Identity, Photography, Fashion: Images from new exhibition North

//From the series Skelmersdale, 1984. Photograph by Stephen McCoy//
//Derrin Crawford & Demi-Leigh Cruickshank, The Liver Birds, LOVE, 2012. Photograph by Alice Hawkins//
//Raf Simons menswear Autumn Winter 2003, Paris Menswear Fashion Week. Copyright Catwalking.com//

Here is a selection of amazing images featured in new exhibition North: Identity, Photography, Fashion, which is open to the public from today at Liverpool’s Open Eye Gallery.

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Exclusive installation shots from North: Identity, Photography, Fashion

//Mannequin, New Power Studio, Autumn/Winter 2010 – Spring/Summer 2012. Wall: Manchester, Newcastle and Sheffield, 1995-2001, Jason Evans//
//Set design, Tony Hornecker, 2016. Film: Stylist Simon Foxton discusses growing up in Berwick-upon-Tweed, produced in collaboration with SHOWstudio, 2016//

I am very grateful to curators Adam Murray and Lou Stoppard for these exclusive installation shots from their exciting exhibition North: Identity, Photography, Fashion, which opens in a couple of hours at Liverpool’s Open Eye Gallery.

Exploring the influence of England’s northern cities and landscape on fashion and visual culture, the show presents the work of such vital image-makers as Alasdair McLellan – who has created his first film installation for public display at North – as well as Jamie Hawkesworth, Glen Luchford and Nick Knight.

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Michael Joseph’s 1971 ‘orgy’ shoot: Journey from Fernet-Branca billboard ad – starring Judy Nylon, Gala Pinion, Brent Sherwood, David ‘Piggy’ Worth et al – to covers of 90s/00s funk compilations

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//The Michael Joseph image which was to be central to the 1971 Fernet-Branca campaign was featured in Dave Saunders’ survey Sex In Advertising, published by Batsford Books in 1996//
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//Front, Funk Spectrum, BBE Records, 1999. Photo: Michael Joseph//
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//Back, Funk Spectrum, BBE, 1999. Photo: Michael Joseph//

In 1971 the great advertising director and photographer Michael Joseph was commissioned to shoot a billboard campaign for the Italian digestif Fernet-Branca.

Continue reading Michael Joseph’s 1971 ‘orgy’ shoot: Journey from Fernet-Branca billboard ad – starring Judy Nylon, Gala Pinion, Brent Sherwood, David ‘Piggy’ Worth et al – to covers of 90s/00s funk compilations

Sayonara Martin Stone 1946 – 2016

Martin Stone hopped, pre-dawn, through the Cheshire street market, scavenging books. Winklepickers, tourniquet trousers, mildewed beret, bulging swagbag: Blind Pew impersonated by Max Wall. Cigarette grafted to trembling, prehensile fingers, he was an anthology of retro fashion. And in his wake there shimmered a vortex of gossip and, amazingly, goodwill…  Iain Sinclair, The Independent, February 18, 1995

Sad to note the passing of Martin Stone, dapper devil and rock and rolling rare book dealer par excellence.

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The Rebel Music man: Dave Hendley exhibition opens this week

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I’m really looking forward to visiting the forthcoming exhibition of the photography of Dave Hendley, who died this summer.

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//Outer gatefold, Rebel Music, Trojan Records, 1979. Design: Uncredited//

Hendley is best known for the photos he took of the Jamaican music scene in the 70s, but he holds a special place for me as the man responsible for one of my favourite compilations, the double-LP Rebel Music, released by Trojan at the end of that decade.

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Unflinching beauty: The work of Emma Hopkins in new exhibition FACE | TIME

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Tonight sees the opening of a group show featuring the work of one of my favourite contemporary figurative artists, Emma Hopkins.

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//Uta. Mixed media on polyester, 125 x 57cm. Emma Hopkins 2016//

Hopkins’ work unflinchingly considers the raw beauty of the human anatomy and physiognomy. As she says: “I paint people from the inside out.”

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Nick Ebeling’s supercool ride into Dennis Hopper’s heart of darkness with ‘El Hombre Invisible’ Satya de la Manitou

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//Dennis Hopper and Satya de la Manitou photographed by Wim Wenders in Taos, 1978 (c) Wim WendersStiftung 2016//

Along For The Ride is the wild and suitably idisoyncratic documentary from LA-based artist Nick Ebeling about male friendship –  in particular the relationship between Ebeling’s cinematic hero Dennis Hopper and his right-hand man, “El Hombre Invisible” Satya de la Manitou – and the often fraught nature of film-making.

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//Satya de la Manitou in Along For The Ride//

With a score by Gemma Thompson of Savages and produced by Sheri Timmons, the core of Along For The Ride lies in stories of de la Manitou’s 40-year friendship with Hopper, as related to Ebeling over coffee in various LA diners.

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