The Lava Lady: Suzan Strauss 1930 – 2016

Woman walking along La Brea Boulevard, Los Angeles
//The Lava Lady on La Brea Boulevard, Los Angeles, 1990s. Photo: http://antebellumgallery.blogspot.co.uk//

Sad to note the passing of Suzan Strauss, whose intriguing, otherworldly presence illuminated the streets around Melrose and La Brea in Los Angeles in the 80s and 90s.

Choosing to walk the otherwise empty pavements in her ever-changing extraordinary outfits, she was known as The Lava Lady since her residence on Detroit was clad in black lava rock (and apparently the interior was not lit by electricity, but candles).  In my circle Strauss was known as That Lady, as in “I was parking in Ralph’s and saw That Lady” or “I nearly spoke to That Lady at Fairfax High flea market but didn’t want to disturb her”.

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Voodoo And Magic Practices: The book which inspired McLaren and Westwood’s Witches collection

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//Voodoo and Magic Practices, Jean Kerboull, Barrie and Jenkins, 1978. Translated from the French by John Shaw//

This is the book which inspired the late Malcolm McLaren to unite the design ideas he developed with Vivienne Westwood for their Autumn/Winter 1983 fashion collection Witches.

At the time McLaren was completing his album Duck Rock, which was conceived as an ethnological travelogue and modelled on the  LP series Dances Of the World’s Peoples released on the ethnographic Folkways label; in fact, Duck Rock was originally titled Folk Dances Of The World and the incorporation of an illustrated insert containing track-by-track explanations was taken from the one which appeared in the 1958 albums.

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Talking about Legacy: The story of The Face at ModMag 2016

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Apologies for not posting for a while; I am currently focusing energies on my book Legacy: The story of The Face, which is published by Thames & Hudson in autumn 2017.

Launched in 1980 by print publishing pioneer Nick Logan – the editor of the NME during its ’70s glory years, the man who also founded Smash Hits, Arena, Arena Homme Plus, Frank and Deluxe – The Face magazine brought the news on the dizzying developments of popular culture for two decades.

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‘Progressive, provocative, beautiful and belligerent’: 52-page Malcolm McLaren extravaganza in new issue of Man About Town

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//Cover, Man About Town SS16. Otto in Buffalo hat and Rigby & Peller bra (prototype for Nostalgia Of Mud, 1982). Photography: Alasdair McLellan. Styling: Olivier Rizzo//

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//Above left: Frankie in Buffalo hat, white Nike socks and my George Cox Diano creepers. Right: Natalie in Malcolm McLaren’s Chico hat (Witches, 1983), Buffalo jacket (Nostalgia Of Mud, 1982) and Bondage Trousers (Seditionaries, 1976). Photography: Alasdair McLellan. Styling: Olivier Rizzo. Hair: Duffy: Make Up: Lynsey Alexander. Man About Town SS16//

On a warm London afternoon last July I enjoyed a meeting with Ben Reardon, editor-in-chief of the biannual Man About Town, the magazine’s senior fashion editor Danny Reed and Young Kim of the Malcolm McLaren Estate.

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Maximum cool: Paul Yule’s photojournalism casts creative figures in a new light

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//Fashion designer Vivienne Westwood at Paul Yule’s studio in Berwick Street, Soho, central London, 1980//
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//Filmmaker Alex Cox directing an Oxford University Dramatic Society production of Bertholt Brecht’s The Resistable Rise Of Arturo Ui, 1975//

Here are just a few examples of the riches presented by photojournalist/filmmaker Paul Yule’s highly recommended Instagram feed @paul_yule.

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//Bow Wow Wow singer Anabella L’win and manager Malcolm McLaren at L’Escargot restaurant in Greek Street, Soho, immediately prior to the group signing with RCA Records, 1981//

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Photography in a period of transition: London’s creative community captured down the decades in David Gwinnutt’s Portraits Trouvés

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//Siouxsie Sioux, 42 Arlington Square, N1, 1982. © David Gwinnutt//
Corinne Day
//”This was taken in hospital when she had the brain tumour but oddly seems to reflect the end of that heroin chic period.” The late photographer Corinne Day, Whitechapel Hospital, east London, 1996. © David Gwinnutt//
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//Timberlina, east London 2009. © David Gwinnutt//

Photographer David Gwinnutt’s new show Portraits Trouvés at north London estate agency Currell provides documentation of the drastic transformation of our city through portraiture of some of the leading lights in arts and culture from the 80s to the 10s.

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‘Misfits in the pantheon of pop’ : Barney Bubbles exhibition at Leamington Spa’s White Room Gallery this weekend

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//Four of the five 60in x 40in posters designed by Bubbles for the 1977 UK tour by Stiff Records’ artists//
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//Jacket sported by Jake Riviera in the late 70s decorated with badges, adorned with a ‘Jesus Of Cool’ promotional tie produced for Nick Lowe and accompanied by a Roberta Bayley photograph of Riviera in the jacket in 1977//

Music fan and pop ephemera collector Mike Hobday is realising a long-held ambition this weekend with a show of designs by the late graphic artist Barney Bubbles at The White Room Gallery in Leamington Spa, Warwickshire.

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Throbbing Gristle – Live at Oundle School – 1980-03-16: When the wreckers of civilisation played one of England’s top boarding schools

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As it’s Mother’s Day we’d like to dedicate this to all the absent mothers of the young boys here tonight. I’m sure if they were here tonight they’d wonder if it was worth all the money they’re paying.

Genesis P. Orridge introducing the TG set at Oundle, March 16, 1980.

On a Sunday in 1980, Throbbing Gristle gave an hour-long performance before 70-or-so teenage boys and a few teachers at Oundle School in Northamptonshire.

Chris Carter, the late Peter “Sleazy” Christopherson, Genesis P. Orridge and Cosey Fanni Tutti were booked by 17-year-old pupil Nigel Jacklin, who had previously corresponded with P. Orridge. As head of the boarding school’s “Rock Soc”, Jacklin was entitled to choose one band a year to play a concert there and apparently hoodwinked teachers by telling them that TG’s music was akin to that of minimalist composer John Cage.

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Jah Wobble’s soundtrack for The Conformist: Big Youth, Blake, Buzzcocks, Joni, Miles, Stooges + much, much more

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//Clockwise from top left: William Blake; Jah Wobble; King Tubby; Miles Davis; The Stooges; Jimi Hendrix Experience//

An essential element of the current group exhibition The Conformist is the companion soundtrack selected by Jah Wobble.

This blends Wobble’s take on William Blake’s Tyger, Tyger (from the great 1996 album The Inspiration Of William Blake) with tracks to be expected from one of the world’s greatest dub, jazz and soul fiends – including King Tubby & Augustus Pablo, Big Youth, Miles Davis and the Isley Brothers – and some surprises, such as Joni Mitchell’s Big Yellow Taxi.
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