Brian Griffin: Capitalist Realism opens today at Steven Kasher Gallery
It’s exciting to note the opening today of photographer Brian Griffin’s first US solo show, Capitalist Realism at New York’s Steven Kasher Gallery.
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It’s exciting to note the opening today of photographer Brian Griffin’s first US solo show, Capitalist Realism at New York’s Steven Kasher Gallery.
This is an extract from an interview with the late Malcolm McLaren in October 1982, conducted just after he and design partner Vivienne Westwood had shown their fashion collection Punkature. As the promulgator, initially through music and fashion and then into other forms from film and art to design and media, McLaren defined Punk as […]
Next week witnesses the opening of a London exhibition of reworked images by music/street art photographer Janette Beckman.
As a tribute to the late rock star, I have joined forces with map-makers Herb Lester to create an online guide to David Bowie’s London from his birth at 40 Stansfield Road in Brixton in 1947 through his solo art show in Mayfair in 1995 to the giant retrospective David Bowie Is exhibition at the […]
I just had to write and tell you how much I love the book that has just been published. Your work really cascades over the decades and is utterly real and convincing. Extract of email from David Bowie to Derek Boshier, November 2015 I guess it can be told now. David Bowie was at one […]
Ian Harris is one of those London characters who turns up at various stages in the capital’s post-war pop culture narrative.
I’m very excited by the news that artist Stephen Sutcliffe and director Graham Eatough are making a film based on the first and last chapters of the Enderby novels by my literary hero Anthony Burgess.
Last night I gave a talk to fine art students at Central Saint Martins as part of the London art and design college’s Monday Guest Lecture series. The title – Malcolm McLaren: A New Type Of Artist – stemmed from the catalogue introduction by the late Paul Taylor to Impresario, the 1988 New York New […]
Considered as an artwork, a two-and-a-half year project, and in its own terms, McLaren’s Sex Pistols’ was as seminal and resonant as Picasso’s Guernica. Only this was a masterpiece made not of paint and canvas but of headlines and scandal, scams and factoids, rumour and fashion, slogans, fantasies and images and (I almost forgot) songs, […]
The catalogue for exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren is published on Friday (November 13).