eyes For Blowing Up Bridges: Joining the dots from the Situationist International to Malcolm McLaren

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Today David Thorp and I worked with the team at John Hansard Gallery on the first day of the installation of our forthcoming exhibition Eyes For Blowing Up Bridges: Joining the dots from the Situationist International to Malcolm McLaren.

Continue reading Installing our exhibition Eyes For Blowing Up Bridges: Joining the dots from the Situationist International to Malcolm McLaren

Derek Boshier: Rethink/Re-entry published October 5 UK + November 10 US

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//Cover artwork by Boshier, incorporating references to his 1973 installation Change and a portrait by his friend, Nigel Waymouth//

In January 2012, on a cold night in a print studio in, of all places, Wandsworth, south London, the eminent artist Derek Boshier asked me if I was interested in putting together a monograph of his life’s work with his friend and champion, the writer and curator Guy Brett.

Continue reading Derek Boshier: Rethink/Re-entry published October 5 UK + November 10 US

Derek Boshier: Rethink/Re-entry – Works of the 1970s/Recent films & collages at Flowers Cork Street this autumn

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//The Dance, from the series News From The Metropolis, Derek Boshier, 2014. Ink and collage on paper//
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//From Best Foot Forward, Derek Boshier, 2014. Film//

To coincide with the publication of the Derek Boshier monograph Rethink/Re-entry, writer/curator Guy Brett and I are putting together an exhibition of the same name which will be held at Flowers Gallery in Cork Street, Central London this autumn.

Continue reading Derek Boshier: Rethink/Re-entry – Works of the 1970s/Recent films & collages at Flowers Cork Street this autumn

Rock, Rock, Rock! Roots of Let It Rock’s Chuck Berry t-shirt in 50s movie ephemera

Movie poster advertises the Italian release of Alan Freed's musical 'Rock, Rock, Rock', starring Chuck Berry, 1956. (Photo by John D. Kisch/Separate Cinema Archive/Getty Images)
//Poster for Italian release of Alan Freed’s 1956 musical Rock, Rock, Rock!. Photo: John D. Kisch/Separate Cinema Archive/Getty Images//

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//Left: Chuck Berry image isolated and bleached out. Right: As it appeared on the t-shirt, worn in this 1973 photograph of singer/songwriter Simon Fisher Turner. Photographer: Unknown//

When they were setting up Let It Rock in 1971, Malcolm McLaren and his original partner in the boutique at 430 King’s Road – Patrick Casey – acquired a cache of posters, showcards and ephemera for 50s rocksploitation movies, including many Continental-language variants.

Continue reading Rock, Rock, Rock! Roots of Let It Rock’s Chuck Berry t-shirt in 50s movie ephemera

From Vive la Commune! in 1881 to Vive le Rock! in 1972: How a Chinese Communist Party pamphlet inspired one of the great Malcolm McLaren designs

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//From top left: Chinese Communist Party pamphlet, 1971; McLaren in Let It Rock 1972; Proclamation by Engels and Marx, 1881; Title lettering, Belgian film poster, 1958//

A year or so ago I established the source material for one of the first designs generated by Malcolm McLaren in the fashion partnership he conducted with Vivienne Westwood in the 70s and early 80s.

Now I can reveal the inspiration: text contained in an unprepossessing Communist booklet celebrating the short-lived “Paris Commune” government of 19th Century revolutionary France.

Continue reading From Vive la Commune! in 1881 to Vive le Rock! in 1972: How a Chinese Communist Party pamphlet inspired one of the great Malcolm McLaren designs