It’s that man again; Kosmo Vinyl has another exhibition of his artful football-based collages.
On the heels of last year’s Is Saitch Yer Daddy?, England Expects coincides with this year’s World Cup in Brazil and reflects – in Vinyl’s “lick-and-stick” style – on the national team’s engagement in the competition past, present and possible.
//Collage courtesy Contains Art//
The show opens later this month at Contains Art in Watchet Harbour, Somerset. “I was invited and I accepted,” says Vinyl. “How can you say no to a place called Watchet?”
Organised under the auspices of regional arts body Creative Somerset, England Expects: The World Cup Art Of Kosmo runs from June 18-29.
Visit here for venue details and here for info on the show.
When I first saw it I was questioning a lot of things, not least my adequacy. Things like inspiration, influences, references . . . where do things come from? Copying things—not as “homage'”or “pastiche”, but dying to get inside a thing. Inhabit it. Nostalgia too. Using machines. Colour. Systems. Perpetual motion. Automatism. Copying things. Graham Wood on Existence Is Unhappiness.
This week sees the London opening of Magick Is Freedom! (After Barney Bubbles), an exhibition of the series of prints made by designer Graham Wood in response to Existence Is Unhappiness, the fold-out poster for the 12th issue of underground magazine Oz published in May 1968 and designed by Barney Bubbles with Sid Squeak and others.
//Jacket photograph Terry Richardson with shots from Walrod’s Instagram feed//
Design authority Jim Walrod wears a deep and wide-ranging understanding of his subject – specifically that pertaining to modernism in furniture, interiors, product design and architecture – lightly.
This is refreshing in a field populated by bloodless experts and humourless know-alls. The founder of important 90s/00s store Form & Function, Walrod – described as “the ultimate design raconteur” by André Balazs and “the furniture pimp” by the Beastie Boys – is above all an enthusiast.
//Sketch for songbook cover, 13 x 9″. Derek Boshier 1979 courtesy Flowers Gallery//
While interrogating materials for Rethink/Re-Entry – the monograph of artist Derek Boshier I am editing – I’ve come across many delights, including these sketches in the Flowers Gallery archive for one of the most visually striking documents of the post-punk era, CLASH 2nd Songbook.
Set in a discreet 19th Century neo-classical carriage house in Manhattan’s Upper East Side, The Dark Parade is a meditative installation of assemblages, sculptures and recent photography by David Armstrong.
One visitor who has experienced the immersive show – visits are by appointment with Armstrong’s gallery Casa De Costa – noted the “dark works with an edge of humour and ominous atmosphere” and likens The Dark Parade to “a mix of the memento mori via a hard-on-its-luck antiques store”.
//Left: The Outer Limits, 2010. 8.5 x 12.4 x 8.5in. Right: Untitled, 2014. 24 x 35.25in//
I’m intrigued by the photography of Sunny Suits, the American who, like so many illustrious others, flourishes in Paris, so am delighted to present this selection of recent work complete with her descriptions and background text.
Joujouka
//Village boys dressed as Aisha Kandisha, Joujouka, 2013. Sunny Suits////Master Musician pipers playing under the tent, Joujouka, 2013. Sunny Suits////Master Musicians in the Madras before playing, Joujouka, 2013. Sunny Suits////Mohamed Hamri’s grave, Joujouka, 2013. Sunny Suits////Cafe Boujeloud, Joujouka, 2013. Sunny Suits//
The Joujouka festival happens once a year in Morocco, a few hours from Tangier. It’s an incredible experience, to live on the farm with the villagers, to share their lives for a few days. Each night around midnight the musicians play and are excellent!
The folklore of the village is something special and I feel really lucky to have experienced it. Brian Jones and the Beats are to be thanked for sharing the discovery with us I’d say but it’s the music and also the painter Mohamed Hamri that I connect with most.
Champagne Bars and Sex Shops
//SERO, sex shop sign, Paris 2014. Sunny Suits//
My first memories of Paris include Pigalle. I used to live in the area and I have wanted to document the champagne bars and the women who work in them for years but before, my French wasn’t good enough and now the bars have almost disappeared. It’s also not exactly my world so I don’t think I have the right to intrude even though it’s only with respect that I see them.
Some of them have become sheesha bars, which I don’t mind because it’s part of the quartier, but red light districts are dying worlds. I see it as them as endangered species, something exotic and necessary. It’s a shame to see them disappear. There should be a smut preservation society.
The photograph ‘Sero’ is of the largest sex shop in Pigalle called Sexodrome. The lights had burned out leaving the sign to read Sero. Ironic for a sex shop sign.
Vince Aletti
Vince is a journalist and photo critic who was close to Peter Hujar. He knew David Wojnarowicz and many, if not all of the great artists from the Lower East Side that I admire so much. His voice is one of experience as that was his peer group. My friend the artist Paul P and Vince are friends and Paul took me to meet him one day at his place, which is like a shrine! He’s smart and generous and it was a lovely afternoon.
Ariel Kenig
My friend Ariel is a writer here in France, novels and plays. He’s young and accomplished. He’s singing now and I think he’ll be just as successful. His groupies are already in line. He’s got something no doubt. His style is sort of what I call ‘Nu-Française’. He respects the lineage, of literature and now singing, and is a contemporary of it.
Lamine Badian Kouyaté
//Lamine Badian Kouyaté (Xuly Bët), Le Comptoir General, Paris, 2014. Sunny Suits//
Lamine is the designer of the French brand Xuly Bët. He’s half Malian half Senegalese and for me totally Parisien. Xuly Bët has its well earned place in fashion history. I don’t think of fashion without thinking of Xuly Bët. His proposition is a mix of street, couture and Africa and I love it. It’s the 25th anniversary of Xuly Bët this year and I’m really honoured to have been able to take his picture. You can see a great Xuly Bët show in the Robert Altman film Prêt-à-Porter.
Read more about the Master Musicians Of Joujouka here and the story of Aïsha Kandisha here.
For French-speakers there is an interview with Ariel Kenig about his book Le Miracle here.
DJHistory has a great interview with Vince Aletti here.
